It's Christmas week! Merry Christmas Jokers. It's been arguably the toughest year in our young history but this episode making it out is proof that there's always light at the end of the tunnel, otherwise that's not a tunnel. Jesus loves you and there's always something past whatever you're going through at the moment.

Now, before we begin, just know this: at some point in this episode, P.T. Barnum himself gets summoned into the studio, and no one emotionally survives it — least of all Lil B.

Anyway—

This episode pulls the glittery circus curtain straight off the myth of P.T. Barnum, the man Hollywood rebranded as a singing, dancing, top-hat philanthropist. But behind the jazz hands and catchy choruses lies a much messier truth: Barnum was a hustler, a hoax machine, a PR genius, a chronic exaggerator, and occasionally… a menace.

We time-travel through his childhood scams, schoolyard “magic bean” startups, his first big hoax (selling the public a 161-year-old woman), the infamous Feejee Mermaid, and the creation of the American Museum — the original headquarters of vibes-over-facts. Then we follow him into the circus era, where elephants became walking billboards and sideshows transformed everyday people into spectacles.

Through mock interviews, reenactments, interruptions by Barnum himself, Lil B’s heartbreak, Shalewa’s disappointment, and Prof Prof being generally unhelpful, we break down the real story behind “The Greatest Showman.”

This isn’t the Barnum from your musical playlist.
This is the Barnum who would’ve sold that playlist to you for triple the price — and thrown in a fake mermaid for good measure.

Step right up, Jokers.
The humbug awaits.