Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
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Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
It’s time for another Gutter-Take. Webcomics are harder to find than ever. Or is it the opposite? Where do you find your webcomics, and how do you get readers to find yours? Jeff, Jam, and JD have questions and also answers.
Music by Sleuth.
Our next episode will be on "The Amazing Spider-Man: Kraven’s Last Hunt" by J.M. DeMatteis and Mike Zeck.
The TradeWaiters
Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
