Folks, they did it. After all these episodes, the Vent City crew has finally taken a cue from every other skate podcast. That’s right! Today we bring you four dudes, none of them pros. With Kristin and Alex busy and Ryan on tour, it’s just two Teds with an Adam and a Kyle. And what have these unprofessional men gotten into? Well, Kyle wrote a Scholastic kids book about skating, which means we’re digging down into the basics. Why grind? Why bother with tricks at all? There’s also talk of his time on the Navajo Nation with 4Kinship, distributing pre-made completes. Can pricepoint pre-mades save skating? Or do we still need cool skater heroes? Ted B gives us an EMB update and takes us inside his work with Jacob Rosenberg curating the Epicenter show, and having the chance to work with Kevin Wilkins one last time. And then, respectfully, silence.
Thanks, always, to the following:
Intro music by Roar
Credits music by Dylan Bryne
Logo and graphic design by Michael Worful
Mixed and edited by Adam Burns
All content for Vent City is the property of Vent City and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Folks, they did it. After all these episodes, the Vent City crew has finally taken a cue from every other skate podcast. That’s right! Today we bring you four dudes, none of them pros. With Kristin and Alex busy and Ryan on tour, it’s just two Teds with an Adam and a Kyle. And what have these unprofessional men gotten into? Well, Kyle wrote a Scholastic kids book about skating, which means we’re digging down into the basics. Why grind? Why bother with tricks at all? There’s also talk of his time on the Navajo Nation with 4Kinship, distributing pre-made completes. Can pricepoint pre-mades save skating? Or do we still need cool skater heroes? Ted B gives us an EMB update and takes us inside his work with Jacob Rosenberg curating the Epicenter show, and having the chance to work with Kevin Wilkins one last time. And then, respectfully, silence.
Thanks, always, to the following:
Intro music by Roar
Credits music by Dylan Bryne
Logo and graphic design by Michael Worful
Mixed and edited by Adam Burns
Oh you went to Slow Impact? No you didn't. That's why you gotta listen to this show!
What's up skaters,
We went back down to the number two city in America, Tempe, Arizona to learn and to lay in the sun. Lie in the sun? Who knows. Probably Kyle. He's on this episode, not correcting the "lay vs lie" debate, but he is joining Ryan Lay, Kristin Ebeling, Ted Barrow, Adam Burns and the person who writes these comprehension show notes. Do we talk about video parts from your favorite pros? No. But here's a link to one if you absolutely need it:
https://www.youtube.com/watch?v=1gOz7Qt8JVM
From the first panel to the closing session at The Wedge, we walk you through everything that is this "entertainment product." So turn your fuckin' headphones up and do some dishes or drive to work with us.
Intro music by Roar
Credits music by Dylan Bryne
Logo and graphic design by Michael Worful
Mixed and edited by Adam Burns
Vent City
Folks, they did it. After all these episodes, the Vent City crew has finally taken a cue from every other skate podcast. That’s right! Today we bring you four dudes, none of them pros. With Kristin and Alex busy and Ryan on tour, it’s just two Teds with an Adam and a Kyle. And what have these unprofessional men gotten into? Well, Kyle wrote a Scholastic kids book about skating, which means we’re digging down into the basics. Why grind? Why bother with tricks at all? There’s also talk of his time on the Navajo Nation with 4Kinship, distributing pre-made completes. Can pricepoint pre-mades save skating? Or do we still need cool skater heroes? Ted B gives us an EMB update and takes us inside his work with Jacob Rosenberg curating the Epicenter show, and having the chance to work with Kevin Wilkins one last time. And then, respectfully, silence.
Thanks, always, to the following:
Intro music by Roar
Credits music by Dylan Bryne
Logo and graphic design by Michael Worful
Mixed and edited by Adam Burns