With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"
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With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"
The myth of Wyatt Earp ignited at the ascent of cinema, his alleged Old West exploits embellished on celluloid during the Silent Era so that he was a full-fledged American legend come the golden age of Hollywood. Earp westerns were such an established staple that Law and Order, the first movie to star a surrogate Wyatt, was already out in 1932. All the familiar elements were there - Tombstone, Doc Holliday, the gunfight at the O.K. Corral - but the names of the players were different. From fairly straight biographical retellings including The Arizonian and Dodge City to radical revisions like Sam Fuller's Forty Guns and Edward Dmytryk's Warlock, the "Wyatt Earp movie without Wyatt Earp" has developed into an obscure but crowded subgenre.
Who could identify such a subgenre but artist/Old West historian David Lambert, returning to The Pink Smoke to share his thoughts on the cinematic legacy of the killin'est peace officer who ever lived. Why so many thinly-veiled adaptations of the gunfighter's printed legend? How do they stack up next to the official versions, like John Ford's My Darling Clementine? Come for a nice long dive into these and other inquiries, stay for Lambert's killer Andy Devine impression.
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The Pink Smoke podcast
With the fifth entry of the Parker series, The Score, Richard Stark aka Donald E. Westlake puts his career criminal anti-hero in charge of his most ambitious heist yet: the 12-man robbery of a North Dakota mining town. This allows the author to expand the violent world of Parker by introducing a slew of fresh characters, including thespian-thief Alan Grofield, who would go on to star in four solo novels of his own.
We discuss the series' change in scope and structure in a book that would set the scene moving forward, the first of several to make the spectacular job the whole show. We also talk about the little-seen French movie adaptation, the introduction of this goofball Grofield and why Parker insists on taking jobs with such obvious risks.
The Score artwork by Tony Stella.
The Pink Smoke on Twitter:
twitter.com/thepinksmoke
Christopher Funderburg on Twitter:
twitter.com/cfunderburg
John Cribbs on Twitter:
twitter.com/TheLastMachine
Intro music:
Unleash the Bastards / "Tea for Two"
Outro music:
Marcus Pinn / "Vegas"
