Brad Bolman, Assistant Professor of History at Tulane University (USA), discussed his book Lab Dog: What Global Science Owes American Beagles (University of Chicago Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 29 September 2025. Intrepid, docile, and cloaked in coats of white, black, and tan, beagles were one of the most popular breeds in the United States in the twentieth century. From Snoopy to dog shows, many Americans loved and identified with beagles. But during the same period, as scientists searched for a standard research dog, beagles emerged as something else: an ideal animal for laboratory experimentation.   In Lab Dog, historian Brad Bolman explains how the laboratory dog became a subject of intense focus for twentieth-century scientists and charts the beagle’s surprising trajectory through global science. Following beagles as they moved from eugenics to radiobiology, pharmaceutical testing to Alzheimer’s studies, Lab Dog sheds new light on pivotal stories of twentieth-century science, including the Manhattan Project, tobacco controversies, contraceptive testing, and behavioral genetics research. Bolman shows how these experiments shaped our understanding of dogs as intelligent companions who deserve moral protection and socialization—and in some cases, daily medication. Compelling and accessible, Lab Dog tells the thorny story of the participation of beagles in science, including both their sacrifices and their contributions, and offers a glimpse into the future of animal experimentation.

Jules Skotnes-Brown, Research Fellow at the University of St. Andrews (UK), discussed his book Segregated Species: Pests, Knowledge, and Boundaries in South Africa, 1910–1948 (Johns Hopkins University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 15 September 2025. Throughout the twentieth century, rural South Africa was dominated by systems of racial segregation and apartheid that brutally oppressed its Black population. At the same time, the countryside was defined by a related settler obsession: the control of animals that farmers, scientists, and state officials considered pests. Elephants rampaged on farmlands, trampling fences, crops, and occasionally humans. Grain-eating birds flocked on plantations, devouring harvests. Bubonic plague crept across the veld in the bodies of burrowing and crop-devouring rodents. In Segregated Species, Jules Skotnes-Brown argues that racial segregation and pest control were closely connected in early twentieth-century South Africa. Strategies for the containment of pests were redeployed for the management of humans and vice versa. Settlers blamed racialized populations for the abundance of pests and mobilized metaphors of pestilence to dehumanize them. Even knowledge produced about pests was segregated into the binary categories of “native” and “scientific.” Black South Africans critiqued such injustices, and some circulated revolutionary rhetoric through images and metaphors of locusts. Ultimately, pest-control practices played an important role in shaping colonial hierarchies of race and species and in mediating relationships among human groups. Skotnes-Brown demonstrates that the history of South Africa—and colonial history generally—cannot be fully understood without analyzing the treatment of both animals and humans.

Tina Adcock, assistant professor of history at Simon Fraser University (Canada), discussed her book A Cold Colonialism: Modern Exploration and the Canadian North (University of British Columbia Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 8 September 2025. Exploration has long been pivotal to southern engagements with northern Canada, but it is most often associated with the nineteenth century or earlier. A Cold Colonialism offers the first extended examination of twentieth-century exploration in the Canadian North. Modern exploration helped southerners establish and maintain distinctive kinds of colonial and settler colonial power over northern Indigenous homelands. Who explored the North between 1918 and 1965? What forms did exploration take? What did it mean to explorers and others affected by it? Tina Adcock focuses on four representative explorers with richly documented careers: mining engineer George Douglas, surveyor Guy Blanchet, ethnologist Vilhjalmur Stefansson, and filmmaker Richard Finnie. Each used exploration to grapple with key, often discomfiting aspects of modernity, including industrialization, urbanization, and the specialization of knowledge. Despite limited experience in and knowledge of the Canadian North, these explorers helped southern militaries, industries, and governments exert control over northern peoples and lands. Each also claimed belonging in and authority over the North, speaking over people who had long resided there and better understood the region. The ways that explorers felt about, thought about, and moved through the North still resonate among southern settlers in Canada today.

