Beloved author Susan Orlean discusses her new book Joyride, a masterful memoir of finding her creative calling and purpose that invites us to approach life with wonder, curiosity, and an irrepressible sense of delight. Orlean is interviewed by journalist Chris Borrelli. This conversation originally took place October 24, 2025 and was recorded live at the American Writers Museum. We hope you enjoy entering the Mind of a Writer. AWM PODCAST NETWORK HUB More about Joyride: "The story of my life is the story of my stories," writes Susan Orlean in this extraordinary, era-defining memoir from one of the greatest practitioners of narrative nonfiction of our time. Joyride is a magic carpet ride through Orlean's life and career, where every day is an opportunity for discovery and every moment holds the potential for wonder. Throughout her storied career, her curiosity draws her to explore the most ordinary and extraordinary of places, from going deep inside the head of a regular ten-year-old boy for a legendary profile ("The American Man Age Ten") to reporting on a woman who owns twenty-seven tigers, from capturing the routine magic of Saturday night to climbing Mt. Fuji. Not only does Orlean's account of a writing life offer a trove of indispensable gleanings for writers, it's also an essential and practical guide to embracing any creative path. She takes us through her process of dreaming up ideas, managing deadlines, connecting with sources, chasing every possible lead, confronting writer's block and self-doubt, and crafting the perfect lede—a Susan specialty. While Orlean has always written her way into other people's lives in order to understand the human experience, Joyride is her most personal book ever—a searching journey through finding her feet as a journalist, recovering from the excruciating collapse of her first marriage, falling head-over-heels in love again, becoming a mother while mourning the decline of her own mother, sojourning to Hollywood for films based on her work including Adaptation and Blue Crush, and confronting mortality. Joyride is also a time machine to a bygone era of journalism, from Orlean's bright start in the golden age of alt-weeklies to her career-making days working alongside icons such as Robert Gottlieb, Tina Brown, David Remnick, Anna Wintour, Sonny Mehta, and Jonathan Karp—forces who shaped the media industry as we know it today. Infused with Orlean's signature warmth and wit, Joyride is a must-read for anyone who hungers to start, build, and sustain a creative life. Orlean inspires us to seek out daily inspiration and rediscover the marvels that surround us. SUSAN ORLEAN has been a staff writer at The New Yorker since 1992. She is the New York Times bestselling author of seven books, including The Library Book, Rin Tin Tin, Saturday Night, and The Orchid Thief, which was made into the Academy Award–winning film Adaptation. She lives with her family and her animals in Los Angeles and may be reached at SusanOrlean.com and on Substack at SusanOrlean.Substack.com. CHRIS BORRELLI is a longtime features writer at the Chicago Tribune and a Nieman fellow at Harvard University. His subjects have included endangered species and Godzilla and hand dryer technology and low-wage restaurant work and prop warehouses and accordion-shop owners and comedy writers and existential threat. He’s a militant Rhode Islander and a Chicago resident.

