Whether it's programming double features, providing audio commentaries, or just gabbing about movies in all their forms, Kyle and Levi have you covered. At Ticket Stubs, cinema is taken seriously—even if we don't take ourselves all that seriously.
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Whether it's programming double features, providing audio commentaries, or just gabbing about movies in all their forms, Kyle and Levi have you covered. At Ticket Stubs, cinema is taken seriously—even if we don't take ourselves all that seriously.
In this episode of Overlapping Dialogue, we eagerly head full speed into the danger zone with two thrilling disaster pictures intent on traumatizing their characters and relentlessly entertaining their audiences: Black Sunday and Twister! But before we masochistically chase storms of both the physical and emotional variety, we stock up on a Blue Plate Special selection focusing on some new releases (In a Violent Nature) and filmmakers (Jane Schoenbrun, director of We're All Going to the World's Fair and I Saw the TV Glow) that hopefully suggest that maybe the spirit of cinema isn't dead after all. Eventually, we abandon all decorum and good sense by embracing the chaos of our double feature: join us as we delight in the unabashed 70s-ness of John Frankenheimer's B-movie epic (we also take the opportunity to induct not one but *two* members into our Hall of Fame, the Immune) and celebrate Jan de Bont's fabulous piece of 90s nonsense, filled with more of its era's character actors than any act of nature could every whisk away.
As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.
https://thebigwblog.wordpress.com/2024/06/05/chapters-skipped-over-on-a-dvd-i-saw-the-tv-glow-review/
Ticket Stubs
Whether it's programming double features, providing audio commentaries, or just gabbing about movies in all their forms, Kyle and Levi have you covered. At Ticket Stubs, cinema is taken seriously—even if we don't take ourselves all that seriously.
