It’s Christmas, and just past Hanukkah, and in recognition of that, Episode 183 of the A is for Architecture Podcast, is a conversation with architect, photographer and writer Gili Merin, about her extraordinary and exquisite book, Analogous Jerusalem, which came out with Humboldt Books earlier this year.
In Analogous Jerusalem, Gili explores how the sacred topography of the Jerusalem of the pilgrim—particularly the Via Crucis or Stations of the Cross —has been analogically recreated across Europe. Combining essays and a photographic travelogue Gili argues that these "analogous" Jerusalems often surpass the original in their materialisation because, freed from the geopolitical conflicts and material constraints of the "real" city, they permit of a spiritual purity that connects the pilgrims more deeply to the Jerusalem of their imaginations, the Jerusalem that should be. We discuss a little of this, and how Christianity displaced Jerusalem's holiness to distant landscapes, creating sites that foster devotion, introspection, and community. Indeed perhaps, through the words and the abundant, beautiful images of shrines, routes and holy places of the way Jerusalem’s holiness has been reconfigured elsewhere - everywhere - the book itself is an invitation to readers to embark on their own "virtual pilgrimage" without leaving home.
Gili currently holds a post-doc position at TU Wien and is a senior researcher at the Geneva University of Art and Design or HEAD. She can be found on her website, on Instagram and LinkedIn. She’s been and done quite a lot in her short years, so with a quick google will find you a lot of stuff.
+
Music credits: Bruno Gillick
Image credits: Main – Gili Merin, Book cover - Francesco Spallacci
In the 182nd episode of the A is for Architecture Podcast, Andreea Mihalache joined me to discuss her new book, Boredom and the Architectural Imagination: Rudofsky, Venturi, Scott Brown, and Steinberg, which she published with the University of Virginia Press in 2024.
Exploring the boundaries of boredom, Andreea and I discuss Bernard Rudofsky, Robert Venturi and Denise Scott Brown and Saul Steinberg, the four thinker-makers of the twentieth century explored in her excellent book, whose writing and design challenged boredom’s pervasive, creeping grip on the modern imagination.
Looking at our orderly, crisp and glassy, financialised cities now, it’s perhaps difficult to see how their critique of modernity and the city changed anything. But by proposing modes of operation to counter it, each of these folk gave us ways of thinking, engaging and acting through design which remain elegant, generative and – I think – rather inspiring.
Andreea is Co-Director of the Architecture Graduate Programs and Associate Professor of Architecture at Clemson University, USA. The book is linked above.
+
Music credits: Bruno Gillick
#ArchitecturePodcast #ArchitecturalTheory #BoredomInArchitecture #LessIsABore #RobertVenturi #DeniseScottBrown #BernardRudofsky #SaulSteinberg #ArchitectureBooks #ArchTheoryPodcast
For Episode 181 of the A is for Architecture Podcast, I was joined by the Berlin-based artist, Larissa Fassler whose work explores through imagery and sculpture - aesthetic, layered, ambiguous maps, models and interventions - the social and political spatialites of cities and their everyday encounter by people there. Larissa’s work has intrigued and delighted me for quite a long time, so it was a real prize to finally get to meander with her through a very little of her thinking, experiences, background and motivations.
As I understand it, Larissa’s work derives from deep engagement in places, documenting them through a host of means and rendering them as something like palimpsests, which in turn demand close and slow encounter by their public, producing a sort-of double coded knowledge of cities and the people who live with them, pointing thus towards space’s meaning and possibilities.
It’s all very architectural, or at least, I think, towards that which we in architectural education might in our better moments aspire.
Larissa can be found on her website, on Instagram and via Galerie POGGI, with whom she works. Viewshed, a very good book on her work, can be found at Distanz, its publishers, as can the catalogue for Building Worlds here. There are good articles on Larissa’s work in many places.
+
Music credits: Bruno Gillick
#LarissaFassler #UrbanMapping #ArchitecturePodcast #Psychogeography #ContemporaryArtAndArchitecture #SocialSpace #CityAsPalimpsest #SpatialPolitics #ArtAndUrbanism #BerlinArtScene
For Episode 180 of the A is for Architecture Podcast, the extraordinary Australian architect, Peter Stutchbury, joined me to speak about a little of his work, his origins, his purpose and his ethic. It’s an extraordinary story, beautifully told by a wonderful man, a worthy addition for this, a jubilee episode.