This week in honor of Halloween, we discuss the use of religion and spirituality in horror writing. We are joined by leading horror writers Tananarive Due, Juan Martinez, and Matt Ruff. This conversation originally took place October 10, 2025 and was recorded live at the University of Chicago Divinity School. We hope you enjoy entering the Mind of a Writer. This episode is presented in conjunction with the American Writers Museum’s forthcoming exhibit American Prophets: Writers, Religion, and Culture. This exhibit and programming series explores the profound ways writing reflects and influences our understanding of religion. American Prophets opens November 21, 2025. AWM PODCAST NETWORK HUB About the authors: TANANARIVE DUE is an award-winning author who teaches Black Horror and Afrofuturism at UCLA. A leading voice in Black speculative fiction for more than 20 years, Due has won an American Book Award, an NAACP Image Award, and a British Fantasy Award, and her writing has been included in best-of-the-year anthologies. Her books include The Reformatory (winner of a Los Angeles Times Book Prize, Chautauqua Prize, Bram Stoker Award, Shirley Jackson Award, World Fantasy Award, and a New York Times Notable Book), The Wishing Pool and Other Stories, Ghost Summer: Stories, My Soul to Keep, and The Good House. She and her late mother, civil rights activist Patricia Stephens Due, co-authored Freedom in the Family: A Mother-Daughter Memoir of the Fight for Civil Rights. She was an executive producer on Shudder’s groundbreaking documentary Horror Noire: A History of Black Horror. She and her husband/collaborator, Steven Barnes, wrote “A Small Town” for Season 2 of Jordan Peele’s The Twilight Zone on Paramount Plus, and two segments of Shudder’s anthology film Horror Noire. They also co-wrote their Black Horror graphic novel The Keeper, illustrated by Marco Finnegan. Due and Barnes co-host a podcast, “Lifewriting: Write for Your Life!” She and her husband live with their son, Jason. JUAN MARTINEZ is a writer and an associate professor of English at Northwestern University. He is the author of the horror novel Extended Stay (University of Arizona Press / Camino del Sol, 2023) and of the story collection Best Worst American (Small Beer Press, 2017). He is also the fiction editor for Jackleg Press. Juan lives with his family near Chicago. MATT RUFF is the award-winning author of eight novels, including Fool on the Hill, Set This House in Order, Bad Monkeys, The Mirage, 88 Names, and the bestselling Lovecraft Country, which was adapted as an HBO series. His most recent book is The Destroyer of Worlds: A Return to Lovecraft Country.

This week, religious scholar Paul Elie discusses his latest book The Last Supper: Art, Faith, Sex, and Controversy in the 1980s. This enthralling group portrait brings to life a moment when popular culture became the site of religious strife—strife that set the stage for some of the most salient political and cultural clashes of our day. Elie is interviewed by Emily D. Crews, the Executive Director of the Martin Marty Center at the University of Chicago Divinity School. This conversation originally took place May 30, 2025 and was recorded live at the American Writers Museum. This episode is presented in conjunction with the American Writers Museum’s forthcoming exhibit American Prophets: Writers, Religion, and Culture. This exhibit and programming series explores the profound ways writing reflects and influences our understanding of religion. American Prophets opens November 21, 2025. We hope you enjoy entering the Mind of a Writer. AWM PODCAST NETWORK HUB More about The Last Supper: Circa 1980, tradition and authority are in the ascendant, both in Catholicism (via Pope John Paul II) and in American civic life (through the Moral Majority and the so-called televangelists). But the public is deeply divided on issues of body and soul, devotion and desire. Enter the figures Paul Elie calls "crypto-religious." Here is Leonard Cohen writing "Hallelujah" on his knees in a Times Square hotel room; Andy Warhol adapting Leonardo's The Last Supper in response to the AIDS pandemic; Prince making the cross and altar into "signs o' the times." Through Toni Morrison, spirits speak from the grave; Patti Smith and Bruce Springsteen deepen the tent-revival intensity of their work; Wim Wenders offers an angel's-eye view of Berlin; U2, the Neville Brothers, and Sinéad O’Connor reckon with their Christian roots in music of mystic yearning. And Martin Scorsese overcomes fundamentalist ire to make The Last Temptation of Christ—a struggle that anticipates Salman Rushdie's struggle with Islam in The Satanic Verses. In Elie's acclaimed first book, The Life You Save May Be Your Own, Catholic writers ventured out into the wilds of postwar America; in this book, creative figures who were raised religious go to the margins of conventional belief, calling forth controversy. Episodes such as the boycott sparked by Madonna's "Like a Prayer" video and the tearing-up of Andres Serrano's Piss Christ in Congress are early skirmishes in the culture wars—but here the creators (not the politicians) are the protagonists, and the work they make speaks to conflicts that remain unsettled. The Last Supper explores the bold and unexpected forms an encounter with belief can take. It traces the beginnings of our postsecular age, in which religion is at once surging and in decline. Through a propulsive narrative, it reveals the crypto-religious imagination as complex, credible, daring, and vividly recognizable. PAUL ELIE is the author of The Life You Save May Be Your Own (2003) and Reinventing Bach (2012), both National Book Critics Circle Award finalists. He is a senior fellow in Georgetown University's Berkley Center for Religion, Peace, and World Affairs, and a regular contributor to The New Yorker. He lives in Brooklyn.

