K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
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K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
Ep.98 - Hervé Bédard, the Architect Behind Cybersix
Zannen, Canada
2 hours 6 minutes 47 seconds
11 months ago
Ep.98 - Hervé Bédard, the Architect Behind Cybersix
After the last episode exploring Cybersix, I felt that we still needed to dig deeper into the story behind the incredible Japanese-Canadian co-production. There was one major perspective missing, and I was very fortunate to not only get in contact with him, but have him agree to come on the podcast: Hervé Bédard, executive producer of Cybersix and founder of Network of Animation! Zee the Raccoon and Brady Hartel once again join me, although we spend most of this interview completely spellbound at the perspective Bédard had to offer, not only on the production of Cybersix, but on his incredible personal history in the animation industry, as well as the relationship between art and society.
Zannen, Canada
K-Pop Demon Hunters, Netflix's most successful movie ever and the seismic cultural force of the summer, was made almost entirely by Canadian creative staff. So why isn't it a Canadian movie? Most of us probably understand that it's because it was made by American producers with American money. However, outside of some media puff pieces about the Canadian creator and co-director Maggie Kang, there isn't a lot of discussion about why we aren't doing anything to move away from being a thankless land of oursourcing. Luckily, Wildbrain animation staffer Kristian Lobb agreed with me that cartoons can be the ultimate "Nation Building project" and the two of us talk about how we could benefit from all of that pop culture soft power if we just only we moved the pieces around a little bit.
