With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"
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With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"
Support our Patreon:
www.patreon.com/thepinksmoke
Who better to spend the holidays with than rebellious hair hopper Dawn Davenport, who goes from pinning her screaming mother under a Christmas tree for failing to provide the desired gift of Cha Cha heels to becoming the brightest star to light up the electric chair. Kate Wilkiinson returns to talk about the *most* John Waters movie ever made, his 1974 cult classic that puts his favorite obsessions of crime, fame and grotesque glamour center stage. Is there anything more lovable than a hideous Baltimore accent? Can anyone deny the sex appeal of Edith Massey sewn into a tight leather S & M outfit? And is there something about all this that's weirdly wholesome?
1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between.
Wig Wurq on Tumblr:
www.wigwurq.tumblr.com/
Support our Patreon:
www.patreon.com/thepinksmoke
The Pink Smoke site:
www.thepinksmoke.com
The Pink Smoke on X:
twitter.com/thepinksmoke
Christopher Funderburg on X:
twitter.com/cfunderburg
John Cribbs on X:
twitter.com/TheLastMachine
Intro music: Unleash the Bastards / “Tea for Two”
Outro music: Marcus Pinn / “Vegas”
The Pink Smoke podcast
With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"