K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
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K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
Since I'm pretty much obligated to do something in observance of the 20th anniversary of YTV's Bionix block, Sammy and I are talking about its one debut anime we haven't touched on: Witch Hunter Robin! While it's not a super interesting show on its own, it did offer a lot to chew on as part of a well-curated programming block. We also have what I believe to be an exclusive look at the canceled live action Witch Hunter Robin series, courtesy of showrunner Joe Menosky. (Seriously, he just emailed it to me out of the blue!)
Zannen, Canada
K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
