K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
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K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
Ep.85 - Fables Of The Green Forest And Other TVO Hallucinations
Zannen, Canada
1 hour 18 minutes 15 seconds
2 years ago
Ep.85 - Fables Of The Green Forest And Other TVO Hallucinations
Long before foreign TV shows were neatly catalogued and sourced on streaming sites and Wikipedia pages, they were haphazardly dumped onto the schedules of provincial educational broadcasters such as TVO and Knowledge Network and aired as a continuous fever dream with little context or reasoning. One such show was Fables of the Green Forest, the proto-World Masterpiece Theatre anime based on the works of Thornton W. Burgess that aired in its entirety only in certain Canadian provinces. It may also be the anime series most deeply engraved into the minds of Gen X Ontarians due to its excessive overplay on TVO in the 1980s. The Quebecois dub, aired on Radio-Canada, also had a very unique localized flavour that wasn't found in other shows. Awesome guests Ed Conroy (creator of Retrontario) and Etienne Desilets-Trempe (writer of Frivolesque) try to illustrate the dark, vintage madness that characterizes this series for so many.
Zannen, Canada
K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
