Artist Flora Kao joins What’s My Thesis? to discuss the evolution of her practice from painting to large-scale installation, and how Taiwanese mourning rituals, Buddhist symbolism, and diasporic memory shape her approach to space. Trained at Otis and later UC Irvine, Kao describes discovering installation as a way to create experiences that “elicit a sense of wonder,” pairing conceptual clarity with meditative, labor-intensive processes. The conversation traces her early years moving between Houston, Wisconsin, Taipei, and Boston; her family’s history under Taiwan’s martial-law era; and her transition from environmental science and strategy consulting into art school. Kao explains the cultural and personal significance behind folding 108 origami lotus forms each week for seven weeks—a ritual she adapted into a suspended installation of 756 hand-folded lotus at the Los Angeles Municipal Art Gallery. Kao also speaks about using archival photographs, bamboo prayer-leaf structures, and cyanotype processes to explore grief, family history, and the shifting landscapes of Taiwan and Los Angeles. She offers rare insight into sustaining an installation-based practice through grants, community networks, and long-term professional relationships, while navigating motherhood and the realities of working outside commercial gallery systems.