This week, screenwriter and author Nicholas Meyer discusses his latest mystery novel Sherlock Holmes and the Real Thing. In this latest book, Sherlock Holmes and Dr. Watson delve into the world of art forgery. Meyer is interviewed by Allison Sansone, Director of Programs at the American Writers Museum. This conversation originally took place September 18, 2025 and was recorded live at the American Writers Museum. We hope you enjoy entering the Mind of a Writer. PODCAST NETWORK HUB More about Sherlock Holmes and the Real Thing: London, 189–: The great city is brought to a standstill by a series of blizzards and Sherlock Holmes is bored to distraction. It would take a miracle to bring a case to the detective’s door... What arrives is not promising: a landlady who complains her artist tenant is behind on rent. Not exactly the miracle for which Holmes was hoping. But, next thing you know, there are several corpses and Sherlock Holmes and his biographer, John H. Watson, MD, find themselves drawn into one of the most bizarre cases of the great detective’s career. And into the cutthroat big business of Art, where chicanery and mendacity (and cut throats) proliferate. What makes a work of art worth killing for? Is it the artist, his mistress, his dealer, or his blackmailer? The cast of characters is large. But are they perpetrators, accomplices, or victims? And just who is Juliet Packwood, with whom Watson has become infatuated? Oh, and there’s one other problem: Is this a genuine Holmes case or a clever forgery? Is this the real thing? If you can’t tell the difference, what is the difference? About Nicholas Meyer: NICHOLAS MEYER is the "editor" of several Watson manuscripts, including The Seven-Per-Cent Solution, which spent forty weeks on the New York Times bestseller list. His screenplay of the film received an Oscar nomination. His film credits include writing and directing Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, and Star Trek VI: The Undiscovered Country. He wrote and directed Time After Time, co-created Medici: Masters of Florence, and directed The Day After, about nuclear war that attracted the largest audience ever for a television movie. A native of New York City, he lives in Santa Monica, California.

How does the son of a Presbyterian minister wind up winning a Pulitzer Prize for writing a wildly inaccurate newspaper column read by millions of people? America's most beloved wiseass, Dave Barry, finally tells his life story with all the humor you'd expect from a man who made a career out of making fun of pretty much everything. This week, Barry discusses his memoir Class Clown: The Memoirs of a Professional Wiseass with Mark Bazer of The Interview Show. This conversation originally took place May 15, 2025 and was recorded live at Chicago Hope Academy. We hope you enjoy entering the Mind of a Writer. This episode is presented in conjunction with our special exhibit and programming initiative American Prophets: Writers, Religion, and Culture, which opens in November 2025. American Prophets is supported by a generous grant from Lilly Endowment Inc. through its Religion and Cultural Institutions Initiative. AWM PODCAST NETWORK HOME More about Class Clown: In Class Clown, Dave Barry takes us on a hilarious ride, starting with a childhood largely spent throwing rocks for entertainment—there was no internet—and preparing for nuclear war by hiding under a classroom desk. After literally getting elected class clown in high school, he went to college, where, as an English major, he read snippets of great literature when he was not busy playing in a rock band (it was the sixties). He began his journalism career at a small-town Pennsylvania newspaper where he learned the most important rule of local journalism: never confuse a goose with a duck. His journey then took a detour into the business world, where as a writing consultant he spent years trying, with limited success, to get corporate folks to, for God’s sake, get the point. Somehow from there he wound up as a humor columnist for The Miami Herald, where his boss was a wild man who encouraged him to write about anything that struck him as amusing and to never worry about alienating anyone. His columns were not popular with everyone: He managed to alienate a vast army of Neil