Community, refugees, and urban life: what’s cycling got to do with it? We explore refugee women’s experiences in London through the ESRC Open City initiative and a participatory film with The Bike Project. In this episode of The Migration Oxford Podcast, we explore how mobility, belonging, and everyday urban life intersect in London, and how newcomers reshape the city through movement. Our focus is a participatory, arts-based collaboration with The Bike Project, an NGO that provides refugees with free bicycles. At its core, the initiative asks how movement - both physical and social - can create pathways to belonging, access, and agency for those newly arrived.
The Bike Project’s work is simple yet transformative: bicycles enable refugees to travel independently, connect with services, and build confidence navigating London. But beyond practical utility, cycling becomes an embodied way of claiming space, of becoming visible in the city, and of weaving new rhythms into urban life. Our discussion explores this duality - bikes as both tools of mobility and symbols of presence in urban spaces that are at once open and exclusionary.
We welcome Dr Eda Yazici, Senior Researcher at the University of Bristol, and Professor Michael Keith, Director of the Centre on Migration, Policy and Society (COMPAS) and the PEAK Urban project. Together, they reflect on how collaborative, arts-based approaches can reveal the lived realities of migration and the permeability of the city itself.
The project invited refugee women connected with The Bike Project to co-produce short and long-form films documenting their experiences of arrival and adaptation. These films move beyond representation to highlight how everyday mobilities shape inclusion, resilience, and visibility in the city. Our conversation situates these narratives within wider debates about mobility at multiple scales. From the global journeys of displacement to the intimate routes traced through neighbourhoods and cycle lanes, mobility both enables and constrains urban life. Arts-based collaborations, as this project demonstrates, can shed new light on how these scales intersect and how cities might be reimagined as more open and welcoming.
Listeners can view the films co-created through this initiative online at Cycling Visibilities. Together with the discussion, they offer a powerful insight into the experiences of refugee women cycling through London - making themselves visible, claiming urban space, and reshaping the city in the process.
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Community, refugees, and urban life: what’s cycling got to do with it? We explore refugee women’s experiences in London through the ESRC Open City initiative and a participatory film with The Bike Project. In this episode of The Migration Oxford Podcast, we explore how mobility, belonging, and everyday urban life intersect in London, and how newcomers reshape the city through movement. Our focus is a participatory, arts-based collaboration with The Bike Project, an NGO that provides refugees with free bicycles. At its core, the initiative asks how movement - both physical and social - can create pathways to belonging, access, and agency for those newly arrived.
The Bike Project’s work is simple yet transformative: bicycles enable refugees to travel independently, connect with services, and build confidence navigating London. But beyond practical utility, cycling becomes an embodied way of claiming space, of becoming visible in the city, and of weaving new rhythms into urban life. Our discussion explores this duality - bikes as both tools of mobility and symbols of presence in urban spaces that are at once open and exclusionary.
We welcome Dr Eda Yazici, Senior Researcher at the University of Bristol, and Professor Michael Keith, Director of the Centre on Migration, Policy and Society (COMPAS) and the PEAK Urban project. Together, they reflect on how collaborative, arts-based approaches can reveal the lived realities of migration and the permeability of the city itself.
The project invited refugee women connected with The Bike Project to co-produce short and long-form films documenting their experiences of arrival and adaptation. These films move beyond representation to highlight how everyday mobilities shape inclusion, resilience, and visibility in the city. Our conversation situates these narratives within wider debates about mobility at multiple scales. From the global journeys of displacement to the intimate routes traced through neighbourhoods and cycle lanes, mobility both enables and constrains urban life. Arts-based collaborations, as this project demonstrates, can shed new light on how these scales intersect and how cities might be reimagined as more open and welcoming.
Listeners can view the films co-created through this initiative online at Cycling Visibilities. Together with the discussion, they offer a powerful insight into the experiences of refugee women cycling through London - making themselves visible, claiming urban space, and reshaping the city in the process.
Who is the anti-migration agenda actually serving, and what are the alternatives? We welcome experts from the six-year-long MIGNEX project, which gathered a range of perspectives to explore questions of migration and global development. Over recent decades, there has been a growing emphasis towards stopping migration to the EU. Policy tools that focus on return and readmission aim to control migration flows from non-EU countries while development aid in countries of origin is oriented towards preventing migration.
Although early days, the aftermath of the European Parliament and UK elections suggest much of the same is yet to come; one case in point being the UK’s announcement to increase aid spending with the aim of reducing migration at source. But what are the (unintended) impacts of a narrow focus on the restriction of migration, on the EU, its member states, and countries of origin? And what implications does this have for migrants themselves?
How does this focus impact other policy agendas or, for instance, the ability to fill EU skills and labour shortages? And ultimately, are these ambitions even realistic? Is the assumption that migration can be prevented reflected in the evidence?
In this episode of The Migration Oxford Podcast, we welcome experts Jessica Hagen-Zanker, Senior Research Fellow and Head Migration and Displacement Hub at the Overseas Development Institute; Leander Kandilige, Associate Professor of Migration Studies at the Centre for Migration Studies, University of Ghana; and Carlos Vargas Silva, Professor of Migration Studies at COMPAS and a Fellow of Kellogg College, University of Oxford. Together they draw on six years of research conducted with the MIGNEX project which gathered data on the migration-development nexus from across 25 local areas in 10 countries. Now concluded, MIGNEX gathered a range of perspectives to interrogate questions of migration and global development, ultimately asking who is the anti-migration agenda actually working for and what are the alternatives?
The Migration Oxford Podcast
Community, refugees, and urban life: what’s cycling got to do with it? We explore refugee women’s experiences in London through the ESRC Open City initiative and a participatory film with The Bike Project. In this episode of The Migration Oxford Podcast, we explore how mobility, belonging, and everyday urban life intersect in London, and how newcomers reshape the city through movement. Our focus is a participatory, arts-based collaboration with The Bike Project, an NGO that provides refugees with free bicycles. At its core, the initiative asks how movement - both physical and social - can create pathways to belonging, access, and agency for those newly arrived.
The Bike Project’s work is simple yet transformative: bicycles enable refugees to travel independently, connect with services, and build confidence navigating London. But beyond practical utility, cycling becomes an embodied way of claiming space, of becoming visible in the city, and of weaving new rhythms into urban life. Our discussion explores this duality - bikes as both tools of mobility and symbols of presence in urban spaces that are at once open and exclusionary.
We welcome Dr Eda Yazici, Senior Researcher at the University of Bristol, and Professor Michael Keith, Director of the Centre on Migration, Policy and Society (COMPAS) and the PEAK Urban project. Together, they reflect on how collaborative, arts-based approaches can reveal the lived realities of migration and the permeability of the city itself.
The project invited refugee women connected with The Bike Project to co-produce short and long-form films documenting their experiences of arrival and adaptation. These films move beyond representation to highlight how everyday mobilities shape inclusion, resilience, and visibility in the city. Our conversation situates these narratives within wider debates about mobility at multiple scales. From the global journeys of displacement to the intimate routes traced through neighbourhoods and cycle lanes, mobility both enables and constrains urban life. Arts-based collaborations, as this project demonstrates, can shed new light on how these scales intersect and how cities might be reimagined as more open and welcoming.
Listeners can view the films co-created through this initiative online at Cycling Visibilities. Together with the discussion, they offer a powerful insight into the experiences of refugee women cycling through London - making themselves visible, claiming urban space, and reshaping the city in the process.
