In our final episode of the year, we reflect on how Write Your Heart Out began (yes, including the lucky underwear lore) before diving into a sharp craft conversation inspired by Rebecca Makkai’s essay on why novels shouldn’t be written like movies. We unpack what film gets wrong about fiction, from “show, don’t tell” to interiority, structure, and setting. We talk about how to use the tools only the page can offer. Plus, a Storytime submission update and news about our new in-person writers ...
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In our final episode of the year, we reflect on how Write Your Heart Out began (yes, including the lucky underwear lore) before diving into a sharp craft conversation inspired by Rebecca Makkai’s essay on why novels shouldn’t be written like movies. We unpack what film gets wrong about fiction, from “show, don’t tell” to interiority, structure, and setting. We talk about how to use the tools only the page can offer. Plus, a Storytime submission update and news about our new in-person writers ...
We’re back—and now bi-weekly! Kayla and Rachel dive into the messy middle of revisions: what developmental editing actually looks like, why you should delay line edits, and how to plant undercurrents so readers guess the twist two beats before you reveal it. Rachel talks through changing her killer (and giving everyone a motive) in her one-night “Dinner for Eight” mystery—plus why a simple house map might save your pacing. Kayla shares hard-won lessons about cutting travel filler, building La...
Write Your Heart Out
In our final episode of the year, we reflect on how Write Your Heart Out began (yes, including the lucky underwear lore) before diving into a sharp craft conversation inspired by Rebecca Makkai’s essay on why novels shouldn’t be written like movies. We unpack what film gets wrong about fiction, from “show, don’t tell” to interiority, structure, and setting. We talk about how to use the tools only the page can offer. Plus, a Storytime submission update and news about our new in-person writers ...