Diamond fans, and the entire state of Indiana. But he also developed a loyal following of readers who alerted him to the threat of exploding toilets, not to mention the fire hazards posed by strawberry pop-tarts and Rollerblade Barbie, which he demonstrated to the nation on the David Letterman show. He led his readers on a crusade against telemarketers that ultimately caused the national telemarketers association to stop answering its own phones because it was getting—irony alert—too many unwanted calls. He has also run for president multiple times, although so far without success. He became a book author and joined a literary rock band, which was not good at playing music but did once perform with Bruce Springsteen, who sang backup to Dave. As for his literary merits, Dave writes: “I’ll never have the critical acclaim of, say, Marcel Proust. But was Marcel Proust ever on Carson? Did he ever steal a hotel sign for Oprah?” Class Clown isn’t just a memoir; it’s a vibrant celebration of a life rich with humor, absurdity, joy, and sadness. Dave says the most important wisdom imparted by his Midwestern parents was never to take anything too seriously. This laughter-filled book is proof that he learned that lesson well. About the speakers: DAVE BARRY is the author of more bestsellers than you can count on two hands, including Swamp Story, Lessons from Lucy, Dave Barry’s Complete Guide to Guys, Dave Barry Turns Forty, and Dave Barry Is Not Making This Up. A wildly popular syndicated columnist best known for his booger jokes, Barry won the 1988 Pulitzer Prize for commentary. He lives in Miami. MARK BAZER is the host and executive producer of The Interview Show, a live talk show filmed at The Hideout that ran for six seasons on WTTW, Chicago’s PBS station, and was syndicated through American Public Television. The show is currently held a

This week, we kick off our new exhibit and content initiative American Prophets: Writers, Religion, and Culture with four writers of speculative fiction: N. K. Jemisin, Matthew J. Kirby, Nnedi Okorafor, and Nghi Vo. Moderated by Michi Trota, the panel of authors discuss religion in their writing, the importance of considering socio-spiritual systems when world-building, and how these influence the ways their characters move through the worlds they create. This conversation originally took place April 22, 2025 and was recorded live at the Harold Washington Library Center in Chicago. We hope you enjoy entering the Mind of a Writer. American Prophets: Writers, Religion, and Culture opens November 2025 at the American Writers Museum in Chicago. Learn more about the exhibit and upcoming programming schedule here. American Prophets is supported by a grant from Lilly Endowment Inc. through its Religion and Cultural Institutions Initiative. AWM PODCAST NETWORK HOME More about the writers: N. K. JEMISIN is a fantasy author and 2020 MacArthur Fellow whose fiction has been recognized with multiple Hugo, Nebula, and Locus Awards. Most of her works have been optioned for television or film, and collectively her novels, including the Broken Earth trilogy — The Fifth Season, The Obelisk Gate, and The Stone Sky — have sold over two million copies. Her speculative works range widely in theme, though with repeated motifs: resistance and oppression, loneliness and belonging, and Wouldn’t It Be Cool If This One Ridiculous Thing Happened. In her spare time she’s into tabletop and video games, biking, fanfiction, and urban gardening. She lives and writes in Brooklyn, with her son and two cats. MATTHEW J. KIRBY is the critically acclaimed and award-winning author of numerous books for young readers, including The Clockwork Three, Icefall, The Lost Kingdom, the Dark Gravity Sequence, the Assassin’s Creed series Last Descendants, A Taste for Monsters, and Star Splitter. He has also written adult titles for the Assassin’s Creed and Diablo video game franchises. He has won the Edgar Award for Best Juvenile Mystery, the PEN Center USA award for Children’s Literature, and the Judy Lopez Memorial Award. NNEDI OKORAFOR is the author of multiple award-winning and New York Times bestsellers, including Death of the Author, the Binti trilogy, Who Fears Death, and Lagoon, currently in development at Steven Spielberg's Amblin Entertainment. She