At a time when college students and their parents often question the "return on investment" from humanities courses, accomplished feature writer and English professor Carlo Rotella invites us into the minds of a group of skeptical first-year students who are ultimately transformed by a required literature class. In What Can I Get Out of This?: Teaching and Learning in a Classroom Full of Skeptics (University of California Press, 2025) he follows thirty-three students through his class to provide an intimate look at teaching and learning from their perspectives as well as his own. The students' reluctance--"How does this get me a job?"--transforms into insight as they wrestle with challenging books, share ideas, discover how to think critically, and form a community. In all these ways, they learn how to extract meaning from the world around them, an essential life skill. Confronting skeptics of higher education, this compassionate and inspiring book reveals the truth of what students actually experience in college. Carlo Rotella is Professor of English at Boston College. Caleb Zakarin is editor of the New Books Network.

How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds’ School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life.

How do you know the nature of another person: who she is, or what she is capable of? In four exploratory essays, a seasoned historian examines the mechanisms by which ancient people came to have knowledge—not of the world and its myriad processes but about something more intimate, namely the individuals they encountered in close quarters, those they knew in everyday life. Tracing previously unfathomed structures beneath the surface of late ancient Christianity, Ellen Muehlberger reveals surprising insights about the ancient world and, by extension, the modern. Things Unseen holds treasures for scholars of early Christian studies, for historians in general, and for all those who wonder about how we know what we seem to know. The book is open access. Ellen Muehlberger is Professor of History at the University of Michigan. You can find many of the other essays mentioned in the show here. She is also the editor of The Journal of Early Christian Studies. Michael Motia teaches in the department of Classics and Religious Studies at UMass Boston

Explores forgotten solidarity with African liberation struggles through the life of Black Chicagoan Prexy Nesbitt. For many civil rights activists, the Vietnam War brought the dangers of US imperialism and the global nature of antiracist struggle into sharp relief. Martha Biondi tells the story of one such group of activists who built an internationalist movement in Chicago committed to liberation everywhere but especially to ending colonialism and apartheid in Africa. Among their leaders was Prexy Nesbitt. Steeped from an early age in stories of Garveyism and labor militancy, Nesbitt was powerfully influenced by his encounters with the exiled African radicals he met in Dar es Salaam, London, and across the United States. Operating domestically and abroad, Nesbitt's cohort worked closely with opponents of Portuguese and white minority rule in Mozambique, Angola, and South Africa. Rather than promoting a US conception of Black self-determination, they took ideas from African anticolonial leaders and injected them into US foreign policy debates. The biography of a man but even more so of a movement, We Are Internationalists: Prexy Nesbitt and the Fight for African Liberation (U California Press, 2025) reveals the underappreciated influence of a transformative Black solidarity project.

How do we know through atmospheres? How can being affected by an atmosphere give rise to knowledge? What role does somatic, nonverbal knowledge play in how we belong to places? Atmospheric Knowledge takes up these questions through detailed analyses of practices that generate atmospheres and in which knowledge emerges through visceral intermingling with atmospheres. From combined musicological and anthropological perspectives, Birgit Abels and Patrick Eisenlohr investigate atmospheres as a compelling alternative to better-known analytics of affect by way of performative and sonic practices across a range of ethnographic settings. With particular focus on oceanic relations and sonic affectedness, Atmospheric Knowledge centers the rich affordances of sonic connections for knowing our environments. A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.

Gender Violence in Late Antiquity: Male Fantasies and the Christian Imagination (University of California Press, 2025) by Dr. Jennifer Barry confronts the violent ideological frameworks underpinning the early Christian imagination, arguing that gender-based violence is not peripheral but is fundamental to understanding early Christian history. By analyzing hagiographical and doctrinal writings, Dr. Barry reveals how male authors used portrayals of feminized suffering to shape ideals of sanctity and power, exploiting themes of domestic abuse, martyrdom, and sexualized violence to reinforce their visions of piety. The study first traces the roots of gendered violence within the Greco-Roman and early Christian imagination, and then explores the disturbing role of male fantasies and dreams in hagiographical traditions. Dr. Barry draws on womanist scholarship and engages with trauma studies and feminist horror theory in order to challenge traditional readings of Christian texts, offering new perspectives for understanding how narratives of violence continue to shape contemporary interpretations of gender and power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network.

Food consumers are demanding a healthier and more sustainable food system. Yet labor is rarely part of the discussion. In Will Work for Food: Labor Across the Food Chain (U California Press, 2025), Laura-Anne Minkoff-Zern and Teresa Mares chronicle labor across the food chain, connecting the entire food system--from fields to stores, restaurants, home kitchens, and even garbage dumps. Using a political economy framework, the authors argue that improving labor standards and building solidarity among frontline workers across sectors is necessary for creating a more just food system. What would it take, they ask, to move toward a food system that is devoid of human exploitation? Combining insights from food systems and labor justice scholarship with actionable recommendations for policy makers, the book is a call to action for labor activists, food studies students and scholars, and anyone interested in food justice.

