Filmmaker and screenwriter Ken Kabatoff (Travelers) took home the big prize at the DGC BC’s Greenlight competition a couple of years ago, and the short film he created with that financial backing – The Doukhobor – is one of the most impactful horror films our host has ever seen. The Doukhobor draws its inspiration from the story of the Freedomite Doukhobors, and the abysmal treatment this group of pacifists, freethinkers, and anti-materialists (whose members included Ken’s own family) received at the hands of the Canadian government. Ken is also the filmmaker of two terrifying horror shorts – LUTO and LUTO 2 – as well as a recent video in which he attempted to remake his first LUTO film shot for shot using AI (a video that is horrifying for reasons not related to it being a remake of a horror film).
In this riveting conversation with Sabrina Rani Furminger, Ken talks about making horror films for audiences who live in horrifying times, the bravery of Freedomite Doukhobors (and how their history impacted his short film), and what his recent experiment taught him about AI.
Episode sponsor: Fish Flight Entertainment
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Filmmaker and screenwriter Ken Kabatoff (Travelers) took home the big prize at the DGC BC’s Greenlight competition a couple of years ago, and the short film he created with that financial backing – The Doukhobor – is one of the most impactful horror films our host has ever seen. The Doukhobor draws its inspiration from the story of the Freedomite Doukhobors, and the abysmal treatment this group of pacifists, freethinkers, and anti-materialists (whose members included Ken’s own family) received at the hands of the Canadian government. Ken is also the filmmaker of two terrifying horror shorts – LUTO and LUTO 2 – as well as a recent video in which he attempted to remake his first LUTO film shot for shot using AI (a video that is horrifying for reasons not related to it being a remake of a horror film).
In this riveting conversation with Sabrina Rani Furminger, Ken talks about making horror films for audiences who live in horrifying times, the bravery of Freedomite Doukhobors (and how their history impacted his short film), and what his recent experiment taught him about AI.
Episode sponsor: Fish Flight Entertainment
Episode 352: Dr. Jules Arita Koostachin and Sera-Lys McArthur
The YVR Screen Scene Podcast
37 minutes 33 seconds
4 months ago
Episode 352: Dr. Jules Arita Koostachin and Sera-Lys McArthur
Earlier this month, Angela’s Shadow won two awards – for best screenwriting and best production design – at the 2025 Leo Awards. It was the latest in a string of successes for the film, which won the Panorama Audience Award at the 2024 Vancouver International Film Festival, kicks off a theatrical run in Toronto this weekend, and is acclaimed Cree filmmaker Dr. Jules Arita Koostachin’s highly anticipated follow-up to the similarly lauded Broken Angel. In Angela’s Shadow, Angela (played by Sera-Lys McArthur) and Henry (Matthew Kevin Anderson), young 1930s socialites with a baby on the way, embark on a short trip north to visit Angela’s beloved childhood nanny, Mary (Renae Morriseau). When Angela is harassed by a menacing shadow figure, Mary moves to bless and protect her and her unborn child with illegal Cree ceremonies and medicine. As the truth about her ancestry and the spectral figure’s identity unfold, Angela must decide whether to delve into her newfound spiritual traditions in order to protect herself from her husband’s escalating purity-obsessed racism.
Angela’s Shadow is the second film in a trilogy that follows three sets of Cree characters all connected to each other in some way, across three different time periods, who use their connections to their Cree spiritual traditions to combat and heal from settler colonialism. The first film – the aforementioned dramatic thriller entitled Broken Angel – won Sera-Lys the award for Best Actress at the 2022 American Indian Film Festival. In this compelling conversation with Sabrina Rani Furminger, Jules and Sera-Lys talk about healing from settler colonialism through art, working with family (three of Jules’ sons and her mom all appear in the film), being pregnant IRL shortly after being pregnant onscreen, and where they’re going to take us next.
Episode sponsor: Directors Guild Of Canada, BC District Council
The YVR Screen Scene Podcast
Filmmaker and screenwriter Ken Kabatoff (Travelers) took home the big prize at the DGC BC’s Greenlight competition a couple of years ago, and the short film he created with that financial backing – The Doukhobor – is one of the most impactful horror films our host has ever seen. The Doukhobor draws its inspiration from the story of the Freedomite Doukhobors, and the abysmal treatment this group of pacifists, freethinkers, and anti-materialists (whose members included Ken’s own family) received at the hands of the Canadian government. Ken is also the filmmaker of two terrifying horror shorts – LUTO and LUTO 2 – as well as a recent video in which he attempted to remake his first LUTO film shot for shot using AI (a video that is horrifying for reasons not related to it being a remake of a horror film).
In this riveting conversation with Sabrina Rani Furminger, Ken talks about making horror films for audiences who live in horrifying times, the bravery of Freedomite Doukhobors (and how their history impacted his short film), and what his recent experiment taught him about AI.
Episode sponsor: Fish Flight Entertainment