Melbourne-based rockers Sisters Doll have always been a band who value their support base. From driving 30 hours to play a handful of shows in Far North Queensland to playing on the open waters of America as part of the Monsters Of Rock Cruise, Sisters Doll have never lost sight of who they are and where they come from.
Which is why it came as a bit of a surprise to hear the band have not toured here in their own backyard on a larger scale for a couple of years, but that is about to be rectified when Sisters Doll hit the road for the Good Day To Be Alive 2026 Tour, starting in Melbourne on January 31. It is being touted as their biggest Australian headline tour to date, and promises to reinvigorate the Doll Army, who have been waiting patiently for a fresh dose of one of the finest rock acts currently touring this country.
With the tour only a matter of weeks away, HEAVY spoke with frontman Brennan Mileto to find out more.
"We haven't done an Australian tour for so long," he almost apologised. "We've been overseas a lot of times. We've been to America. We had our first UK tour last year. Obviously, we've gone up to Sydney occasionally and done the odd Sydney show, but we haven't actually gone to all of the other states since 2023. So we kind of thought it's time, you know, we probably should have done it last year when the album dropped, but obviously logistically it just didn't happen."
In the full interview, we discussed the upcoming Australian tour, which begins in Melbourne on January 31, emphasising the band's excitement to reconnect with fans after an unusually long hiatus. Brennan highlighted the positive reception of their re-released song Good Day To Be Alive and the success of their last album, Scars, while hinting at a heavier sound for their next project.
The conversation also touched on fan dedication, with Brennan sharing stories about fans getting tattoos of their favourite artists and his own memorable experience performing with his idol, Ace Frehley. We talked about Sisters Doll's live show and what to expect, how it has changed over the years, the 16th anniversary of the band and more.


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Archspire vocalist Oliver “Oli” Alleron is clearly excited about returning to Australia, with the band set to tour in January. From his love of Australian crowds to his unexpected obsession with The Block, Oliver speaks warmly about the country, its food, and its famously outgoing fans. 
He recalls being blown away by the sheer number of shoeys happening on stage during their last visit, and hints they may make a return. With a new drummer joining the line-up and a freshly self-produced album funded largely by fans, Archspire are entering an exciting new chapter. 
Oliver admits perfection isn’t the goal live; having fun, staying relaxed, and connecting with the crowd matters most. Check out everything he had to say in the full interview.
Archspire - Return To Prison Island Australian Tour  with Aborted and Organectomy
Jan 24 - Froth & Fury Perth
Jan 27 - The Croxton, Melbourne
Jan 28 - The Triffid, Brisbane
Jan 29 at The Baso, Canberra
Jan 30 - Liberty Hall, Sydney
Jan 31 - Froth & Fury Adelaide
https://swdpresents.com/

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With the worldwide excitement around the recently completed European tour, GRAMMY®-winning, progressive music titans Dream Theater have announced their 40th Anniversary Tour 2026 leg for Australia. The tour will be An Evening With Dream Theater and will be the first tour of Australia since drummer Mike Portnoy’s return to the lineup, joining vocalist James LaBrie, bassist John Myung, guitarist John Petrucci, and keyboardist Jordan Rudess.
Simultaneously, these five old friends enter a bold new era fuelled by some of the most focused, formidable, and fiery music of their career. They’re harnessing the memories of the past and the promise of the future in order to make the most of the present. Ultimately, the group’s sixteenth full-length album, Parasomnia [Inside Out Music/Sony Music], represents both where they came from and where they’re going as not only bandmates, but as brothers. HEAVY spent some time with Rudess to find out more.
In the interview, we spoke about the band's upcoming Australian tour in February 2026, marking their first tour with Mike Portnoy on drums in 15 years. Jordan highlighted Portnoy's significant contributions to the band's sound and described how his return has enhanced their live performances with his unique skills as a drummer and creative director. The tour will kick off in Adelaide on February 10 and conclude in Brisbane on February 15th, following a year-long world tour.
Jordan discussed joining Dream Theater after playing with John and Mike in Liquid Tension Experiment, initially declining the offer before later accepting it. He described the transition as a significant life change, noting the differences between Liquid Tension's open creative style and Dream Theater's structured approach, as well as the band's international fan base and media presence. He discussed the challenges of joining Dream Theater, a band known for its distinct sound and brand identity. He acknowledged that while the band is not strictly limited to three-chord rock, there is an expectation to remain true to the established style that fans appreciate. Jordan noted that while the band has evolved over time, there is a balance between innovation and respecting the band's heritage.
Jordan explained that Dream Theater's appeal lies in their ability to combine technical virtuosity with emotional depth, creating music that appeals both to serious musicians and general audiences. He noted that the band's shows often feature accessible melodies that engage fans, as demonstrated by their experiences performing in Italy where audiences sing along and more.