Peter’s work is deeply rooted in the land and culture of his homeland, and all the complexity that implies. There are histories, cosmologies, manners and methods, which are drawn together in places and through this, in Peter’s telling, ‘the work becomes a means of connection, so that as you find the work, you also find yourself becoming of the work, not in a way that you copy it […] or that necessarily makes sense to you, but in a way that allows you to relax and perhaps even not be judgemental, perhaps even to take it with you, as part of your entourage.’
That’s quite a way of putting it.
Peter Stutchbury Architecture can be found here, are on Instagram and more or less everywhere that’s anywhere architectural online. The wonderful book by Ewan McEoin and published by Thames and Hudson in 2016, is Under the Edge: The Architecture of Peter Stutchbury.
+
Music credits: Bruno Gillick
#PeterStutchbury #AustralianArchitecture #ArchitecturePodcast #SustainableDesign #ArchitectureAndLandscape #PlaceBasedDesign #ArchitecturalEthics #ContemporaryArchitecture #ArchitectureInAustralia #AIsForArchitecture
Episode 179 of the A is for Architecture Podcast is a fascinating, expansive discussion with scholar, planner and architect, Dr Shiben Banerji, associate professor in the Department of the History of Art at UC Berkley, about some small parts of his sprawling and wonderful Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy, which he published with the University of Texas Press in July this year.
In the shadow of empire-collapsing wars and revolutions, Shiben explains, occult modernists of the early-twentieth-century saw not just chaos, but a rare chance to forge a spiritually united humanity. Across the world, from Argentina to India to America, occultist architects and planners dreamed up radical cities, suburbs and communes designed to awaken a new global subject who would feel bound to all humankind, transcending the impulse for wretched violence.
Shiben and I talk all this, and how these new world builders tried to use architecture to engineer souls. Visionary? Indeed. But vision is scary!
Listen to Shiben and just relax.
Shiben can be found at work and nowhere else, which is very wise. The book is linked above.
+
Music credits: Bruno Gillick
In Episode 178 of this incessant podcast, Adam Sharr, Professor of Architecture at Newcastle University, discusses his 2007 book, Heidegger for Architects, published by Routledge.
Heidegger’s ideas haunt architectural discourse, practice and education, which remain inwardly wedded to concepts like dwelling, place, authenticity, world and building, ideas that are rooted in his work. Arguably, his ideas remain foundational in debates on sustainability and human-centred design too.
Yet despite this influence, Heidegger’s writing’s opacity and his philosophical entanglements—intellectual, political, and ethical—make him a challenging figure to approach. So we deal with this, including Heidegger’s Nazi associations, some key concepts – dwelling, the Fourfold, the Thing – how Heidegger suggested buildings participate in the unfolding of place and meaning, and what it means to think of architecture not just as the production of objects but as a way of revealing—or concealing—our relationship to the world around us.
Awkward? I guess. Good chat? Yes.
Adam is editor of the uber-successful book series Thinkers for Architects published by Routledge. He can be found at Newcastle University, and at Adam Sharr Architects too. He does not appear to be on social media, the lucky blighter.
+
Music credits: Bruno Gillick
In this new episode of the A is for Architecture Podcast, writer and organiser, Alva Gotby, discusses her recent latest book, Feeling at Home: Transforming the Politics of Housing, published by Verso in January this year.
Feeling at Home is rooted in Marxist feminism, and approaches housing as more-than-shelter, but rather as a key site for reproducing labour power under capitalism, perpetuating all the inequalities. Alva extends this critique, proposing what is called family abolitionism, arguing for the collectivisation of domestic life the better to dismantle the nuclear family as a capitalist institution. But Alva isn’t also pleading for nostalgia and a return to the paternalistic state but proposes instead collective alternatives that prioritize marginalised people and ecological sustainability.
How’d you like them apples?
Alva is on (but not much on) Instagram and X, and the book is linked above. Alva is in various places online discussing this book, and her previous one, They Call It Love: The Politics of Emotional Life.
+
Music credits: Bruno Gillick
The A is for Architecture Podcast’s latest episode is a discussion with the architect, writer, teacher and broadcaster, Piers Taylor. It is Piers’ second time on the show, but rather than his practice, this time we discuss his freshly minted book, Learning from the Local: Designing responsively for people, climate and culture, published by RIBA Publishing last month.
In Learning from the Local, Piers presents global examples of low-carbon, context-responsive architecture. In arguing for a post-global architecture, examining geology, waste, ecology, self-build and community engagement, the book proposes a sort-of vernacular. We talk this, Oz, practice, good practice and a very elegant proposal for what Piers calls restless innovation.
