Ten years after David Bowie’s death, Blackstar remains one of the most haunting and deliberate final works in modern music.

Often framed as a farewell album, Blackstar feels closer to something far more intentional: an artist confronting not just mortality, but the loss of authorship over his own legacy.

In this episode of The Last Mixed Tape, Stephen White explores how Bowie used Blackstar to design his own disappearance, refusing nostalgia, embracing abstraction, and choosing new musical languages at the very end.

Placing Bowie alongside artists like Leonard Cohen, Sylvia Plath, and Francis Bacon, this episode examines how creators across music, poetry, and art have turned toward death not as an ending, but as material.