Risible: Laughter without Reason and the Reproduction of Sound (University of California Press, 2024) explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century’s development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious. A free e-book version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit here to learn more.​ Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu

How can activists strike a balance between fighting for a cause and sustaining relationships with family, friends, and neighbors? In this episode John Mathias joins host Elena Sobrino to talk about Uncommon Cause: Living for Environmental Justice in Kerala (2024, University of California Press). Uncommon Cause follows environmental justice activists in Kerala, India, as they seek out, avoid, or strive to overcome conflicts between their causes and their community ties. John Mathias finds two contrasting approaches, each offering distinct possibilities for an activist life. One set of activists repudiates community ties and resists normative pressures; for them, environmental justice becomes a way of transcending all local identities and affiliations, even humanity itself. Other activists seek to ground their activism in community belonging, to fight for their own people. Each approach produces its own dilemmas and offers its own insights into ethical tensions we all face between taking a stand and standing with others. In sharing Kerala activists’ diverse stories, Uncommon Cause offers a fresh perspective on environmental ethics, showing that environmentalism, even as it looks beyond merely human concerns, is still fundamentally about how we relate to other people. Elena Sobrino is an anthropologist studying the emotions and politics of environmental crises and currently working on a book about the Flint water crisis. She is a lecturer in the Science and Technology Studies program at Tufts University.

Dr. Subha Dayal recently joined the New Books Network to discuss her new work Between Household and State: The Mughal Frontier and the Politics of Circulation in Peninsular India (U California Press, 2024). Her book makes a crucial intervention by moving beyond conventional dynastic narratives of the Mughal past to emphasize the role of elite household and family networks in peninsular India. Her approach defines the Mughal Frontier as a mobile entity. The empire was continuously remade and transformed through its interactions with ordinary itinerant subjects, such as scribes, soldiers, and labourers, who served under elite households and participated in imperial institutions like the army or bureaucracy. Dayal employs a bottom-up, granular portrait of this dynamism, returning to the tradition of social history to understand what the empire meant to ordinary people. The central organizational concept of the book is Ghar, defined as a continuum of relations that is neither restricted to sociological kin nor strictly bound to territory or space. While Ghar traditionally means "home" or "household," it also refers to a "slot or a single cell or receptacle," signifying an entity that functions as part of a larger unit. Dayal posits that the question of belonging can never be separated from the question of inequality. Belonging within the vertical hierarchy of a Ghar was inherently a form of privilege. The concept is fundamentally tied to the process of caste (jati) formation in pre-colonial India. Ghar was evoked by thousands of ordinary soldiers performing service (naukari) under a lord to signify affinity to a city, descent, or region. The internal politics of a Ghar often compelled household heads to forge alliances (sometimes across religious or kin divides) while simultaneously forcing them to enforce boundaries of status and caste to secure their grip over offices.  Dayal chose the term Mughal frontier over "borderlands" to highlight the politics of circulation across the peninsula. This frontier is defined as a complex set of processes through which social formations, personnel, and resources came to overlap and be shared across northern and southern India. Circulation itself is defined not as a unidirectional mobility (like invasion), but as the back-and-forth movement of pre-modern actors between sites, including courts, battlefields, and port cities. This constant exchange caused these sites to develop overlaps and codependencies. Focusing on circulation helps Dayal collapse the spatial boundaries between northern and southern India. The household both anchors this circulation and is, in turn, reconfigured by it, creating new forms of affinity, belonging, and social exclusion. Dayal’s research bridges two distinct scholarly lines of inquiry: the Persian ecumene (which focuses on court and cultural history) and Indian Ocean studies (which often relies on European-language materials). She utilizes a massive documentary deposit of low-level Persian administrative materials from the moving Mughal frontier, reading them alongside vernacular narrative poems and the correspondence of the Dutch East India Company (VOC) along the coast. The VOC records, she notes, often use the term "huijshouden/huijsheid" to identify independent households and gauge their autonomy from imperial capitals. By working across these genres, Dayal affirms the radical equality of literary and non-literary sources for the study of pre-modern India. Dr. Dayal’s next project involves writing the Islamic port city into global history. This comparative study of the bureaucratic and scribal cultures of three port cities—Bandar Abbas, Surat, and Masulipatnam—moves from the sea to the land. This work utilizes bilingual documents in Persian and Dutch to trace how indigenous templates and scribal cultures shaped the terrain on which transnational companies operated, creating a kind of prehistory of orientalism.