Quieten down why don’t you and have a solid listen.
Piers is Professor of Knowledge Exchange in Architecture at UWE and director of Invisible Studio, (which posts on Instagram), and he’s so all over the internet he literally has a Wikipedia page. The book is linked above.
+
Music credits: Bruno Gillick
Image credit: The Rural Studio (Haybale House) by Timothy Hursley.
In the latest episode of the A is for Architecture Podcast Jeana Ripple, Chair and Vincent & Eleanor Shea Professor in the School of Architecture at the University of Virginia, joined me to discuss her recent book, Type V City: Codifying Material Inequity in Urban America, published by the University of Texas Press in August this year.
In Type V city, Jeana describes how building codes or regulations in the USA have shaped urban landscapes. Specifically, Jeana explores how the construction of light, combustible wood-frame buildings – known as Type V construction - have codified inequities in social, economic, environmental and health outcomes for residents. We discuss this idea – the entrenchment of ethics in the materials of building making – but also that where the technology is restricted, in the exacerbation of labour inequalities.
Materials, huh? Who’d have thought it? Well, you will, if you listen to (and read) Jeana.
The book is linked above. Jenna can be found at work and on LinkedIn.
+
Music credits: Bruno Gillick
The A is for Architecture Podcast’s newest episode is a conversation with North American scholars, social scientist Patrick Lynn Rivers and design historian Kai Wood Mah, about their book, Situated Practices in Architecture and Politics, published by Dalhousie Architectural Press in 2024.
In our conversation, Patrick and Kai speak of the importance of situated learning and practice, which involves architects engaging with communities to co-create knowledge as a mode not just of transforming spaces and making things, but as an ethnographic means of seeing things through the eyes of communities. Situated practices, they argue, force a necessary politicisation of design thinking, and are as such essential for architects to adapt to post-colonial challenges and contribute to global change.
Patrick is professor at SAIC in Chicago, has a personal website here, and can be found on LinkedIn and Insta. Kai is Associate Professor in the McEwan School of Architecture at the Laurentian University, Canada and also has a website. Both Patrick and Kai co-direct the design research practice a.field. The book is linked above.
Much to ponder, so little time. Get to it!
+
Music credits: Bruno Gillick
Image credit: Pilgrimage to Biete Gabriel-Rufael by Robert Wilson.
In the latest episode of the A is for Architecture Podcast Amsterdam-based architect Hans van der Heijden discuss themes of his design work and writing. Founder of Hans van der Heijden Architects, a practice which track context through deep research realised in, as I see it, a sort-of fitting architecture.
Hans and I connected over a mutual interest in the pursuit of the/ a common city. Our conversation centres on Hans’ book, The Residential Palazzo (Het woonpalazzo) in Design Research, Education and Practice, published this year by HvdHA which, along with the built work Hans speaks of, raises important questions. How must we build, given all the things, to accommodate the lineage of a common culture and place? And why do we still, even after all, fail to do so? What drives contemporary urban incoherence? And how might we arrest this?
The answer, of course, is study, observation, seeing and hearing. It’s an architecture Hans proposes that is ground in attentiveness and, I would say, generosity. Through the careful study of the city and its parts, and by designing in concord with the city’s fabric as is, and the people who actually live and work there, architects can, in Hans’ words, ‘develop a sort of reservoir of a priori knowledge which […] lends you a kind of professional integrity.’
Strong medicine indeed.
Hans van der Heijden Architects are to be found here. Hans is on Instagram here.
+
Music credits: Bruno Gillick
In this episode of the A is for Architecture Podcast the journalist, writer and Deputy Editor at Inside Housing, Peter Apps discusses his very recent book, Homesick: How Housing Broke London and How to Fix It, published by One World Publications in September this year.
Peter became something of a big noise when he won the Orwell Prize for Political Writing in 2023 for his book, Show Me the Bodies: How We Let Grenfell Happen, also published with Oneworld. In that, Peter’s account exposed the systemic failures, negligence and cost-cutting in construction and regulation that led to the preventable 2017 Grenfell Tower fire. In Homesick, and sort-of by extension, Peter examines London's housing crisis, details how skyrocketing costs, inequality, and policy failures have made homes unaffordable, and proposes solutions to address another systemic issues towards housing justice.
Listen to Peter, read his books and think on’t. It’s time.
