This week on Unglossy, we get rare, front-row access to hip-hop happening in real time. Tom and Jeffrey go full fly-on-the-wall as Bun B and Statik Selektah build TrillStatik 5 from scratch—live, unannounced, and completely unscripted—during Art Basel weekend in Miami. From surprise guests walking straight off the street into the booth, to verses written, recorded, and sequenced on the spot, this episode pulls back the curtain on what creative chaos looks like when mastery meets momentum. Bu...
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This week on Unglossy, we get rare, front-row access to hip-hop happening in real time. Tom and Jeffrey go full fly-on-the-wall as Bun B and Statik Selektah build TrillStatik 5 from scratch—live, unannounced, and completely unscripted—during Art Basel weekend in Miami. From surprise guests walking straight off the street into the booth, to verses written, recorded, and sequenced on the spot, this episode pulls back the curtain on what creative chaos looks like when mastery meets momentum. Bu...
This week on Unglossy, Bun B, Tom Frank, and Jeffrey Sledge sit down with Michael Ford, The Hip Hop Architect—a designer using rhythm and rhyme to reshape skylines. From leading tThe Hip Hop Museum in the Bronx to launching the Hip Hop Architecture Camp, Ford proves design can be culture, not just construction. He shares how rap lyrics inspire real-world spaces, why representation matters in architecture, and how collaborations with Kurtis Blow, Lupe Fiasco and Herman Miller, and turn creati...
Unglossy with Bun B, Jeffrey Sledge and Tom Frank
This week on Unglossy, we get rare, front-row access to hip-hop happening in real time. Tom and Jeffrey go full fly-on-the-wall as Bun B and Statik Selektah build TrillStatik 5 from scratch—live, unannounced, and completely unscripted—during Art Basel weekend in Miami. From surprise guests walking straight off the street into the booth, to verses written, recorded, and sequenced on the spot, this episode pulls back the curtain on what creative chaos looks like when mastery meets momentum. Bu...