Richard Fallon, KE Fellow at University of Nottingham and Postdoctoral Researcher in Collections and Culture at the Natural History Museum (UK), discussed his book Contesting Earth’s History in Transatlantic Literary Culture, 1860-1935: Believers and Visionaries on the Borderlines of Geology and Palaeontology (Oxford University Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 1 September 2025. By the mid-nineteenth century, geologists and palaeontologists had reconstructed an authoritative narrative of Earth’s deep history, from the planet’s molten origins to the rise of humanity. Many figures in transatlantic science across subsequent decades, however, had problems with this narrative: it was too secular, inhuman, and evolutionary, or controlled too exclusively by elite scientists. Speaking from palaeoscience’s unevenly professionalized and controversy-racked borderlines, Christian fundamentalists, charismatic psychics, and respected scholars alike voiced their objections. Until now, no study has brought their work together for detailed comparative analysis. Spanning from the 1860s to the interwar decades, Contesting Earth’s History examines the fascinating history of five significant examples of fringe or ‘borderline’ palaeoscience: old- and young-earth creationism, hollow-earth theory, clairvoyant time travel, and sunken-continent catastrophism. Innovatively combining methods from literature and science studies with the history of science, this book attends not just to the conceptual content of these strange sciences, but also to their proponents’ communication of truth claims through diverse genres ranging from the scientific textbook to the epic poem. Close attention to the hitherto overlooked textual forms and literary strategies of ‘pseudoscience’ throws into relief competing conceptions of science’s audiences, methods, and forms of evidence. The authors examined in this book attempted to shift the balance of scientific power, creating textual spaces where exclusive hierarchies of expertise could be levelled away. Hijacking geologists’ and palaeontologists’ long-standing efforts at making the prehistoric past visible, these authors encouraged readers to gaze into time’s abyss with bold new eyes.

Rebecca K. Wright, Assistant Professor in History at Northumbria University (UK), discussed her book Moral Energy in America: From the Progressive Era to the Atomic Bomb (Johns Hopkins University Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 12 May 2025. In Moral Energy in America, Rebecca K. Wright offers an illuminating exploration of how the concept of energy shaped American thought, culture, and politics throughout the first half of the twentieth century. This essential history traces how politicians, sociologists, geographers, urban planners, economists, and intellectuals adopted the idea of energy to bolster their social programs and visions of the future through distinctive energy imaginaries. Energy was not a stable concept in the period, and it appealed to writers and advocates across the political and cultural spectrum. While medical practitioners and social workers interwove energy into discussions of race, immigration, youth, and crime, mainstream political campaigns appealed to the public by drawing energy into political rhetoric. Wright positions energy at the heart of key intellectual debates of the period, such as the Bourne-Dewey confrontation over America’s role in World War I and the rise of technocratic ideas that envisioned energy as a new metric for societal progress. In a thirty-year era that shook the foundations of American democracy—a period punctuated by the Great Depression, the rise of communism and fascism abroad, two world wars, and the atomic bomb—energy became a key metaphor through which to understand major transformations in American society. Wright demonstrates how energy’s many meanings transcended material and scientific definitions to influence everything from racial theories to economic policies, and ultimately played a pivotal role in molding the American moral landscape.

