Send us a text What happens when we force our co-hosts to argue the exact opposite of what they believe about Shaun of the Dead? Sparks. We flip the table, press every hot button—humor that lands vs humor that dates, heart that sings vs tone that whiplashes—and let the best case win. We start with the big question: is Edgar Wright’s kinetic style a stroke of comic engineering or noise that undercuts fear? From the record-throwing bit to the Queen-backed bar fight, we pull apart pacing, sound...
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Send us a text What happens when we force our co-hosts to argue the exact opposite of what they believe about Shaun of the Dead? Sparks. We flip the table, press every hot button—humor that lands vs humor that dates, heart that sings vs tone that whiplashes—and let the best case win. We start with the big question: is Edgar Wright’s kinetic style a stroke of comic engineering or noise that undercuts fear? From the record-throwing bit to the Queen-backed bar fight, we pull apart pacing, sound...
Send us a text Three teenagers are taken. A man with 23 personalities holds the key. And somewhere between adrenaline, trauma, and belief, a monster takes shape. We pull Split apart scene by scene to ask the questions the movie dares us to consider: what’s real about Dissociative Identity Disorder, what’s pure cinematic myth, and how should a survivor respond when seconds count. We start with the craft. James McAvoy’s performance is a clinic in subtlety—posture shifts, eye focus, compulsive ...
Will You Survive... The Podcast
Send us a text What happens when we force our co-hosts to argue the exact opposite of what they believe about Shaun of the Dead? Sparks. We flip the table, press every hot button—humor that lands vs humor that dates, heart that sings vs tone that whiplashes—and let the best case win. We start with the big question: is Edgar Wright’s kinetic style a stroke of comic engineering or noise that undercuts fear? From the record-throwing bit to the Queen-backed bar fight, we pull apart pacing, sound...
