Writing candidly about intimate, private moments and feelings is today such an accepted practice in pop songwriting that it can be startling to go back to 1971 and find Joni Mitchell reflecting that, at that point, 'the only thing that I could see to do fresh, that hadn't really been explored poetically, was the internal landscape. … [to] write from my own experience … was one of the few territories left for a poet to be a contributor of any kind'. The album she's talking about is Blue, and i...
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Writing candidly about intimate, private moments and feelings is today such an accepted practice in pop songwriting that it can be startling to go back to 1971 and find Joni Mitchell reflecting that, at that point, 'the only thing that I could see to do fresh, that hadn't really been explored poetically, was the internal landscape. … [to] write from my own experience … was one of the few territories left for a poet to be a contributor of any kind'. The album she's talking about is Blue, and i...
What does a chorus do in a pop song? Among our most basic assumptions about what will happen in a pop song is the expectation that it will lead us towards the fulfilment and clarity of a chorus, so it’s always interesting when a song chooses not to do this. Looking at this question in the context of Otis Redding’s 1966 version of ‘Cigarettes and Coffee’ can tell us something about what pop songs as a whole express to us: the way - perhaps unconsciously - listening to them shapes our understan...
The Secret Life of Songs
Writing candidly about intimate, private moments and feelings is today such an accepted practice in pop songwriting that it can be startling to go back to 1971 and find Joni Mitchell reflecting that, at that point, 'the only thing that I could see to do fresh, that hadn't really been explored poetically, was the internal landscape. … [to] write from my own experience … was one of the few territories left for a poet to be a contributor of any kind'. The album she's talking about is Blue, and i...