John Kinder, director of American Studies and professor of history at Oklahoma State University (USA), discussed his book World War Zoos: Humans and Other Animals in the Deadliest Conflict of the Modern Age (University of Chicago Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 5 May 2025. As Europe lurched into war in 1939, zookeepers started killing their animals. On September 1, as German forces invaded Poland, Warsaw began with its reptiles. Two days later, workers at the London Zoo launched a similar spree, dispatching six alligators, seven iguanas, sixteen southern anacondas, six Indian fruit bats, a fishing cat, a binturong, a Siberian tiger, five magpies, an Alexandrine parakeet, two bullfrogs, three lion cubs, a cheetah, four wolves, and a manatee over the next few months. Zoos worldwide did the same. The reasons were many, but the pattern was clear: The war that was about to kill so many people started by killing so many animals. Why? And how did zoos, nevertheless, not just survive the war but play a key role in how people did, too? A harrowing yet surprisingly uplifting chronicle, Kinder’s World War Zoos traces how zoos survived the deadliest decades of global history, from the Great Depression, through the terrors of World War II, to the dawn of the Cold War. More than anything before or since, World War II represented an existential threat to the world’s zoological institutions. Some zoos were bombed; others bore the indignities of foreign occupation. Even zoos that were spared had to wrestle with questions rarely asked in public: What should they do when supplies ran low? Which animals should be killed to protect the lives of others? And how could zoos justify keeping dangerous animals that might escape and run wild during an aerial attack? Zoos in wartime reveal the shared vulnerabilities of humans and animals during periods of social unrest and environmental peril. World War II–era zoos offered people ways to think about and grapple with imprisonment, powerlessness, and degradation. Viewed today, the story of zoos during World War II can be read as an allegory of twenty-first-century crises, as the effects of climate change threaten all life across the planet. A one-of-a-kind history, World War Zoos is the story of how the world’s zoos survived the deadliest conflict of the twentieth century—and what was lost along the way.

Pollyanna Rhee, assistant professor of landscape architecture at the University of Illinois, Urbana-Champaign (USA), discussed her book Natural Attachments: The Domestication of American Environmentalism, 1920–1970 (University of Chicago Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 28 April 2025. A massive oil spill in the Pacific Ocean near Santa Barbara, California, in 1969 quickly became a landmark in the history of American environmentalism, helping to inspire the creation of both the Environmental Protection Agency and Earth Day. But what role did the history of Santa Barbara itself play in this? As Pollyanna Rhee shows, the city’s past and demographics were essential to the portrayal of the oil spill as momentous. Moreover, well-off and influential Santa Barbarans were positioned to “domesticate” the larger environmental movement by embodying the argument that individual homes and families—not society as a whole—needed protection from environmental abuses. This soon would put environmental rhetoric and power to fundamentally conservative—not radical—ends.

Josh Nygren, Associate Professor of history at the University of Central Missouri (USA), discussed his book The State of Conservation: Rural America and the Conservation-Industrial Complex since 1920 (University of North Carolina Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 7 April 2025. In the twentieth century, natural resource conservation emerged as a vital force in US politics, laying the groundwork for present-day sustainability. Merging environmental, agricultural, and political history, Joshua Nygren examines the political economy and ecology of agricultural conservation through the lens of the “conservation-industrial complex.” This evolving public-private network—which united the US Department of Agriculture, Congress, local and national organizations, and the agricultural industry—guided soil and water conservation in rural America for much of the century. Contrary to the classic tales of US environmental politics and the rise and fall of the New Deal Order, this book emphasizes continuity. Nygren demonstrates how the conservation policies, programs, and partnerships of the 1930s and 1940s persisted through the age of environmentalism, and how their defining traits anticipated those typically associated with late twentieth-century political culture. The conservation-industrial complex promoted a development-oriented brand of conservation that aided the rise of large-scale, capital-intensive agriculture which continues today. It also reshaped the physical and political landscapes of the country, leading to impressive conservation victories and spectacular failures by privileging some environments, degrading others, and intensifying farm depopulation. In the name of environmental protection, agricultural conservation made rural America less equal.

Christian Long, media studies scholar at University of Queensland (Australia), discussed his book Infrastructure in Dystopian and Post-apocalyptic Film, 1968–2021 (University of Chicago Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 31 March 2025, at the special start time of 11am Central European time (7pm AEST in Queensland). Dystopian and post-apocalyptic movies from 1968 to 2021 usually conclude with optimism, giving the audience a window into what is possible in the face of social dysfunction. The infrastructure that peeks through at the edges of the frame surfaces some of the concrete ways in which dystopian and post-apocalyptic survivors have made do with their damaged and destroyed worlds. In this book, Christian B. Long argues that if the happy endings so common to mass-audience films do not provide an all-encompassing vision of a better world, the presence of infrastructure, whether old or retrofitted or new, offers a starting point for the continued work of building toward the future. Film imaginings of energy, transportation, water, waste, and their combination in the food system reveal what might be essential infrastructure on which to build the new post-dystopian and post-apocalyptic communities. We can look to dystopian and post-apocalyptic movies for a sense of where we might begin.