has won every major prize in speculative fiction, including the World Fantasy, Nebula, and Eisner Awards; multiple Hugo Awards; and the Wole Soyinka Prize for Literature in Africa. Born in Cincinnati to Igbo Nigerian immigrant parents, she now resides in Phoenix, Arizona, with her daughter, Anyaugo. NGHI VO is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas of the Singing Hills Cycle, which began with The Empress of Salt and Fortune. The series entries have been finalists for the Nebula Award, the Locus Award, and the Lambda Literary Award, and have won the Crawford Award, the Ignyte Award, and the Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick, the power of stories, and the right to change your mind. Her latest release is Don’t Sleep With the Dead. MICHI TROTA is a five-time Hugo Award-winning Filipino American writer, editor, and narrative expert. Her work explores how to use empowerment, representation, and storytelling to attain collective liberation and to dismantle oppressive institutions, not just survive them. She is the Executive Editor at the environmental justice and advocacy nonprofit Green America and her publications include the Wing Luke Museum 2018-19 exhibit Worlds Beyond Here: Expanding the Universe of APA Science Fiction and Chicago Magazine, and she’s been featured in The Guardian, Chicago Tribune, and CNN: Philippines. She is also a member of the Filip

This week, we discuss McSweeney’s new quarterly issue: McSweeney’s 78: The Make Believers, featuring writers of the Vietnamese diaspora. We are joined by contributors and guest editors of the issue, Thi Bui and Vu Tran, as well as McSweeney’s Quarterly Editor Rita Bullwinkel. You can learn more about their work in the episode description below. During the episode, Thi, Vu, and Rita mention upcoming events in celebration of this issue. You can learn more about these special events at the links below. We hope to see you at one of these! Asian Art Museum | San Francisco | May 1 | 3:45 pm Natasha Reichle, Associate Curator of Southeast Asian Art, leads a special curator's choice discussion with McSweeney’s 78: The Make Believers co-guest editor Vu Tran and contributing author Doan Bui. Tenderloin Museum | San Francisco | May 1 | 6:00 pm A block party in the heart of Little Saigon. Readings by Vu Tran and Doan Bui, plus a DJ set by Topazu. University of Chicago | Chicago | May 15 | 5:00 pm Co-editors Vu Tran and Thi Bui will be joined by fellow contributor Isabelle Pelaud for a reading and celebration of the issue's publication. This conversation originally took place April 7, 2025 and was recorded via Zoom. We hope you enjoy entering the Mind of a Writer. AWM PODCAST NETWORK HOME More about The Make Believers: In McSweeney’s 78: The Make Believers (guest edited by Thi Bui and Vu Tran), ten writers of the Vietnamese diaspora write from the eclectic hodgepodge that is their shared imagination of what it means to be "Vietnamese." Packaged in a beautiful foil-stamped cigar box (with art by Bui on each and every surface), and including two booklets, one menu, and a glossary of broken Vietnamese, the work in this issue spans from highbrow to lowbrow, proper to naughty, logical to absurd, and painful to funny. Published on the occasion of the fiftieth anniversary of the end of the Vietnam War, its contributors work across perspectives and multiple languages. In this completely singular, nothing-else-of-its-kind anthology, these artists write (and illustrate!) from a place of collective loss and joy. Featuring work by: Doan Bui, Thi Bui, H'Rina DeTroy, Anna Moï, Hoài Huong Nguyen, Vaan Nguyen, Isabelle Thuy Pelaud, Bao Phi, Paul Tran, and Vu Tran. Order your copy of McSweeney's 78: The Make Believers here. About our guests: THI BUI is a writer and artist from Viet Nam, California, and New York, now planting roots in New Orleans. Best known for her graphic memoir, The Best We Could Do, she has also been a longtime educator in public high schools, a professor of comics, an organizer and artist-activist, an ambivalent sculptor and puppeteer, and a fledgling screenwriter. She received a Caldecott Honor as the illustrator of her first children’s book, A Different Pond, by Bao Phi. VU TRAN is the author of Dragonfish and a forthcoming novel, Your Origins. His