Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
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Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
For this episode on "As the Crow Flies," by Mel Gillman, Jam, Jeff, and JD are joined by Ryan Estrada. We talk about one of Ryan’s favourite banned books. Is this a thoughtful story of alienation, doubt, microaggressions, and faith? Or is it, as one book banner summed it up, just “gender chaos?” We’ll talk about the power of traditional media (by which I mean pencil crayons), libraries, and how not to be uncomfortable in nature.
Music by Sleuth.
Our next episode will be on "O Human Star" by Blue Delliquanti.
The TradeWaiters
Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