Thanks to Peter for the time, effort and conversation. Thanks to Margot at One World for the PDF of the book and images. The book is linked above; Peter can be found on Substack, LinkedIn and X.
+
Music credits: Bruno Gillick
Image credit: Trevor Patt (2015) Creative Commons Licence off Flickr: Robin Hood Gardens, London. Allison and Peter Smithson, 1972
In the A is for Architecture Podcast’s latest episode, Stefano Boeri - architect, urban planner, Professor of Urban Planning at Milan Polytechnic, President of the Future of the City Foundation and former editor of Domus (among some other things…) - joined to speak about his upbringing and education in Milan and Venice, his influences, mentors and inspirations, and the development of his design thinking and practice, Stefano Boeri Architetti. Now a leading voice in European – and more recently global – architecture, Professor Boeri’s work presents us with a new and beguiling vision, one that combines modern urban lifestyles with a genuine concern for nature, habitat and the co-living of species in the contemporary city.
Stefano Boeri Architetti are perhaps best known for their pioneering work integrating vegetation and sustainability into urban architecture, most famously in the Bosco Verticale in Milan (2009-14) —as well as visionary research, writing and planning on biodiversity, urban forestry and the future of cities.
As I hear it, running through Stefano’s work is a deep interest in the notion of plurality, networks and coalescence. It’s a transcendental vision, in the final analysis, one which seeks to elevate architecture, to make it important, instrumental and effective.
Beyond the image – and few contemporary architects have captured the zeitgeist as well as Stefano Boeri Architetti – is a deep knowledge, great sensitivity and a fundamental optimism, that through and with architecture, we can make good change happen.
So, worth a listen.
Stefano can be found almost universally online. His practice and academic positions are linked above, and he can be met at Instagram; his practice are on LinkedIn.
+
Music credits: Bruno Gillick
Image credits: 1/ Boeri Studio - Vertical Forest, Photographer: Dimitar Harizanov (2020); 2/ Stefano Boeri, Curator, Photographer: Laila Pozzo ©Michelangelo Foundation
In the newest episode of the A is for Architecture Podcast, I got to speak to Derek Jones and James Benedict Brown, two of five scholars responsible for the very recently published Studio Properties: A Field Guide to Design Education, published by Bloomsbury this year and also available as an open access publication on the Bloomsbury website.
Alongside Elizabeth Boling, James Corazzo, Colin M. Gray and Nicole Lotz, James and Derek have written a book to help clarify the operation of the design studio in education. Repositioning ‘studio’ not as a monolithic entity but as a landscape made up of many interlocking properties, each of which has a character that can be encouraged or diminished to build better design thinking and culture.
James, Derek and I discuss a few of these properties, where they can be seen, how they operate, how educators might interpret them and intervene in them to build better designers.
Clever chaps, clever book. Have a sticky and see.
James is Associate Professor of Architecture at Umeå School of Architecture and is on LinkedIn; Derek is Senior Lecturer in Design at The Open University and can be found on LinkedIn. The book is linked above and also on the Studio Properties website, where all the things can be found.
+
Music credits: Bruno Gillick
For the latest episode of the A is for Architecture Podcast, I spoke to architectural historian, writer and curator, Sir Charles Saumarez Smith CBE about his forthcoming book, John Vanbrugh: The Drama of Architecture, which is due out with Lund Humphries in November this year.
Sir John Vanbrugh (1664–1726) was an English dramatist turned architect, best known for designing Castle Howard and Blenheim Palace, two of the most ambitious Baroque buildings in Britain. A member of the Whig elite and the Kit-Cat Club, Vanbrugh’s work can be read through the social forms of his times but, as Sir John suggests, more importantly in the context of his unique theatrical imagination as it was revealed through his collaborations with professional architects, like Nicholas Hawksmoor. Mocked in his own life, Vanbrugh is now celebrated as one of England’s most original and daring architects.
Sir Charles was chief executive of the Royal Academy of Arts (2007-2018), director of the National Gallery (2002 – 2007) and before that, director of the National Portrait Gallery (1994 – 2002). He can, as such, be found everywhere online. You may seek him on LinkedIn and his personal website. The book is linked above.
In our own time we are #blessed with #Heatherwick.
But back then, they had #Vanbrugh.
+
Music credits: Bruno Gillick
For this week’s episode of the A is for Architecture Podcast, I spoke to Berlin-based writer, architect and activist Anna Kostreva who, with Alex Head, leads Plural Studio, ‘a studio for critical inquiry, publishing and architectural design’. We met to talk about Anna’s novel, Seeing Fire | Seeing Meadows, which she published in 2023.
