Rob Rosenthal, Lead Instructor Rob Rosenthal …one of the things I love most about my job as lead instructor [is] I have no idea what’s going to happen. From day-to-day, from workshop to workshop… every class is different. The stories are different. Even the style of storytelling is different… Read more. TSW: Class of Fall 2015 “No Flush, No Fuss” by Devika Bakshi Devika Bakshi Follow the good tape. Like a besotted stalker. Like you followed Teju Cole on Twitter. With utter devotion. Read more and listen. “Good Intentions: A Story of Cross-Racial Adoption” by Brenna Daldorph Brenna Daldorph Someone once told me that if you are comfortable during discussions about race, then nothing important is actually being said. I held that close to heart as I worked on this piece… Read more and listen. “An Act Relative To Sex Offenders” by Ciara Gillan Ciara Gillan You’re prepped from the outset that your story may not unfold the way you thought it would. But sometimes, at that very last minute, your story can grab you by the ears and spin you right upside down. Read more and listen. “More Than A Game” by Jimmy Gutierrez Jimmy Gutierrez It took me a long, long, long time before I understood the ingredients to make this story work. In the editing process I relied heavily on all eight classmates, along with Rob and Catie. Read more and listen. “Ears Underwater” by Bethel Habte Bethel Habte …go out and drink beers with scientists. More generally, always be on the hunt for stories. Read more and listen. “Trigger Warning” by Jacqui Helbert Jacqui Helbert It was extremely difficult to share so much about myself and make myself vulnerable while working on the piece. But both Paige and I are happy with the end result and hope that our story will help someone who has suffered at the hands of a family member. Read more and listen. “Secession’s the Answer” by Sally Helm Sally Helm On my way to gather tape at the karaoke bar, I wondered if I was crazy to think that this might work. At first it was awkward to record people on their night out. By the end of the night, though, I’d started to enjoy the rush that comes from talking to strangers and going out on a limb. Read more and listen. “Driving In Circles” by Martine Powers Martine Powers Coming from the world of print journalism, I always believed in the adage, “Everyone needs an editor.” Here’s what I learned at Transom: Everyone needs eight editors. Or nine. Or ten. Read more and listen.