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This Seats Taken
Robert Miranda and Brandon Cole
194 episodes
6 days ago
Send us a text In this episode, we dive into two wildly different but equally entertaining films. First up: The Running Man, the neon-soaked dystopian action flick that pits Glenn Powell against a deadly game show long before reality TV took over the world. Then we switch gears to the slick, twist-heavy world of Now You See Him, Now You Don’t, breaking down the tricks, turns, and cinematic sleight of hand that keep the story—and us—on our toes. But that’s not all. We wrap things up with a dra...
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Film Reviews
TV & Film
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All content for This Seats Taken is the property of Robert Miranda and Brandon Cole and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text In this episode, we dive into two wildly different but equally entertaining films. First up: The Running Man, the neon-soaked dystopian action flick that pits Glenn Powell against a deadly game show long before reality TV took over the world. Then we switch gears to the slick, twist-heavy world of Now You See Him, Now You Don’t, breaking down the tricks, turns, and cinematic sleight of hand that keep the story—and us—on our toes. But that’s not all. We wrap things up with a dra...
Show more...
Film Reviews
TV & Film
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Predator: Badlands and Die My Love
This Seats Taken
47 minutes
1 week ago
Predator: Badlands and Die My Love
Send us a text This week on the pod, we dive deep into two of the latest cinematic releases — the brutal sci-fi survival of Predator: Badlands and the haunting, emotional powerhouse Die My Love. We break down what worked, what didn’t, and which one left us talking long after the credits rolled. In movie news, we chat about the latest buzz surrounding Sydney Sweeney’s next big role and all the fresh updates on Avengers: Doomsday — including what the leaks and rumors might mean for the future o...
This Seats Taken
Send us a text In this episode, we dive into two wildly different but equally entertaining films. First up: The Running Man, the neon-soaked dystopian action flick that pits Glenn Powell against a deadly game show long before reality TV took over the world. Then we switch gears to the slick, twist-heavy world of Now You See Him, Now You Don’t, breaking down the tricks, turns, and cinematic sleight of hand that keep the story—and us—on our toes. But that’s not all. We wrap things up with a dra...