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Art, it’s been widely said, imitates life. But there are also moments when it changes it.
The impact of “The Killing Fields” was so profound, that some credit it with helping launch Cambodia’s peace plan, ending decades of civil war.
This is the second episode of a two-parter, in which I talk with journalist Jon Swain and photographer Roland Neveu. Along with Ngor, they share the distinction of having been the only people on the set of “The Killing Fields” who were also in Phnom Penh in 1975.
