The Take-Up is the place to gather when the film is over. Every episode, film critics Andrew Wyatt and Joshua Ray break down one film to decide if it enters the Take-Up's canon of films that reflect the website's ethos: Creator-owned independent online film criticism, based in the Heartland but traveling the world through cinema. Special guests plead the case for for their personal picks, with new releases getting a chance to sit alongside the greats.
The Take-Up is the place to gather when the film is over. Every episode, film critics Andrew Wyatt and Joshua Ray break down one film to decide if it enters the Take-Up's canon of films that reflect the website's ethos: Creator-owned independent online film criticism, based in the Heartland but traveling the world through cinema. Special guests plead the case for for their personal picks, with new releases getting a chance to sit alongside the greats.
Switching things up a bit, Josh and Andrew go to the French countryside with Alain Guiraudie’s Misericordia. Featuring an opening French lesson/cameo by Josh’s husband, our hosts get into the intricacies of this dark comedy-thriller, including its observation on relationships, rural France, and “one of the biggest jumpscares of the year”.
They have fun talking about a film where everyone in this small town is, to put it lightly, “a little bit gay.” Then, they have One More Thing, recommending the new Netflix true crime hit The Perfect Neighbor and Joseph Losey’s 1963 psychodrama The Servant (or “Parasite meets Phantom Thread meets Homoeroticism” according to Jake Cole’s Letterboxd).
Next week, say “and here’s to you” for guest Drew Wendt of Do You Like Apples? as he gets Josh and Andrew to talk about the movie that made him interested in film criticism, the 60s classic The Graduate!
Until then, read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.