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Interview by Ali Williams
If there were a Frequent Flyer program for alternative rock bands visiting Australia, Anberlin would have Platinum for life. In this sun-drenched, laugh-out-loud podcast throwdown, HEAVY's Ali Williams checks in with Anberlin’s resident rhythm wizard, Nate Young—straight from muggy Florida to the Gold Coast—about their upcoming Aussie invasion, a band that keeps dodging retirement like it’s a game of whack-a-mole, and why their passports deserve a spot in the ARIA Hall of Fame. 
Anberlin are rolling in with a brand-new frontman, a rebooted classic album, and a fan base that’s as loyal (and occasionally unhinged) as a Queensland summer. With headline shows locked in, for An Emo Extravaganza presented by Destroy All Lines, Anberlin aren’t just making another comeback—they’re turning it into an art form. 
It’s official: Anberlin is heading back to Oz in February 2026, and if anyone knows how to party like it’s 2005, it’s these guys. After racking up at least a dozen prior Australian jaunts, “I keep throwing around 12 or 13,” Nate confesses, they’re still genuinely excited—borderline addicted—to our beaches, weather, and, let’s be honest, fans who go harder than the humidity in a long hot Oz summer. 
On this tour, Anberlin will be hitting Brisbane, Melbourne, and Sydney, with a power-packed line-up including Cartel, This Wild Life, and Hot Chelle Rae. Yes, they’re headlining, and yes, it’s going to be loud. Plus, as if that wasn’t enough, they’re also landing at the Froth and Fury Festival, so get ready for an emotional, sweaty sing-along with thousands of other kids who still pretend they’re 22 at heart. 
What’s a reunion tour without a twist? This time, Anberlin’s dusting off their classic album Never Take Friendship Personal—but giving it a fresh coat of paint thanks to new frontman Matty Mullins. After re-recording the album with Matty's pipes - “just to give fans a way to hear what these songs are going to sound like with him singing” - Nate admits the switch wasn’t exactly easy street—“switching out a singer is not easy and usually just doesn’t work… but we’re thankful fans seem to be cool with it.” And if any hardcore purists complain? Well, that’s just part of being a band with a pulse. 
Mullins isn’t just a newbie, either—he grew up a genuine Anberlin fan. Nate grins, “He’s an absolutely ripping singer and just a good frontman, really positive energy for us.” The new era isn’t just a reboot—it’s evolution, and for Anberlin it’s proof you can keep relevant by daring to change (instead of fading into permanent hiatus, or, worse, nostalgia-bloated obscurity). 
The pair get real about age, confidence, and what it means to be an “alternative rock” band in a post-genre world. For Nate, growing up in the spotlight since he was 14 means he’s learned not to sweat the small stuff (or the labels). “Time is a construct,” he deadpans, “so none of it matters.” Emo, alt-rock, post-hardcore—whatever you call it, Anberlin’s brand of high-octane anthems and gratitude-fuelled stage presence hasn’t aged a day. 
From message boards to TikTok, Nate reflects on the perks (and weirdness) of being able to actually connect with fans now—sometimes for better, sometimes for audacity that’s usually… for sure, or respectfully if you will. Still, he wouldn’t trade the chaos of social media for the pre-Internet “mystique” of old: “It’s given us a connection with our fans that’s really special.” 
Anberlin are back in Australia in February 2026, headlining shows in the main capitals, a big set at Froth and Fury Festival, and an all-new take on Never Take Friendship Personal that’ll remind you why this band has lasted the distance. And in true Anberlin fashion, they’re not slowing down or growing up quietly—just growing better, louder, and a hell of a lot wiser. 
Tickets and event info at official outlets—don’t snooze, or you’ll be stuck watching old clips on TikTok, wondering...

