Filmmaker and screenwriter Ken Kabatoff (Travelers) took home the big prize at the DGC BC’s Greenlight competition a couple of years ago, and the short film he created with that financial backing – The Doukhobor – is one of the most impactful horror films our host has ever seen. The Doukhobor draws its inspiration from the story of the Freedomite Doukhobors, and the abysmal treatment this group of pacifists, freethinkers, and anti-materialists (whose members included Ken’s own family) received at the hands of the Canadian government. Ken is also the filmmaker of two terrifying horror shorts – LUTO and LUTO 2 – as well as a recent video in which he attempted to remake his first LUTO film shot for shot using AI (a video that is horrifying for reasons not related to it being a remake of a horror film).
In this riveting conversation with Sabrina Rani Furminger, Ken talks about making horror films for audiences who live in horrifying times, the bravery of Freedomite Doukhobors (and how their history impacted his short film), and what his recent experiment taught him about AI.
Episode sponsor: Fish Flight Entertainment
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Filmmaker and screenwriter Ken Kabatoff (Travelers) took home the big prize at the DGC BC’s Greenlight competition a couple of years ago, and the short film he created with that financial backing – The Doukhobor – is one of the most impactful horror films our host has ever seen. The Doukhobor draws its inspiration from the story of the Freedomite Doukhobors, and the abysmal treatment this group of pacifists, freethinkers, and anti-materialists (whose members included Ken’s own family) received at the hands of the Canadian government. Ken is also the filmmaker of two terrifying horror shorts – LUTO and LUTO 2 – as well as a recent video in which he attempted to remake his first LUTO film shot for shot using AI (a video that is horrifying for reasons not related to it being a remake of a horror film).
In this riveting conversation with Sabrina Rani Furminger, Ken talks about making horror films for audiences who live in horrifying times, the bravery of Freedomite Doukhobors (and how their history impacted his short film), and what his recent experiment taught him about AI.
Episode sponsor: Fish Flight Entertainment
Five years ago, actor Giles Panton swung by the YVR Screen Scene Podcast to talk about voicing Iron Man in Marvel Battleworld: Mystery of the Thanostones, the sleighful of Christmas movies in his filmography, what he learned playing the minister of propaganda for the American Reich in Amazon Prime’s critically acclaimed dystopian series The Man in the High Castle, and the Barbie commercial that broke up his band. It’s a fantastic episode (which you can find in the episode footnotes or wherever you listen to podcasts), but a lot can change in five years. For instance, you can move from being the guy that always loses the girl in the rom-com to the guy who gets her. You can win a Leo Award for Best Performance in an Animation Program for your work in animated horror anthology series Red Iron Road AND a UBCP/ACTRA Award for voicing Carnage and Norman Osborne in Absolute Carnage. You can get an ADHD diagnosis that explains so much of how you move through the world. You can become a dad. In this compelling conversation – at times poignant; at times funny; always authentic and entertaining – Giles reflects on the many changes of the last five years, what it takes to be a leading man, working with Andrea Brooks on Snowy with a Chance of Christmas, pursuing joy, constructing grilled cheese sandwiches, and how his ADHD diagnosis changed his life.
Episode sponsor: UBCP/ACTRA
The YVR Screen Scene Podcast
Filmmaker and screenwriter Ken Kabatoff (Travelers) took home the big prize at the DGC BC’s Greenlight competition a couple of years ago, and the short film he created with that financial backing – The Doukhobor – is one of the most impactful horror films our host has ever seen. The Doukhobor draws its inspiration from the story of the Freedomite Doukhobors, and the abysmal treatment this group of pacifists, freethinkers, and anti-materialists (whose members included Ken’s own family) received at the hands of the Canadian government. Ken is also the filmmaker of two terrifying horror shorts – LUTO and LUTO 2 – as well as a recent video in which he attempted to remake his first LUTO film shot for shot using AI (a video that is horrifying for reasons not related to it being a remake of a horror film).
In this riveting conversation with Sabrina Rani Furminger, Ken talks about making horror films for audiences who live in horrifying times, the bravery of Freedomite Doukhobors (and how their history impacted his short film), and what his recent experiment taught him about AI.
Episode sponsor: Fish Flight Entertainment
