Your weekly review of culture and art from the New Statesman, hosted by Tanjil Rashid.
Featuring interviews with literary and artistic greats, reviews of the latest cultural moments, and in-depth discussion to help you understand how culture shapes society – and our place in it.
Hosted on Acast. See acast.com/privacy for more information.
Your weekly review of culture and art from the New Statesman, hosted by Tanjil Rashid.
Featuring interviews with literary and artistic greats, reviews of the latest cultural moments, and in-depth discussion to help you understand how culture shapes society – and our place in it.
Hosted on Acast. See acast.com/privacy for more information.
Cinephiles are revisiting Whit Stillman's 90's movies. Tanjil Rashid meets Stillman to find out why.
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Whit Stillman is something of a cult film director. He rose to prominence in 1990 with his debut film Metropolitan, which became the first in the so-called “Doomed. Bourgeois. In love” trilogy: Barcelona came out in 1994 and The Last Days of Disco in 1998. Set among America’s so-called “Preppy” class, the films are comedies of manners in the tradition of Jane Austen, exploring the transitional phase of youth and a certain American identity.
The films are now having something of a revival. Stillman joins the New Statesman's culture editor Tanjil Rashid.
Hosted on Acast. See acast.com/privacy for more information.