Sasha Gora, cultural historian and Project Director of “Off the Menu” at University of Augsburg (Germany), discussed her book Culinary Claims: Indigenous Restaurant Politics in Canada (University of Toronto Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 24 March 2025. Culinary Claims explores the complex relationships between wild plants and introduced animals, Indigenous foodways, and Canadian regulations. Blending food studies with environmental history, the book examines how cuisines reflect social and political issues related to cultural representation, restaurants, and food sovereignty. L. Sasha Gora chronicles the rise of Indigenous restaurants and their influence on Canadian food culture, engaging with questions about how shifts in appetite reflect broader shifts in imaginations of local environments and identities. Drawing on a diverse range of sources – from recipes and menus to artworks and television shows – the book discusses both historical and contemporary representations of Indigenous foodways and how they are changing amid the relocalization of food systems. Culinary Claims tells a new story of settler colonialism and Indigenous resistance, emphasizing the critical role that restaurants play in Canada’s cultural landscape. It investigates how food shapes our understanding of place and the politics that underpin this relationship. Ultimately, the book asks, What insights can historians gain from restaurants – and their legacies – as reflections of Indigenous and settler negotiations over cultural claims to land?

Gina Caison, Associate Professor of Southern Literature at Georgia State University (USA), presented Erosion: American Environments and the Anxiety of Disappearance (Duke University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 17 March 2025. In Erosion, Gina Caison traces how American authors and photographers have grappled with soil erosion as a material reality that shapes narratives of identity, belonging, and environment. Examining canonical American texts and photography, including John Steinbeck’s The Grapes of Wrath, Octavia Butler’s Parable series, John Audubon’s Louisiana writings, and Dorothea Lange’s Migrant Mother, Caison shows how concerns over erosion reveal anxieties of disappearance that are based in the legacies of settler colonialism. Soil loss not only occupies a complex metaphorical place in the narrative of American identity; it becomes central to preserving the white settler colonial state through Indigenous dispossession and erasure. At the same time, Caison examines how Indigenous texts and art such as Lynn Riggs’s play Green Grow the Lilacs, Karenne Wood’s poetry, and Monique Verdin’s photography challenge colonial narratives of the continent by outlining the material stakes of soil loss for their own communities. From California to Oklahoma to North Carolina’s Outer Banks, Caison ultimately demonstrates that concerns over erosion reverberate into issues of climate change, land ownership, Indigenous sovereignty, race, and cultural and national identity.

Kylie Crane, Professor of British and American Cultural Studies at University of Rostock (Germany), will discuss her book Concrete and Plastic: Thinking Through Materiality (Bloomsbury Academic, 2024) in the Greenhouse environmental humanities book talk series on Monday, 3 March 2025. Plastic and concrete are two of the most ubiquitous materials of the modern age. This open access book traces inventions, inventories and interventions of these materials as they pervade our day-to-day lives across various forms. By proposing we think of the ways materials configure ‘future artefacts’, and by recognizing the various ways in which materials shape our encounters with the world, the book explores the productive tensions implicit in, and between, concrete and plastic. Drawing ona wide range of sources, including novels, essays, travel and nature writings, films, poems, souvenirs, advertisements, policy documents, environmental art, wrapping,and (popular) science writing, the book attends to all kinds of cultural artefacts to trace imaginative entanglements with disparate others in the Anthropocene.

