Miranda and Clayton discuss the follow-up to Joe Hill’s The Black Phone, titled Black Phone 2.

Miranda and Clayton talk about the Japanese dystopian drama, Happyend, in cinemas after a run at MIFF.

We’re back in that cursed little Maine town where fear has a postcode — Derry.
Long before the Losers’ Club faced Pennywise, this stylish prequel dives into how fear itself took root.
Tamzyn, Miranda and Clayton sink their teeth into those first two chilling episodes.
From pastel-washed horror and ‘60s Americana gone wrong, to twisted births, weaponised evil, and the unseen presence that still haunts the sewers.

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Anne Rice’s Immortal Universe expands in Talamasca: The Secret Order — and the shadows are watching.
The team unpacks this slow-burn supernatural spy thriller that mixes secret societies, telepaths, and a dash of queer-coded intrigue.
Think Bourne Identity meets Vampire: The Masquerade.
Moody, mysterious, and full of dark promise.
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Crime meets quirk in High Potential — where genius cleaning lady Morgan Gillory solves cases the cops can’t.
Tamzyn and Clayton are all in on the charm, fashion, and slow-burn dynamics that make this procedural sparkle.
With heart, humour and a standout lead, it’s clever, feminist fun that proves brainy can still be bold.
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The team talk about the latest instalment in the V/H/S anthology franchise, V/H/S: Halloween.