Gender Violence in Late Antiquity confronts the violent ideological frameworks underpinning the early Christian imagination, arguing that gender-based violence is not peripheral but is fundamental to understanding early Christian history. By analyzing hagiographical and doctrinal writings, Jennifer Barry reveals how male authors used portrayals of feminized suffering to shape ideals of sanctity and power, exploiting themes of domestic abuse, martyrdom, and sexualized violence to reinforce their visions of piety. The study first traces the roots of gendered violence within the Greco-Roman and early Christian imagination, and then explores the disturbing role of male fantasies and dreams in hagiographical traditions. Barry draws on womanist scholarship and engages with trauma studies and feminist horror theory in order to challenge traditional readings of Christian texts, offering new perspectives for understanding how narratives of violence continue to shape contemporary interpretations of gender and power. New Books in Late Antiquity is presented by Ancient Jew Review Jennifer Barry is Associate Professor of Religious at the University of Mary Washington. She is author of Bishops in Flight: Exile and Displacement in Late Antiquity and an expert on late ancient studies, early Christianity, later Roman antiquity, and gender studies. Michael Motia teaches in Classics and Religious Studie at UMass Boston

By the end of the twentieth century, US architecture and engineering firms held more capital than entire countries, employed more people than were housed in most cities, and rented offices in more nations than comprised the UN. Within them, architects were designing not single buildings but urban systems, including the multinational infrastructures, legal codes, and financial mechanisms on which those systems came to depend. However, despite the extraordinary power of these architects, their histories remain shrouded in myth and concealed—by design. In Incorporating Architects: How American Architecture Became a Practice of Empire (U California Press, 2025) Dr. Aaron Cayer provides a forensic analysis that traces a history of architects at one such firm, AECOM, as they assembled their own multinational corporation and embedded themselves in the operations of American empire after World War II, shielding themselves from the instabilities of a postwar political economy. Incorporating Architects reveals how architects, through their businesses more than their drawings or buildings, modulated the political economy, gripped the reins of their profession, and produced the global injustices that define our neoliberal present. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

For decades coal has been crucial to America's culture, society, and environment, an essential ingredient in driving out winter's cold, cooking meals, and lighting the dark. In the coalfields and beyond, in Black Gold: The Rise, Reign, and Fall of American Coal (University of California Press, 2025) Bob Wyss describes how this magical elixir sparked the Industrial Revolution, powered railroads, and built urban skylines, while providing home comforts for families. Coal's history and heritage are fundamental to understanding its legacy of threats to America's well-being. As industry developed so did clashes between powerful tycoons, coal miners, and innocent families. Exploitation and avarice led to victimization, deadly violence, and ultimately the American labor movement. More recently coal has endangered American lives and safety, brought on by two centuries of carbon combustion, and here the threat remains unresolved. This is coal's most enduring legacy, and Black Gold is pivotal in helping us understand how we got to this point. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Why can’t we seem to agree on facts? In this succinct volume, sociologist Joel Best turns his inimitable eye toward the social construction of what we think is true. He evaluates how facts emerge from our social worlds—including our beliefs, values, tastes, and norms—and how they align with those worlds’ standards. He argues that by developing a sociological perspective toward what we think we know, we can better parse the use of facts and untruths around us.Just the Facts: Untangling Contradictory Claims (U California Press, 2025) by Joel Best examines how facts are created and supported through science, government, law, and journalism, revealing that facts are actually claims. These claims are malleable and can change over time through fact-checking, revision, and sometimes rejection. Best guides us through these processes so that we can question our assumptions and understand why disputes happen in the first place. In a time of increasing social and political divide, Just the Facts urges us to resist defensiveness over our facts and approach disputes in critical new ways. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email.

A Memory of Violence: Syriac Christianity and the Radicalization of Religious Difference in Late Antiquity (U California Press, 2025) traces the rhetorical strategies of religious radicalization that encouraged fifth- and sixth-century miaphysite Christians to be willing to suffer physical deprivation and harm rather than abandon the church that the late Roman Empire defined as heresy after the Council of Chalcedon in 451. These Syriac texts created genealogies of orthodoxy and heresy, represented their heroes as martyr saints, and reminded their followers of God's coming judgment. Later they gained renewed relevance when they were copied and translated under the emerging 'Umayyad caliphate of Islam. This book reshapes representations of late antiquity by centering Syriac Christianity in these complex and politicized doctrinal conflicts. Tracing these rhetorical strategies not only sheds light on early Christian history in the Middle East, but also provides a rich case study of religious schism, devotion, and survival that continues to resonate today. New books in late antiquity is sponsored by Ancient Jew Review Christine Shepardson is Distinguished Professor in the Humanities in the Department of Religious Studies at University of Tennessee Knoxville Michael Motia teaches in Classics and Religious Studies at UMass Boston

