Following our Muppet version of the film, and in the spirit of not doing too much work over Crimbo, we’re looking at “Bram Stoker’s Dracula”.
A film in which Ted goes on a less than excellent adventure; Withnail keeps Tom Waits on a remarkably protein-rich diet; and Hannibal Lecter clearly cannot be arsed having just won an Oscar.
Unleashed with much fanfare in 1992, director Francis Ford Coppola wanted to bring to the screen a definitive version of Stoker’s novel (except for all the extra bits he bunged in for good measure). This ambition weirdly highlights some of the pitfalls of a faithful adaptation, with a number of characters usually dispensed with or amalgamated in other versions left to clutter up the narrative. It features what is a genuinely stellar cast both for now and then, but with some actors not necessarily suited to their roles. However, it’s still Coppola, so it still remains a well-made, beautifully shot gothic romance; which certainly equals the novel for pace and drama, and even adds some iconic imagery to the old myth which is still appearing over 30 years after the film’s release.
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Following our Muppet version of the film, and in the spirit of not doing too much work over Crimbo, we’re looking at “Bram Stoker’s Dracula”.
A film in which Ted goes on a less than excellent adventure; Withnail keeps Tom Waits on a remarkably protein-rich diet; and Hannibal Lecter clearly cannot be arsed having just won an Oscar.
Unleashed with much fanfare in 1992, director Francis Ford Coppola wanted to bring to the screen a definitive version of Stoker’s novel (except for all the extra bits he bunged in for good measure). This ambition weirdly highlights some of the pitfalls of a faithful adaptation, with a number of characters usually dispensed with or amalgamated in other versions left to clutter up the narrative. It features what is a genuinely stellar cast both for now and then, but with some actors not necessarily suited to their roles. However, it’s still Coppola, so it still remains a well-made, beautifully shot gothic romance; which certainly equals the novel for pace and drama, and even adds some iconic imagery to the old myth which is still appearing over 30 years after the film’s release.
This episode we’re discussing the bang-up-to-date podcast “Broken Veil” from Joel Morris and Will Maclean.
Two intrepid podcasters gathering weird stories from friends, find the tales begin to coalesce in the liminal spaces of Essex….
To tell you more would be to ruin this utterly original and intricately written show. With an excellently selected cast and a definite hint of Nigel Kneale to proceedings, it should suffice to say that if you’ve ever spent too long disappearing down esoteric internet rabbit holes, or whiled away sunny days with your nose stuck in The Fortean Times, this show is for you.
SERIOUSLY - THIS SHOW IS A DEFINITE RECOMMENDATION FROM ALL OF US, SO PLEASE LISTEN (OR RE-LISTEN) TO THE 6 EPISODES IN FULL BEFORE YOU JOIN US FOR OUR SPOILER HEAVY CHAT.
Welcome to Horror
Following our Muppet version of the film, and in the spirit of not doing too much work over Crimbo, we’re looking at “Bram Stoker’s Dracula”.
A film in which Ted goes on a less than excellent adventure; Withnail keeps Tom Waits on a remarkably protein-rich diet; and Hannibal Lecter clearly cannot be arsed having just won an Oscar.
Unleashed with much fanfare in 1992, director Francis Ford Coppola wanted to bring to the screen a definitive version of Stoker’s novel (except for all the extra bits he bunged in for good measure). This ambition weirdly highlights some of the pitfalls of a faithful adaptation, with a number of characters usually dispensed with or amalgamated in other versions left to clutter up the narrative. It features what is a genuinely stellar cast both for now and then, but with some actors not necessarily suited to their roles. However, it’s still Coppola, so it still remains a well-made, beautifully shot gothic romance; which certainly equals the novel for pace and drama, and even adds some iconic imagery to the old myth which is still appearing over 30 years after the film’s release.