Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
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Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
Send us a text NARRATOR (GEORGE): The Toy Museum remembers everything. It remembers the first teddy bear sewn by an immigrant. It remembers Barbie striking a pose at a 1959 toy fair. It remembers dragon trucks that eat cars and tiny supermarkets where children practice being grownups. But tonight, the museum is thinking in rectangles. Bricks. Studs. The quiet click that has become one of the most recognizable sounds in the toy world. The Night Watchman has wandered into the construction win...
Celebrate Creativity
Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