Moorings: Voyages of Capital across the Indian Ocean (U of California Press, 2025) follows sailors from the Gulf of Kachchh in India as they voyage across the Indian Ocean on mechanized wooden sailing vessels known as vahans, or dhows. These voyages produce capital through moorings that are spatial, moral, material, and conceptual. With a view from the dhow, the book examines the social worlds of Muslim seafarers who have been rendered invisible even as they maneuver multiple regulatory regimes and the exigencies of life, navigating colonialism, neoliberalism, the rise of Hindutva, insurgency, climate change, and border regimes across the ocean. Based on historical and ethnographic research aboard ships, at ports, and in religious shrines and homes, Moorings shows how capitalism derives value from historically sedimented practices grounded in caste, gender, and transregional community-based forms of regulation. Nidhi Mahajan is Associate Professor in the Department of Anthropology at the University of California, Santa Cruz. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

David McNally's Slavery and Capitalism: A New Marxist History (U California Press, 2025)presents the first systematic Marxist account of the capitalist character of Atlantic slavery. McNally argues that enslaved labour within the plantation system constituted capitalist commodity production, and crucially, reframes the resistance of enslaved people as profound labour struggles. He posits a "social conception of freedom", contrasting it with the liberal individualist view, asserting that for enslaved people, freedom was communal and collective, as no individual could break the structures of slavery alone. The book revives a "forgotten critical Marxist tradition" that consistently upheld the capitalist nature of New World slavery, drawing on three crucial thinkers: C.L.R. James, who argued that the collective labour of enslaved sugar cane workers on Haitian plantations was "closer to a modern proletariat than any group of workers in the world at the time". W.E.B. Du Bois, who described the overthrow of slavery in the U.S. Civil War as a "general strike of the slaves," recognizing their withdrawal of labour as commodity producers. Sylvia Wynter, who referred to this "new world enslaved class" as the "plantation proletariat," seeing them as "the most thoroughly modern social class". At the heart of McNally's analysis is the concept of the "chattel proletariat," which he describes as the "pivot point" of his analysis. This concept challenges the idea that the proletariat must mean "free workers". He demonstrates that enslaved people were economically bonded to capital, much like "free" labourers are bonded by economic necessity, with both forms of labour exploited for surplus value. Contrary to common belief, enslaved workers on Atlantic plantations "regularly used the strike weapon," engaging in collective acts like mass strikes (e.g., Toussaint Louverture's call, Bussa's rebellion, the 1831 Jamaica strikes, and Du Bois's "general strike"). These actions lead McNally to assert they were "among the foremost innovators in mass strikes" and should be recognized as part of the proletariat, necessitating a rewriting of modern labour history. McNally incorporates the insights of Marxist feminists and social reproduction theorists, emphasizing the "life-making" aspect of the chattel proletariat. He highlights that enslaved Black women not only produced commodities but also performed the essential, gendered labour of reproducing human existence. He also stresses the "necessity of theory" in historical analysis, arguing that empirical approaches alone cannot grasp "collective social processes" without a broader theoretical framework of commodity and social relationships. This book represents a significant confrontation with racial capitalism, weaving together McNally's long-standing interests in political economy and anti-racist commitments.

In Tales of Militant Chemistry (U of California Press, 2025), Alice Lovejoy tells the untold story of film as a chemical cousin to poison gas and nuclear weapons, shaped by centuries of violent extraction. The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today.

Ancient Mediterranean Incarceration (open access) examines spaces, practices, and ideologies of incarceration in the ancient Mediterranean basin from 300 BCE to 600 CE. Analyzing a wide range of sources—including legal texts, archaeological findings, documentary evidence, and visual materials—Matthew D. C. Larsen and Mark Letteney argue that prisons were integral to the social, political, and economic fabric of ancient societies. Ancient Mediterranean Incarceration traces a long history of carceral practices, considering ways in which the institution of prison has been fundamentally intertwined with issues of class, ethnicity, gender, and imperialism. By foregrounding the voices and experiences of the imprisoned, Larsen and Letteney demonstrate the extraordinary durability of carceral structures across time and call for a new historical consciousness around contemporary practices of incarceration. The database of data is: historyofincarceration.com New books in late antiquity is presented by Ancient Jew Review Matthew Larsen is a historian, archaeologist, and storyteller who brings the ancient world to life. A professor at the University of Copenhagen, he specializes in uncovering the real lives of the first Christians—what they built, how they lived, and what history gets wrong about them. Mark Letteney (he/him) is Assistant Professor, Carol Thomas Endowed Professor of Ancient History at the University of Washington Michael Motia teaches in Classics and Religious Studies at UMass Boston