Anne Berg, Assistant Professor of History at the University of Pennsylvania (USA), will discuss her book Empire of Rags and Bones: Waste and War in Nazi Germany (Oxford University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 17 February 2025. Paper, bottles, metal scrap, kitchen garbage, rubber, hair, fat, rags, and bones—the Nazi empire demanded its population obsessively collect anything that could be reused or recycled. Entrepreneurs, policy makers, and ordinary citizens conjured up countless schemes to squeeze value from waste or invent new purposes for defunct or spent material, no matter the cost to people or the environment. As World War II dragged on, rescued loot—much of it waste—clogged transport routes and piled up in warehouses across Europe. Historicizing the much-championed ideal of zero waste, Anne Berg shows that the management of waste was central to the politics of war and to the genesis of genocide in the Nazi Germany. Destruction and recycling were part of an overarching strategy to redress raw material shortages, procure lebensraum, and cleanse the continent of Jews and others considered undesirable. Fostering cooperation between the administration, the party, the German Army, the SS, and industry, resource extending schemes obscured the crucial political role played by virtually all German citizens to whom salvaging, scrapping, and recycling were promoted as inherently virtuous and orderly behaviors. Throughout Nazi occupied-Europe, Jews, POWs, concentration camp inmates, and enemy civilians were forced to recycle the loot, discards, and debris of the Nazi race war. In the end, the materials that were fully exploited and the people who had been bled dry were cast aside, buried, burned, or left to rot. Nonetheless, waste reclamation did not have the power to win the war. Illuminating how the Nazis inverted the economy of value, rescuing discards and murdering people, Empire of Rags and Bones offers an original perspective on genocide, racial ideology, and World War II.

Ángeles Picone, Assistant Professor of History at Boston College (USA), discussed her book Landscaping Patagonia: Spatial History and Nation-Making in Chile and Argentina (University of North Carolina Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 10 February 2025. In late nineteenth-century Latin America, governments used new scientific, technological, and geographical knowledge not only to consolidate power and protect borders but also to define the physical contours of their respective nations. Chilean and Argentine authorities in particular attempted to transform northern Patagonia, a space they perceived as “desert,” through a myriad of nationalizing policies, from military campaigns to hotels. But beyond the urban governing halls of Chile and Argentina, explorers, migrants, local authorities, bandits, and visitors also made sense of the nation by inhabiting the physical space of the northern Patagonian Andes. They surveyed passes, opened roads, claimed land titles or leases, traveled miles to the nearest police station, rode miles on horseback to escape the police, and hiked the landscape. Picone tells the story of how people living, governing, and traveling through northern Patagonia sought to construct versions of Chile and Argentina based on their ideas about and experiences in geographical space in the late nineteenth and early twentieth centuries. By repositioning the analytical focus from Santiago and Buenos Aires to northern Patagonia, Picone reveals how a wide array of actors, with varying degrees of political, economic, and social power, assigned distinctive—and sometimes conflicting—meanings to space and national identity.

Wilko Graf von Hardenberg, Research Scholar at Humboldt-Universität zu Berlin (Germany), discused his book Sea Level: A History (University of Chicago Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 27 January 2025. Wilko is our first “second book appearance” on the book talk series (which also shows how long we’ve been doing these talks!). News reports warn of rising sea levels spurred by climate change. Waters inch ever higher, disrupting delicate ecosystems and threatening island and coastal communities. The baseline for these measurements—sea level—may seem unremarkable, a long-familiar zero point for altitude. But as Wilko Graf von Hardenberg reveals, the history of defining and measuring sea level is intertwined with national ambitions, commercial concerns, and shifting relationships between people and the ocean.   Sea Level provides a detailed and innovative account of how mean sea level was first defined, how it became the prime reference point for surveying and cartography, and how it emerged as a powerful mark of humanity’s impact on the earth. With Hardenberg as our guide, we traverse the muddy spaces of Venice and Amsterdam, the coasts of the Baltic Sea, the Panama and Suez canals, and the Himalayan foothills. Born out of Enlightenment studies of physics and quantification, sea level became key to state-sponsored public works, colonial expansion, Cold War development of satellite technologies, and recognizing the climate crisis. Mean sea level, Hardenberg reveals, is not a natural occurrence—it has always been contingent, the product of people, places, politics, and evolving technologies. As global warming transforms the globe, Hardenberg reminds us that a holistic understanding of the ocean and its changes requires a multiplicity of reference points.   A fascinating story that revises our assumptions about land and ocean alike, Sea Level calls for a more nuanced understanding of this baseline, one that allows for new methods and interpretations as we navigate an era of unstable seas.

