Ep. 364: Live at Metrograph! Mark Asch on Eight Hours of Terror, Marty Supreme, Ella McCay, The Bridesmaid, and more
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On a recent wintry night, I was delighted to record a very special episode of the podcast at Metrograph in front of a living, breathing audience. Joining me for this adventure was critic Mark Asch, a friend of the pod and my editor many years ago. We first talked about the movie that the audience had just watched, Seijun Suzuki’s Eight Hours of Terror, a 1957 treat plucked from a previous conversation on The Last Thing I Saw. Our discussion first followed our Lower East Side setting by starting with Marty Supreme (directed by Josh Safdie) and then onto other December films, including The Bridesmaid (Paul Feig) and Ella McCay (James L. Brooks).
Thank you to Metrograph and their devoted team for all their assistance and hospitality in hosting this special recording of The Last Thing I Saw.
Please support the production of this podcast by signing up at:
rapold.substack.com
Photo by Steve Snodgrass
All content for The Last Thing I Saw is the property of Nicolas Rapold and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Ep. 364: Live at Metrograph! Mark Asch on Eight Hours of Terror, Marty Supreme, Ella McCay, The Bridesmaid, and more
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On a recent wintry night, I was delighted to record a very special episode of the podcast at Metrograph in front of a living, breathing audience. Joining me for this adventure was critic Mark Asch, a friend of the pod and my editor many years ago. We first talked about the movie that the audience had just watched, Seijun Suzuki’s Eight Hours of Terror, a 1957 treat plucked from a previous conversation on The Last Thing I Saw. Our discussion first followed our Lower East Side setting by starting with Marty Supreme (directed by Josh Safdie) and then onto other December films, including The Bridesmaid (Paul Feig) and Ella McCay (James L. Brooks).
Thank you to Metrograph and their devoted team for all their assistance and hospitality in hosting this special recording of The Last Thing I Saw.
Please support the production of this podcast by signing up at:
rapold.substack.com
Photo by Steve Snodgrass
Ep. 345: Venice 2025: Chloe Lizotte on A House of Dynamite, Dead Man’s Wire, Claire Simon, Wayne McGregor, Le Souffleur, More Late Fame
The Last Thing I Saw
43 minutes 19 seconds
4 months ago
Ep. 345: Venice 2025: Chloe Lizotte on A House of Dynamite, Dead Man’s Wire, Claire Simon, Wayne McGregor, Le Souffleur, More Late Fame
Ep. 345: Venice 2025: Chloe Lizotte on A House of Dynamite, Dead Man’s Wire, Claire Simon, Wayne McGregor, Le Souffleur, More Late Fame
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I have been busily watching movies at the 2025 Venice Film Festival, and for my latest episode, I sit down with Chloe Lizotte, the deputy editor of MUBI's film journal Notebook, and the Event Horizon columnist at Reverse Shot. Among the movies we discuss are A House of Dynamite (directed by Kathryn Bigelow), Dead Man’s Wire (Gus Van Sant), Writing Life (Claire Simon), and Le Souffleur (Gaston Solnicki), with some more words on Late Fame (Kent Jones). Lizotte also shares impressions from her visit to Wayne McGregor’s 3D choreographic installation On the Other Earth, in the Dance Biennale.
Please support the production of this podcast by signing up at:
rapold.substack.com
Photo by Steve Snodgrass
The Last Thing I Saw
Ep. 364: Live at Metrograph! Mark Asch on Eight Hours of Terror, Marty Supreme, Ella McCay, The Bridesmaid, and more
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On a recent wintry night, I was delighted to record a very special episode of the podcast at Metrograph in front of a living, breathing audience. Joining me for this adventure was critic Mark Asch, a friend of the pod and my editor many years ago. We first talked about the movie that the audience had just watched, Seijun Suzuki’s Eight Hours of Terror, a 1957 treat plucked from a previous conversation on The Last Thing I Saw. Our discussion first followed our Lower East Side setting by starting with Marty Supreme (directed by Josh Safdie) and then onto other December films, including The Bridesmaid (Paul Feig) and Ella McCay (James L. Brooks).
Thank you to Metrograph and their devoted team for all their assistance and hospitality in hosting this special recording of The Last Thing I Saw.
Please support the production of this podcast by signing up at:
rapold.substack.com
Photo by Steve Snodgrass