"The Visual Past” showcases the latest research by scholars who explore the visual, spatial, and material culture that shaped the Ottoman world. The series will address not only objects, images, and calligraphy, but also works of architecture that were themselves contexts for other media. Before being designated historical landmarks or enshrined in museum displays, these rich artistic and architectural products constituted an intrinsic part of Ottoman life, intersecting with and affecting all levels of society. Episodes in this series investigate crucial issues about sight and seeing in the Ottoman Empire, including the power of the gaze, the depiction of human and animal imagery, and questions of style, aesthetics, and patronage. The series also explores transformations in technology that opened up new possibilities during the nineteenth and twentieth centuries for the popular dissemination of images through photographs, print media, and film.
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"The Visual Past” showcases the latest research by scholars who explore the visual, spatial, and material culture that shaped the Ottoman world. The series will address not only objects, images, and calligraphy, but also works of architecture that were themselves contexts for other media. Before being designated historical landmarks or enshrined in museum displays, these rich artistic and architectural products constituted an intrinsic part of Ottoman life, intersecting with and affecting all levels of society. Episodes in this series investigate crucial issues about sight and seeing in the Ottoman Empire, including the power of the gaze, the depiction of human and animal imagery, and questions of style, aesthetics, and patronage. The series also explores transformations in technology that opened up new possibilities during the nineteenth and twentieth centuries for the popular dissemination of images through photographs, print media, and film.
Ottomans, Orientalists, and 19th-Century Visual Culture
The Visual Past
5 years ago
Ottomans, Orientalists, and 19th-Century Visual Culture
Episode 445 with Mary Roberts hosted by Zeinab Azarbadegan Download the podcast Feed | iTunes | GooglePlay | SoundCloud The line between Orientalist and Ottoman painting might at first seem clear. But in this episode, historian Mary Roberts argues that such distinctions are in fact complicated, drawing on her recent book Istanbul Exchanges: Ottomans, Orientalists and Nineteenth-Century Visual Culture. She explains how Istanbul became a global center of production, circulation, and exhibition of visual culture in the nineteenth century. Ottomans and Orientalists both contended and connected with each other--whether in Pera or in the palace--and Roberts discusses how these networks of patronage and apprenticeship eventually led to works that were produced in Istanbul ending up all around the world. There they became defined as Orientalist, but Roberts unearths the more tangled genealogy of their production, as well as the relevance of audience in these characterizations. « Click for More »
The Visual Past
"The Visual Past” showcases the latest research by scholars who explore the visual, spatial, and material culture that shaped the Ottoman world. The series will address not only objects, images, and calligraphy, but also works of architecture that were themselves contexts for other media. Before being designated historical landmarks or enshrined in museum displays, these rich artistic and architectural products constituted an intrinsic part of Ottoman life, intersecting with and affecting all levels of society. Episodes in this series investigate crucial issues about sight and seeing in the Ottoman Empire, including the power of the gaze, the depiction of human and animal imagery, and questions of style, aesthetics, and patronage. The series also explores transformations in technology that opened up new possibilities during the nineteenth and twentieth centuries for the popular dissemination of images through photographs, print media, and film.
