"The Visual Past” showcases the latest research by scholars who explore the visual, spatial, and material culture that shaped the Ottoman world. The series will address not only objects, images, and calligraphy, but also works of architecture that were themselves contexts for other media. Before being designated historical landmarks or enshrined in museum displays, these rich artistic and architectural products constituted an intrinsic part of Ottoman life, intersecting with and affecting all levels of society. Episodes in this series investigate crucial issues about sight and seeing in the Ottoman Empire, including the power of the gaze, the depiction of human and animal imagery, and questions of style, aesthetics, and patronage. The series also explores transformations in technology that opened up new possibilities during the nineteenth and twentieth centuries for the popular dissemination of images through photographs, print media, and film.
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"The Visual Past” showcases the latest research by scholars who explore the visual, spatial, and material culture that shaped the Ottoman world. The series will address not only objects, images, and calligraphy, but also works of architecture that were themselves contexts for other media. Before being designated historical landmarks or enshrined in museum displays, these rich artistic and architectural products constituted an intrinsic part of Ottoman life, intersecting with and affecting all levels of society. Episodes in this series investigate crucial issues about sight and seeing in the Ottoman Empire, including the power of the gaze, the depiction of human and animal imagery, and questions of style, aesthetics, and patronage. The series also explores transformations in technology that opened up new possibilities during the nineteenth and twentieth centuries for the popular dissemination of images through photographs, print media, and film.
with Lorenz Korn hosted by Emily Neumeier and Sotirios Dimitriadis Download the podcast Feed | iTunes | GooglePlay | SoundCloud The fountain standing in the Hippodrome (At Meydanı) in Istanbul, located just a few steps away from some of Turkey’s most famous tourist attractions like Hagia Sophia and the Blue Mosque, doesn’t attract much notice these days. But wrapped up in this monument, gifted to the people of the city by the German Emperor Wilhelm II, is a story that sheds some light on the bilateral relations between the Ottoman Empire and their European neighbors before WWI. What is the role that the arts play in this diplomatic relationship? Under what conditions could such an object be inserted in the topography of Istanbul’s historic monuments? In this episode, Emily Neumeier and Sotirios Dimitriadis speak with Lorenz Korn about his research on the imperial fountain, tracing the process of its design, construction and reception. « Click for More »
The Visual Past
"The Visual Past” showcases the latest research by scholars who explore the visual, spatial, and material culture that shaped the Ottoman world. The series will address not only objects, images, and calligraphy, but also works of architecture that were themselves contexts for other media. Before being designated historical landmarks or enshrined in museum displays, these rich artistic and architectural products constituted an intrinsic part of Ottoman life, intersecting with and affecting all levels of society. Episodes in this series investigate crucial issues about sight and seeing in the Ottoman Empire, including the power of the gaze, the depiction of human and animal imagery, and questions of style, aesthetics, and patronage. The series also explores transformations in technology that opened up new possibilities during the nineteenth and twentieth centuries for the popular dissemination of images through photographs, print media, and film.
