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The Weimar Spectacle
Bremner Fletcher Duthie
14 episodes
6 days ago
“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...
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Arts
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“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...
Show more...
Arts
https://is1-ssl.mzstatic.com/image/thumb/Podcasts211/v4/16/97/f3/1697f397-9150-6774-aaf0-cd10bf164629/mza_13534229389793309201.jpg/600x600bb.jpg
'The Einstein Of Sex': Magnus Hirschfeld, the man who discovered and celebrated sexuality
The Weimar Spectacle
1 hour 21 minutes
6 months ago
'The Einstein Of Sex': Magnus Hirschfeld, the man who discovered and celebrated sexuality
Today I’m interviewing Daniel Brook, the author of a new book on the pioneering sexual rights activist Magnus Hirschfeld, whose Berlin Institute of Sexual Science was a huge attraction in Weimar Berlin and was eventually destroyed by the Nazis, and whose theories are so contemporary they could be taken directly from modern debates about gender, sexuality, race and freedom. Magnus Hirschfeld (14 May 1868 – 14 May 1935) was a Jewish German physician, sexologist and LGBTQ+ advocate, whose German...
The Weimar Spectacle
“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...