Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
All content for Celebrate Creativity is the property of George Bartley and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
Send us a text In this series, we’ve been spending time with artists who didn’t just make hits — they rewired popular music itself. Some of them crashed. Some of them burned out. Some of them never got old enough to figure out who they might have become. In the previous episode, we talked about Michael Jackson — a man whose genius was wrapped in pressure, pain, and dependency, and whose life ended in an overdose in a rented mansion in Los Angeles. Today’s story easily could have ended the ...
Celebrate Creativity
Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...
