This video explores the philosophical tension between language as a metaphorical tool and the status of the Odaimoku as a sacred, ultimate reality. While modern linguistics and philosophy often view words as mere approximations or maps of experience, the author uses Tiantai Buddhist doctrine to argue that the chant Namu Myoho Renge Kyo transcends this divide. Through the Threefold Truth, the text explains that the sounds are simultaneously empty of fixed essence and functionally real, embodying the non-duality of symbol and truth. Ultimately, the author posits that chanting is not an attempt to reach a distant reality, but a way to participate in the Dharma's own self-expressionthrough human breath. By recognizing that the map and the territory were never separate, the practitioner experiences the sound as awakening itself rather than a mere pointer.