Community, refugees, and urban life: what’s cycling got to do with it? We explore refugee women’s experiences in London through the ESRC Open City initiative and a participatory film with The Bike Project. In this episode of The Migration Oxford Podcast, we explore how mobility, belonging, and everyday urban life intersect in London, and how newcomers reshape the city through movement. Our focus is a participatory, arts-based collaboration with The Bike Project, an NGO that provides refugees with free bicycles. At its core, the initiative asks how movement - both physical and social - can create pathways to belonging, access, and agency for those newly arrived.
The Bike Project’s work is simple yet transformative: bicycles enable refugees to travel independently, connect with services, and build confidence navigating London. But beyond practical utility, cycling becomes an embodied way of claiming space, of becoming visible in the city, and of weaving new rhythms into urban life. Our discussion explores this duality - bikes as both tools of mobility and symbols of presence in urban spaces that are at once open and exclusionary.
We welcome Dr Eda Yazici, Senior Researcher at the University of Bristol, and Professor Michael Keith, Director of the Centre on Migration, Policy and Society (COMPAS) and the PEAK Urban project. Together, they reflect on how collaborative, arts-based approaches can reveal the lived realities of migration and the permeability of the city itself.
The project invited refugee women connected with The Bike Project to co-produce short and long-form films documenting their experiences of arrival and adaptation. These films move beyond representation to highlight how everyday mobilities shape inclusion, resilience, and visibility in the city. Our conversation situates these narratives within wider debates about mobility at multiple scales. From the global journeys of displacement to the intimate routes traced through neighbourhoods and cycle lanes, mobility both enables and constrains urban life. Arts-based collaborations, as this project demonstrates, can shed new light on how these scales intersect and how cities might be reimagined as more open and welcoming.
Listeners can view the films co-created through this initiative online at Cycling Visibilities. Together with the discussion, they offer a powerful insight into the experiences of refugee women cycling through London - making themselves visible, claiming urban space, and reshaping the city in the process.
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Community, refugees, and urban life: what’s cycling got to do with it? We explore refugee women’s experiences in London through the ESRC Open City initiative and a participatory film with The Bike Project. In this episode of The Migration Oxford Podcast, we explore how mobility, belonging, and everyday urban life intersect in London, and how newcomers reshape the city through movement. Our focus is a participatory, arts-based collaboration with The Bike Project, an NGO that provides refugees with free bicycles. At its core, the initiative asks how movement - both physical and social - can create pathways to belonging, access, and agency for those newly arrived.
The Bike Project’s work is simple yet transformative: bicycles enable refugees to travel independently, connect with services, and build confidence navigating London. But beyond practical utility, cycling becomes an embodied way of claiming space, of becoming visible in the city, and of weaving new rhythms into urban life. Our discussion explores this duality - bikes as both tools of mobility and symbols of presence in urban spaces that are at once open and exclusionary.
We welcome Dr Eda Yazici, Senior Researcher at the University of Bristol, and Professor Michael Keith, Director of the Centre on Migration, Policy and Society (COMPAS) and the PEAK Urban project. Together, they reflect on how collaborative, arts-based approaches can reveal the lived realities of migration and the permeability of the city itself.
The project invited refugee women connected with The Bike Project to co-produce short and long-form films documenting their experiences of arrival and adaptation. These films move beyond representation to highlight how everyday mobilities shape inclusion, resilience, and visibility in the city. Our conversation situates these narratives within wider debates about mobility at multiple scales. From the global journeys of displacement to the intimate routes traced through neighbourhoods and cycle lanes, mobility both enables and constrains urban life. Arts-based collaborations, as this project demonstrates, can shed new light on how these scales intersect and how cities might be reimagined as more open and welcoming.
Listeners can view the films co-created through this initiative online at Cycling Visibilities. Together with the discussion, they offer a powerful insight into the experiences of refugee women cycling through London - making themselves visible, claiming urban space, and reshaping the city in the process.
In the UK, migration debates tend to be about the idea of fullness – concepts of arrivals, overcrowding, competition for resources – but what about emptiness? We learn why it is such an important part of understanding migration. In the UK, migration debates tend to be about the idea of fullness but the concept of emptiness is underexplored. In the small towns of Armenia, people say “there is nothing here” stegh vochinch chka/ban chka [ստեղ ոչինչ չկա/ բան չկա] but this phrase does not describe actual nothingness. Vochinch chka/ban chka – and other descriptors related to “emptiness” found in the post-Soviet realm – refers to a loss of elements that constitute postsocialist towns and villages: people, schools, services, social networks, jobs, and the future (Dzenovska 2020). The largest conflict in postsocialist space, the Russo-Ukrainian war, sped up and generalized this tendency as whole cities are erased, millions of people are forced to leave their homes, and existential and temporal imaginaries of whole populations are mired in radical uncertainty. Why is emptiness such an important part of understanding migration as a discipline and human experience?
To explore this topic, we welcome Volodymyr Artiukh, COMPAS Postdoctoral Researcher, and Maria Gunko, COMPAS DPhil student in Migration Studies to share their research within field sites in Romania and in Armenia, as part of the EMPTINESS project (https://emptiness.eu/). The project studies the emptying cities, towns, and villages in Eastern Europe and Russia through the lens of “emptiness” as a concrete historical formation that has emerged in conditions when socialist modernity is gone and promises of capitalist modernity have failed. Is emptiness and nothingness produced by slow violence being filled (metaphorically speaking) by the fast violence of war? Does the arrival of entirely different populations amount to a place being revived, or reshaped? How do relationships to homes and communities left behind change throughout years of war?
The Migration Oxford Podcast
Community, refugees, and urban life: what’s cycling got to do with it? We explore refugee women’s experiences in London through the ESRC Open City initiative and a participatory film with The Bike Project. In this episode of The Migration Oxford Podcast, we explore how mobility, belonging, and everyday urban life intersect in London, and how newcomers reshape the city through movement. Our focus is a participatory, arts-based collaboration with The Bike Project, an NGO that provides refugees with free bicycles. At its core, the initiative asks how movement - both physical and social - can create pathways to belonging, access, and agency for those newly arrived.
The Bike Project’s work is simple yet transformative: bicycles enable refugees to travel independently, connect with services, and build confidence navigating London. But beyond practical utility, cycling becomes an embodied way of claiming space, of becoming visible in the city, and of weaving new rhythms into urban life. Our discussion explores this duality - bikes as both tools of mobility and symbols of presence in urban spaces that are at once open and exclusionary.
We welcome Dr Eda Yazici, Senior Researcher at the University of Bristol, and Professor Michael Keith, Director of the Centre on Migration, Policy and Society (COMPAS) and the PEAK Urban project. Together, they reflect on how collaborative, arts-based approaches can reveal the lived realities of migration and the permeability of the city itself.
The project invited refugee women connected with The Bike Project to co-produce short and long-form films documenting their experiences of arrival and adaptation. These films move beyond representation to highlight how everyday mobilities shape inclusion, resilience, and visibility in the city. Our conversation situates these narratives within wider debates about mobility at multiple scales. From the global journeys of displacement to the intimate routes traced through neighbourhoods and cycle lanes, mobility both enables and constrains urban life. Arts-based collaborations, as this project demonstrates, can shed new light on how these scales intersect and how cities might be reimagined as more open and welcoming.
Listeners can view the films co-created through this initiative online at Cycling Visibilities. Together with the discussion, they offer a powerful insight into the experiences of refugee women cycling through London - making themselves visible, claiming urban space, and reshaping the city in the process.