Interview by Ali Williams
If you think the wildest part of touring is the fans, you’ve clearly never tried to drive a truck through an American winter. HEAVY caught up with Matty Mullins—frontman, ice-road survivor, and Memphis May Fire’s resident optimist—while he was holed up in Salt Lake City after some “eventful” /white-knuckle drives that would’ve had most people praying to whatever rock gods they believe in. Turns out, touring with Memphis May Fire is less “luxury tour bus” and more ‘Frostpunk on wheels’. 
Memphis May Fire will be returning Down Under with BLESSTHEFALL in April 2026. Matty’s racking up more frequent flyer miles than your average travel vlogger, but in his words, “we owed our Australian fans a proper return after too long away". As a regular coming to Australia so often, he might as well apply for citizenship and start calling Vegemite “delicious” with a straight face. 
Whilst he assured me there will be no pyrotechnic awesomeness or indoor fireworks this time—(insurance companies everywhere just collectively sighed in relief), the band’s packing a new setlist, bigger production, and some mates from Blessthefall. The only thing going up in flames will be the crowd’s energy and maybe a box of your possessions you left at an unhinged ex’s place. 
Matty laughs off the chaos, proving he’s either a genuinely chill dude or just totally numb to tour madness at this point. “I never, ever know what day it is,” he laughs. 
Touring sounds glamorous, right up until you’re living out of a suitcase and arguing with the GPS about which patch of ice to die on next. For Matty, it’s been night after night of long, snowy drives and just enough adrenaline to keep things interesting. What keeps Memphis May Fire alive after years of this chaos? Stubbornness, a refusal to quit, and the knowledge that some maniac on the internet will have a hot take on whatever you do anyway. Matty’s refreshingly honest about the ups, the downs, and the sheer weirdness that comes with being in a band in 2025. There’s no pretending it’s all sunshine and sold-out shows—but there’s a hell of a lot of laughter along the way. 
Every touring band has wild stories, but Matty’s “unhinged moment” takes the cake (and probably an earlobe). He tells of a band trip to a South African wildlife preserve, one overly friendly baby leopard, and a bass player who learns the hard way what “bite force” means. The aftermath? Paper towels, disinfectant spray, and a new story to explain at airport security. Scar stories: not just for mosh pits. 
He gives a few hints about what’s in the pipeline for Memphis May Fire—new music, surprise setlists. He doesn’t spill everything, but has promised that they're bringing something new and exciting the second time around, and those who saw them recently won't be disappointed because it's not going to be just a repeat of their last shows, so watch this space! 
Memphis May Fire are still out there, still grinding, still finding new ways to laugh at the madness. Get to a show, bring the good vibes, and maybe offer to drive the van if it snows. 
Tickets for Memphis May Fire’s next Australian tour are going fast—for all the details and your backstage pass, head to https://thephoenix.au/memphis-may-fire-2026/, and maybe, just maybe, send Matty a warm pair of socks. Catch you in the pit, or over at the bar.


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No matter what they do musically from now until eternity, New York rockers Wheatus will always be known as the Dirtbag band. The fact that Teenage Dirtbag is probably bigger today than when it first smashed the air waves 25 years ago is made even more impressive when you factor in that Teenage Dirtbag was, in fact, Wheatus' debut single.
While no one could have foreseen or even guessed the impact that one song would have on not only the band but a whole generation of movies through to fashion trends, its enduring appeal has, at the very least, kept Wheatus and frontman Brendan Brown young at heart and ready for the next adventure. The viral "Teenage Dirtbag photos" trend on TikTok has attracted over a million participants, including celebs like Madonna, Lady Gaga, Mark Ruffalo, Lil Nas X, Jon Bon Jovi, Chevy Chase and the hashtag #teenagedirtbag has been viewed over 2 billion times. The song’s universal appeal has also led to it being featured in Netflix’s Big Mouth, Disney’s Cruel Summer, and, in 2023, the song incredibly re-entered the UK Top 40 charts.
Not bad for a song about life in general.
While Wheatus' musical journey exploded from the very outset because of that track, their sudden success was casually taken in the band's stride, who refused to succumb to the weight of public expectation and continued on their own trajectory that somehow has always managed to stay on a similar path with their famous debut song.
The band are regular visitors to these shores and have a devoted and loyal following, which in turn allows Brendan and co the freedom and ability to make these regular and always fun stopovers. They are one of the few bands who need no reason or gimmick to draw crowds in Australia, which is why the fact that Wheatus' tour in January next year to celebrate 25 years since their world was turned upside down has already been received as a celebration of music rather than a clever marketing strategy to keep the tills ringing.
Always happy to chat, Brendan joined HEAVY recently to discuss the tour and the continued success of Teenage Dirtbag, including their birthday present to themselves by playing their debut album in full.
"We've been playing that album for years," he smiled, "we never laid off of it. We didn't have to relearn a thing. There are a couple of tweaks we have had to make to the back catalogue to make sure that we get everything in order, should anybody call out anything. But you know, we don't do any set lists. It's all request sets. So, kids are shouting, people are shouting and telling us what to play. You say it, we play it, that's how we do it."
We bring up the massive success of Teenage Dirtbag and ask if it sometimes feels like going through the motions, having played it so often.
"No, man, absolutely not," he stressed. "Never. It's a weird song, you know. I hadn't considered that it would ever be a single. I'd kind of written that off. I didn't think it could be one because it was too long, and it had this meandering story and switched characters and all that stuff. So I didn't think that it would happen. The way that it has is incredible. I mean, I don't know what to make of it, but as a song, I'm quite proud of it."
In the full interview, Brendan talked more about the band's upcoming 2026 tour of Australia celebrating the 25th anniversary of their self-titled album, starting in Brisbane on January 15 and concluding with three shows in New Zealand. He confirmed plans to take a break over Christmas to recharge before the tour and noted that the band has consistently performed songs from the album, negating the need for extensive relearning. The band will feature all request sets, allowing fans to choose their preferred songs.
We discussed the success of Teenage Dirtbag, with Brendan sharing insights into the song's origins, it's recording in his mother's basement, and the album's snarky tone reflecting his frustrations in the music...

