Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
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Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
Send us a text GEORGE (to mic, playful): All right. Confession Some people hear the phrase “rhetorical devices” and immediately reach for the nearest exit sign. But over the years I have learned that rhetorical devices are not decorations. They’re not lace on the edge of language. They’re engines. They’re how a speaker makes an audience feel the truth— even when the truth is… being negotiated. And Shakespeare? Shakespeare wasn’t born with a quill in his hand. He was trained. Today we wa...
Celebrate Creativity
Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
