“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...
All content for The Weimar Spectacle is the property of Bremner Fletcher Duthie and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...
Will the real Sally Bowles please stand up? The real lives behind Cabaret, the musical
The Weimar Spectacle
1 hour 8 minutes
10 months ago
Will the real Sally Bowles please stand up? The real lives behind Cabaret, the musical
“Berlin was in a state of civil war. Hate exploded suddenly, without warning, out of nowhere; at street corners, in restaurants, cinemas, dance halls, swimming-baths; at midnight, after breakfast, in the middle of the afternoon ... From 1929 to 1933, I lived almost continuously in Berlin, with only occasional visits to other parts of Germany and to England. Already, during that time, I had made up my mind that I would one day write about the people I’d met and the experiences I was having. So...
The Weimar Spectacle
“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...