Bronwyn Bailey-Charteris, curator and Research Fellow in Art and Design at University of New South Wales (Australia), kicked off a new year of the Greenhouse environmental humanities book talks with a discussion of The Hydrocene: Eco-Aesthetics in the Age of Water (Routledge, 2024) on Monday, 20 January 2025. This book challenges conventional notions of the Anthropocene and champions the Hydrocene: the Age of Water. It presents the Hydrocene as a disruptive, conceptual epoch and curatorial theory, emphasising water's pivotal role in the climate crisis and contemporary art. The Hydrocene is a wet ontological shift in eco-aesthetics which redefines our approach to water, transcending anthropocentric, neo-colonial and environmentally destructive ways of relating to water. As the most fundamental of elements, water has become increasingly politicised, threatened and challenged by the climate crisis. In response, The Hydrocene articulates and embodies the distinctive ways contemporary artists relate and engage with water, offering valuable lessons towards climate action. Through five compelling case studies across swamp, river, ocean, fog and ice, this book binds feminist environmental humanities theories with the practices of eco-visionary artists. Focusing on Nordic and Oceanic water-based artworks, it demonstrates how art can disrupt established human–water dynamics. By engaging hydrofeminist, care-based and planetary thinking, The Hydrocene learns from the knowledge and agency of water itself within the tide of art going into the blue. The Hydrocene urgently highlights the transformative power of eco-visionary artists in reshaping human–water relations. At the confluence of contemporary art, curatorial theory, climate concerns and environmental humanities, this book is essential reading for researchers, curators, artists, students and those seeking to reconsider their connection with water and advocate for climate justice amid the ongoing natural-cultural water crisis.

Lisa Yin Han, Assistant Professor of Media Studies at Pitzer College (USA), discussed her book Deepwater Alchemy: Extractive Mediation and the Taming of the Seafloor (University of Minnesota Press, 2024) on the Greenhouse environmental humanities book talk series on Monday, 16 December 2024. Green energy technologies such as windmills, solar panels, and electric vehicles may soon depend on material found at the seabed. How did a space once imagined to be empty and unfathomable come to be thought of as a treasure trove of resources? Lisa Yin Han traces how contemporary developments in underwater sensing and imaging materially and imaginatively transmogrify the ocean bottom into a resource frontier capable of sustaining a digitally connected global future. Set against the backdrop of climate change, energy transition, and the expansion of industrial offshore extractions, Deepwater Alchemy looks at oceanic media and its representation of the seabed in terms of valuable resources. From high-tech simulations to laboratories and archives that collect and analyze sediments, Han explores the media technologies that survey, visualize, and condition the possibility for industrial resource extraction, introducing the concept of extractive mediation to describe the conflations between resource prospecting and undersea knowledge production. Moving away from anthropocentric frameworks, she argues that we must equalize access to deep ocean mediation and include the submerged perspectives of multispecies communities. From the proliferation of petroleum seismology to environmental-impact research on seabed mining to the development of internet-enabled seafloor observatories, Deepwater Alchemy shows us that deepwater mediation is entangled in existential hopes and fears for our planetary future. As the ocean bottom becomes increasingly accessible to people, Han prompts us to ask not whether we can tame the seafloor, but, rather, why and for whom are we taming it?

