K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
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K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
Ep.86 - Cybersix: Finding Perfection In Teletoon Co-Production Chaos
Zannen, Canada
1 hour 36 minutes 15 seconds
2 years ago
Ep.86 - Cybersix: Finding Perfection In Teletoon Co-Production Chaos
It is an interesting coincidence that the imminent death of the Teletoon brand on English-language television lined up with our long-awaited discussion of Cybersix, perhaps their finest program, but I'm more than happy to make this my tribute. A 1999 collaboration between TMS and NOA Network of Animation based on a surprisingly visceral Argentinian comic, I would like to think that this show needs no introduction. Cybersix represents an apex for international animated co-productions that has not been reached before or since. Noted CanCon otaku Zee (pictured) and Discotek wizard Brady Hartel (who brought us that awesome DVD) basically just gush about the show with me for 90 minutes.
Zannen, Canada
K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
