Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
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Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
On today’s Gutter-Take, Jam, Jeff, and JD talk about manga. What’s it like to read manga for the first time? What was it like for manga to be widely available in North America for the first time? And what have been the lasting impacts on both readers and creators alike of manga’s English-language successes?
Music by Sleuth.
Our next episode will be on the first volume of "The Rose of Versailles" by Riyoko Ikeda.
The TradeWaiters
Come with us to the future of the past as we read "Kingdom Come," written by superhero powerhouse Mark Waid and painstakingly painted by Alex Ross. This dark vision of the future of DC superheroes might be a commentary on the grim-dark comics of the 1990s, or it might be an excuse to get all of Mark Waid’s favourite characters in a room with Alex Ross’ dad. Either way, the art (in this fully auditory podcast) is amazing.
Music by Sleuth.