Seeing Fire | Seeing Meadows uses architecture – and an architect narrator - as a way to explore the growing digitisation of everyday urban and spatial life. We talk about this, about the book’s imperative but also about writing, [science] fiction and drawing as a routes to a sort-of triangulated and more shrewd understanding of the world around us.
Seeing Fire is linked above. Anna can be found at Plural Studio here, on Instagram here and on LinkedIn here.
Have a listen: see things differently.
+
Music credits: Bruno Gillick
In Episode 167 of the A is for Architecture Podcast, Holly Smith, historian and Research Fellow at/ in St John’s College, University of Cambridge, discuss bits of her forthcoming book, Up in the Air: A History of High Rise Britain, which is out with Verso towards the end of October this year.
In Up in the Air, Holly charts the story of Britain’s multistorey council housing—from the post-war construction of estates like Sheffield’s Park Hill to the modern battles to defend them. In the face of the much-publicised failures of high-rise housing to produce the utopian social logics that underpinned them - and punctuated by disaster and explicit tragedy, as at Grenfell - that defence has seemed largely a forlorn one. But were Britain’s high-rise estates really architectural failures? Or were they rather sites where welfare-state ideals were built, contested, and reimagined, as enduring battlegrounds for housing justice?
Holly can be found at work here, on Instagram and X. The book is linked above.
+
Music credits: Bruno Gillick
Image credit: © Bishopsgate Archive/Tower Blocks UK
In this new episode of the A is for Architecture Podcast, Charlotte Malterre-Barthes spoke with me about her recent book, A Moratorium on New Construction, published by Sternberg Press in 2025 as part of their Critical Spatial Practices series.
If a book starts with, ‘To build is to destroy’, things are liable to get pretty exciting (for an architecture fan). As the bumf puts it – and our chat opens out - Charlotte’s provocation for a moratorium is in pursuit of a reimagined productive building culture: ‘To pause new construction—even if momentarily, creates a radical thinking framework for alternatives to the current regime of space production and its suspect growth imperative.’
Sound good?
Yes. It does.
Charlotte has a personal website, as well as space at EPFL. She’s on Instagram too.
+
Music credits: Bruno Gillick
In this week’s release of the A is for Architecture Podcast, Wayne Hemingway MBE logged on to discuss one of his latest initiatives, The Housing Assembly, a growing movement seek paths out of the housing crisis by amplifying the voices of folk excluded from secure, affordable homes. Aiming to transform lived experiences into influential action and through grassroots initiatives The Housing Assembly is building from the bottom up a collective platform to demand well-built, affordable homes in good places.
For those who don’t know, Wayne is a renowned British designer, co-founder with his wife Gerardine Hemingway of the iconic fashion label Red or Dead which delivered affordable, socially conscious design in the 1980s and 1990s. Wayne and Gerardine later establishing HemingwayDesign, a multi-disciplinary design team dedicated to creating positive social impact through culture-led regeneration, urban design, placemaking, branding, and community collaboration.
In short Wayne is something like a national treasure, but edgier and more purposeful. An icon of mine since I first encountered his work – and bought a pair of Red or Dead shoes to go on a date - this was a genuine privilege to record.
HemingwayDesign can be found here and on Instagram, The Housing Assembly is linked above and is on Instagram and all over SM. Wayne can be found on LinkedIn.
+
Music credits: Bruno Gillick
In the newest episode of the A is for Architecture Podcast, I spoke to the architect, historian and theorist Dr Marianna Charitonidou about her fairly recent book, Architectural Drawings as Investigating Devices: Architecture’s Changing Scope in the 20th Century, which she published with Routledge in 2023.
In the book, Marianna explores how evolving modes of architectural representation reflect epistemological shifts in architecture and urbanism in the modern period. Treating them as something like texts, Marianna analyses drawings’ (and their architects’) roles in mediating relationships between architects, observers and the inhabitants of built spaces. Touching on the work of all the biggies – from Corb and Mies to Rem and Zaha, Rossi, Tschumi, Eisenman, Hejduk and even (my fave) Ungers, the book argues that these transformations reveal ruptures in architecture's imagination, and its shift from modernist universality to PoMo multiplicity.
Marianna has her own website, she’s on Instagram and LinkedIn. The book is linked above.
+
Music credits: Bruno Gillick