other writing has appeared in publications like The O. Henry Prize Stories 2007: The Best Stories of the Year, The Best American Mystery Stories, Ploughshares, and Virginia Quarterly Review. He is the recipient of a Whiting Award and fellowships from the National Endowment for the Arts, MacDowell, Yaddo, and the Bread Loaf Writers' Conference. Born in Sài Gòn, Việt Nam, and raised in Oklahoma, Vu received his MFA from the Iowa Writers' Workshop and his PhD from the Black Mountain Institute in Las Vegas, and he is an associate professor of practice in the arts at the University of Chicago, where he directs undergraduate studies in creative writing. RITA BULLWINKEL is the author of Headshot and Belly Up, a story collection that won the Believer Book Award. She is a 2022 recipient of a Whiting Award, the editor of McSweeney's Quarterly, a contributing editor at NOON, the creator of Oral Florist, and a Picador Guest Professor of Literature at Leipzig University in Germany, where she teaches cour

This week, author Sash Bischoff discusses her hit debut novel Sweet Fury, a twisty, thought-provoking novel in conversation with the works of F. Scott Fitzgerald. Bischoff is interviewed by author Kathleen Rooney. This conversation originally took place February 12, 2025 and was recorded live at the American Writers Museum. We hope you enjoy entering the Mind of a Writer. AWM PODCAST NETWORK HOME About Sweet Fury: When a beloved actress is cast in a feminist adaptation of a Fitzgerald classic, she finds herself the victim in a deadly game of revenge in which everyone, on screen and off, is playing a part. "Cunningly ambitious, twisty, and immersive, it seduces you into a story so compelling that you aren’t ready for the sucker-punch of its deeper truths. This is a hell of a debut." —Rebecca Makkai Lila Crayne is America’s sweetheart: she’s generous and kind, gorgeous and magnetic. She and her fiancé, visionary filmmaker Kurt Royall, have settled into a stunning new West Village apartment and are set to begin filming their feminist adaptation of Fitzgerald’s Tender Is the Night. To prepare for the leading role, Lila begins working with charming and accomplished therapist Jonah Gabriel to dig into the trauma of her past. Soon, Lila’s impeccably manicured life begins to unravel on the therapy couch—and Jonah is just the man to pick up the pieces. But everyone has a secret, and no one is quite who they seem. A twisty, thought-provoking novel of construction and deconstruction in conversation with the works of F. Scott Fitzgerald and told through the lens of the film industry, Sweet Fury is an incisive and bold critique of America’s deep-rooted misogyny. With this novel, Bischoff examines the narratives we tell ourselves, and what happens when we co-opt others into those stories; and she probes the blurred lines between victim and perpetrator and the true meaning of justice. SASH BISCHOFF is a writer and theater director. She has written plays that have been developed at theaters throughout the US. As a director, she has worked on Broadway and off. Broadway/National Tours include Dear Evan Hansen, The Visit, On the Town, How to Succeed in Business Without Really Trying, and Shrek. Sash grew up as an actor and won the National Arts Award (NFAA) for Acting. She currently lives in New York with her husband and their many pets. Sweet Fury is her first novel. KATHLEEN ROONEY is a founding editor of Rose Metal Press, a nonprofit publisher of literary work in hybrid genres, as well as a founding member of Poems While You Wait, a collective of poets and their vintage typewriters who compose poetry on demand. Her most recent books include the novels Lillian Boxfish Takes a Walk and Cher Ami and Major Whittlesey. Her poetry collection Where Are the Snows won the 2021 X. J. Kennedy Prize and was published by Texas Review Press in fall of 2022. She is a winner of the Ruth Lilly Prize from Poetry magazine and the Adam Morgan Literary Citizen Award from the Chicago Review of Books, and her criticism appears in the New York Times, the Minneapolis Star Tribune, the Brooklyn Rail, Chicago magazine, the Los Angeles Review of Books, and elsewhere. She lives in Chicago with her spouse, the writer Martin Seay, and teaches English and creative writing at DePaul University.

