With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"
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With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"
Support our Patreon:
www.patreon.com/thepinksmoke
1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between.
Debuting in competition at the 1974 Cannes Film Festival was British thriller Symptoms from Catalan director José Ramón Larraz, a difficult-to-synopsize terror tone poem featuring Angela Pleasence being threatened by psychosexual hallucinations and a peeping odd-job man. Joining us to rake the leaves of this moody manor are Dan Pullen and Bradley J. Kornish of the Movies from Hell website and podcast who give their opinions on Spanish genre directors of the decade, the film's place among hysterical women movies like Repulsion and how horror movies were beginning to evolve in 1974.
Movies from Hell website:
moviesfromhell.com
The Pink Smoke site:
www.thepinksmoke.com
The Pink Smoke on X:
twitter.com/thepinksmoke
Christopher Funderburg on X:
twitter.com/cfunderburg
John Cribbs on X:
twitter.com/TheLastMachine
Intro music: Unleash the Bastards / “Tea for Two”
Outro music: Marcus Pinn / “Vegas”
The Pink Smoke podcast
With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"
