Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
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Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
Send us a text NIGHT WATCHMAN (reading): “Betsy Wetsy. Vintage baby doll. A ‘practice baby’—a caretaking toy reflecting changing ideas about childhood play and domestic life…” NARRATOR: He pauses, as if the next line might argue back. NIGHT WATCHMAN (continuing): “Please do not touch the exhibits.” That last part—I wrote myself. [SFX: Another tiny plastic creak.] BETSY WETSY (bright, polite, slightly prim): Mr. Smith. NIGHT WATCHMAN (not surprised, just tired): Evenin’, Betsy. BETSY WET...
Celebrate Creativity
Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
