What does a Costume Designer really do?
Are they the ones that make the clothes? What's their relationship with the director and the actors? Why is it more complex than just making people look pretty? And why do they look tired all the time?
My podcast aims to not only clarify these questions, but to show why Costume is far, far more fascinating than the answers.
Hosted on Acast. See acast.com/privacy for more information.
What does a Costume Designer really do?
Are they the ones that make the clothes? What's their relationship with the director and the actors? Why is it more complex than just making people look pretty? And why do they look tired all the time?
My podcast aims to not only clarify these questions, but to show why Costume is far, far more fascinating than the answers.
Hosted on Acast. See acast.com/privacy for more information.
My sixth episode is with John Bright. John runs Cosprop, a costume hire and making house in London, alongside being a Costume Designer. His ability to adapt and yet hold fast to what really matters comes across very clearly here, and I feel very glad to have recorded this conversation.
His film credits include:
The White Countess (2005)
The Golden Bowl (2000)
Onegin (1999) - with Chloe Oblensky
Sense and Sensibility (1995) - with Jenny Beavan
The Remains of the Day (1993) - with Jenny Beavan
Howard's End (1992) - with Jenny Beavan
Maurice (1987) - with Jenny Beavan
A Room with a View (1985) - with Jenny Beavan
The Bostonians (1984) - with Jenny Beavan
Hosted on Acast. See acast.com/privacy for more information.