Jamie Jones, Assistant professor of English at the University of Illinois at Urbana-Champaign (USA), discussed her book Rendered Obsolete: Energy Culture and the Afterlife of US Whaling (University of North Carolina Press, 2023) in the Greenhouse environmental humanities book talk series on Monday, 9 December 2024. Through the mid-nineteenth century, the US whaling industry helped drive industrialization and urbanization, providing whale oil to lubricate and illuminate the country. The Pennsylvania petroleum boom of the 1860s brought cheap and plentiful petroleum into the market, decimating whale oil’s popularity. Here, from our modern age of fossil fuels, Jamie L. Jones uses literary and cultural history to show how the whaling industry held firm in US popular culture even as it slid into obsolescence. Jones shows just how instrumental whaling was to the very idea of “energy” in American culture and how it came to mean a fusion of labor, production, and the circulation of power. She argues that dying industries exert real force on environmental perceptions and cultural imaginations. Analyzing a vast archive that includes novels, periodicals, artifacts from whaling ships, tourist attractions, and even whale carcasses, Jones explores the histories of race, labor, and energy consumption in the nineteenth-century United States through the lens of the whaling industry’s legacy. In terms of how they view power, Americans are, she argues, still living in the shadow of the whale.

Elena Kochetkova, Associate Professor in Modern European Economic History at University of Bergen, Norway, joined the Greenhouse environmental humanities book talk series to discuss her book The Green Power of Socialism: Wood, Forest, and the Making of Soviet Industrially Embedded Ecology (The MIT Press, 2024) on Monday, 2 December 2024. In The Green Power of Socialism, Elena Kochetkova examines the relationship between nature and humans under state socialism by looking at the industrial role of Soviet forests. The book explores evolving Soviet policies of wood consumption, discussing how professionals working in the forestry industry of the Soviet state viewed the present and future of forests by considering them both a natural resource and a trove of industrial material. When faced with the prospect of wood shortages, these specialists came to develop new industry-ecology paradigms. Kochetkova looks at the materiality of Soviet industry through forests and wood to show how, paradoxically, industrial ecology emerged and developed as a by-product of the Soviet industrialization project. The Green Power of Socialism also discusses how post-Soviet industry has abandoned these socialist practices and the idea of nature as a complicated ecosystem that provides a crucial service to society. Emphasizing the technological and environmental impacts of the Cold War, Kochetkova critically reconsiders two explanatory models that have become dominant in the historiography of Soviet approaches to nature over the last decades—ecocide and environmentalism. Within the context of the current environmental crisis, the book invites readers to reevaluate state socialism as a complex phenomenon with sophisticated interactions between nature and industry. In so doing, it contributes a fresh perspective on the activities of socialist experts and their view of nature, shedding light on Soviet state industrial and environmental policy and its continuing legacy in the present day.

Joseph Seeley, Assistant Professor of History, University of Virginia (USA), discussed his book Border of Water and Ice: The Yalu River and Japan’s Empire in Korea and Manchuria (Cornell University Press, 2024) in the Greenhouse environmetnal humanities book talk series on Monday, 25 November 2024. Border of Water and Ice explores the significance of the Yalu River as a strategic border between Korea and Manchuria (Northeast China) during a period of Japanese imperial expansion into the region. The Yalu’s seasonal patterns of freezing, thawing, and flooding shaped colonial efforts to control who and what could cross the border. Joseph A. Seeley shows how the unpredictable movements of water, ice, timber-cutters, anti-Japanese guerrillas, smugglers, and other borderland actors also spilled outside the bounds set by Japanese colonizers, even as imperial border-making reinforced Japan’s wider political and economic power. Drawing on archival sources in Japanese, Korean, Chinese, and English, Seeley tells the story of the river and the imperial border haphazardly imposed on its surface from 1905 to 1945 to show how rivers and other nonhuman actors play an active role in border creation and maintenance. Emphasizing the tenuous, environmentally contingent nature of imperial border governance, Border of Water and Ice argues for the importance of understanding history across the different seasons.