Don’t just watch a movie; understand it. Don’t just hear a song; consider what it has to say. On The Review, writers and guests discuss how we entertain ourselves, and how that defines the way we see the world. Join The Atlantic’s writers as they break down a work of pop culture each week, exploring the big questions that great art can provoke, making some recommendations for you, and having a little fun along the way.
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Don’t just watch a movie; understand it. Don’t just hear a song; consider what it has to say. On The Review, writers and guests discuss how we entertain ourselves, and how that defines the way we see the world. Join The Atlantic’s writers as they break down a work of pop culture each week, exploring the big questions that great art can provoke, making some recommendations for you, and having a little fun along the way.
“I’m an unnatural mother.” It was this one line that drew first-time director Maggie Gyllenhaal to adapt the 2006 Elena Ferrante novel The Lost Daughter. Her new Netflix film of the same name examines motherhood and its secret shames.
Starring Olivia Colman and Jessie Buckley, the movie portrays a woman at two different points in her life: Colman as a present-day professor on holiday in Greece, and Buckley as a mother with two young daughters decades earlier. Arriving two years into a pandemic whose burden has fallen especially hard on parents, the movie received a fiercely polarized reaction.
David Sims, Sophie Gilbert, and Shirley Li analyze The Lost Daughter and the questions it raises. Is anyone a “natural mother”? How far does society expect women to sacrifice for their children? And how did they react to the film as parents?
Further reading:
Shirley’s interview with director Maggie Gyllenhaal: The Lost Daughter Understands the Secret Shame of Motherhood
Sophie on a trend: The Redemption of the Bad Mother
David ranked it #9 in his list: Best Movies of 2021
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The Review
Don’t just watch a movie; understand it. Don’t just hear a song; consider what it has to say. On The Review, writers and guests discuss how we entertain ourselves, and how that defines the way we see the world. Join The Atlantic’s writers as they break down a work of pop culture each week, exploring the big questions that great art can provoke, making some recommendations for you, and having a little fun along the way.