This week, poets CM Burroughs and Adrian Matejka discuss the groundbreaking legacy of poet Melvin Dixon, who "wrote extensively about the complexities of being a gay Black man" (Poetry Foundation). Presented by the Poetry Foundation. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival. We hope you enjoy entering the Mind of a Writer. AWM PODCAST NETWORK HOME About the writers: CM BURROUGHS is Associate Professor of Creative Writing at Columbia College Chicago and author of The Vital System and Master Suffering, which was longlisted for the National Book Award, Lambda Book Award, and the LA Times Book Award. Burroughs’ poetry has appeared in journals and anthologies including Poetry, Ploughshares, Cave Canem’s Gathering Ground, and Best American Experimental Writing. ADRIAN MATEJKA is the author of five collections of poetry, most recently Somebody Else Sold the World (Penguin, 2021), which was a finalist for the UNT 2022 Rilke Prize and the 2022 Indiana Authors Award. His first graphic novel Last On His Feet: Jack Johnson and the Battle of the Century was published by Liveright in 2023. He serves as Editor of Poetry magazine. From the Poetry Foundation: Scholar, novelist, and poet MELVIN DIXON was born in Stamford, Connecticut. He earned a BA from Wesleyan University and an MA and a PhD from Brown University. Dixon wrote the poetry collections Change of Territory (1983) and Love’s Instruments (1995, published posthumously) and two novels, Trouble the Water (1989), winner of a Nilon Award for Excellence in Minority Fiction, and Vanishing Rooms (1991). Influenced by James Baldwin, Dixon wrote extensively about the complexities of being a gay black man. Speaking on this topic at a speech to the Third National Lesbian and Gay Writers Conference, Dixon said, "As white gays deny multiculturalism among gays, so too do black communities deny multisexualism among their members. Against this double cremation, we must leave the legacy of our writing and our perspectives on gay and straight experiences."   Dixon produced scholarship on and translated writing by several African American writers, including Leopold Sedar Senghor, Geneviève Fabre, and Jacques Roumain. Dixon was the recipient of a fellowship from the National Endowment for the Arts and he taught at Wesleyan University, the City University of New York, Fordham University, Columbia University, and Williams College. He died from complications related to AIDS at age 42.

This week, writers from around the world discuss their journeys, finding community in creativity, and making a home in Chicago. Featuring multidisciplinary writers Nestor Gomez, Lani T. Montreal, and Ugochi Nwaogwugwu; moderated by Jane Hseu. Presented by the Chicago Literary Hall of Fame. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival. We hope you enjoy entering the Mind of a Writer. AWM PODCAST NETWORK HOME About the writers: NESTOR "THE BOSS" GOMEZ traveled from Guatemala to Chicago with his family in the mid 80s. He was 15 years old, stuttered, didn’t know the English language and was undocumented. He didn’t have a voice. Today, he is an American citizen, speaks English with a sexy latinx accent and has become a storyteller. He has won the Moth slam more than 80 times. He is also the creator of 80 Minutes Around the World, a storytelling show that features the stories of immigrants, refugees, their descendants and allies. LANI T. MONTREAL writes to create her home in the diaspora. She is a queer feminist Filipina writer/educator/performer/activist based in Chicago. Her poems and essays have been anthologized in journals and books, and her plays, produced in the Philippines, Canada, and the U.S. She is CIRCA Pintig’s resident playwright and a Chicago Dramatist Network Playwright. She is a two-time recipient of 3Arts Residency Awards, a 2017 VONA Writers of Color Workshop alumni, a 2017 Free Street Theatre Resident Artist, and a 2024 Links Hall Co-MISSION Fellow. She teaches writing at Malcolm X College. UGOCHI NWAOGWUGWU is a multidisciplinary creative. Her poems have been published in Storm Between Two Fingers & Too Young, Too Loud, Too Different, both international anthologies released in the UK. Golden Shovel Anthology, honoring Gwendolyn Brooks, The Eternal Year of African People, and Wherever I’m At released nationwide. Not My President published by Third World Press in 2017. Her first book of poetry & prose entitled Seasons of Separation, in 2023. Ugochi also created an original pan African poetry form called, “Ike,” (pronounced EE-kay) #Ikepoem, paying homage to her Igbo heritage of Nigeria and fostering black appreciation worldwide. JANE HSEU is Professor of English at Dominican University. She specializes in teaching/researching Asian American and Latinx literatures and writing creative nonfiction. In addition to academic essays, she has published personal essays on funky Chinese American names, growing up in her mother’s Shiseido cosmetics store, and mental health, literature, and community. Jane enjoys being in creative community, especially being an organizer for Banyan: Asian American Writers Collective and telling stories in Ada Cheng’s storytelling productions. She is currently working on a memoir about how her journey with mental health necessitates coming to terms with a family history of mental illness.