Interview by Simon Russell-White
Though Australia is familiar territory for the members of Better Lovers - Jordan Buckley (guitarist/ex Every Time I Die) and Will Putney (guitarist/producer/Fit For An Autopsy) - there is an air of honesty and humility about the debut Australian tour for the five piece, also featuring Greg Puciato (vocals/ex Dillinger Escape Plan/Killer be Killed & The Black Queen), Steve Micciche (bass/ex Every Time I Die) and Clayton "Goose" Holyoak (drums/ex Every Time I Die).
For Jordan, it’s been 6 years since he travelled to this Great Southern Land, and when asked the obvious question about how excited the band is about finally coming out to Australia, his reply was in the form of a question: “Be honest, is it gonna be good?!"
Between Jordan, Will, Greg, Steve & Clayton, the discographies, tours and (dead set) legacies these guys possess is something to be in awe of and has earned each member much respect in the industry, especially in the genre, a genre that is tackled by many and has become saturated.
To give an answer on how the tour will go, made for an easy reply, one in which I hope offered reassurance of how excited the Better Lovers punters of Australia truly are!
To mix things up, joining Better Lovers on the tour is the Gold Coast’s own Blind Girls and English nu metallers Split Chain. “It’s a cool, mixed bill, always love a good mixed bill,” says Putney as the conversation leans into what to expect from the tour. “Reminds me of being a kid, when I first started going to shows,” he adds, as he reminisces and reels off some absolute classic gig line ups he attended many moons ago.
The band's debut album, Highly Irresponsible, came into this world just over a year ago, and more recently as a deluxe edition with some extra absolute slammers of tracks. “So grateful and doesn’t get any better,” says Buckley when discussing the reception the album has received worldwide. Be sure to check out those extra tracks, sitting at the end of such an album makes for a huge ending to it!
Before you settle in and enjoy this conversation, as a collective, be it organisers, fans, even the sometimes unsung door people, can we please guarantee two things for the band?!
Make sure the AC is in working order at all venues.
Adelaide fans, make sure the last show of the tour, the best show of the tour. 
Amongst the insanity that will be Better Lovers' debut Australian tour, kicking off in Brisbane, there will no doubt be appreciation, sweet relief and a love for music that will be palpable for all involved, let’s get hot, Australia!
Tickets from destroyalllines.com


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Interview by Ali Williams
If you’ve ever wondered what happens when progressive death metal collides head-on with a full-blown orchestra (spoiler: nobody wears a tux, but plenty of heads bang), Persefone’s latest adventure has the answer. In a good vibes interview with HEAVY Magazine’s Ali Williams, Bobby Verdeguer from Persefone takes us behind the scenes of the band’s new live album, out now, and gives us a taste of the chaos, genius, and caffeine that went into its creation. 
Persefone’s new release, Live In Andorra, isn’t just another concert recording—it’s a mad scientist experiment: death progressive metal and live orchestra in the same room. Recorded during a one-off orchestral show at the National Auditorium of Andorra in May 2024, the album celebrates the band’s 20-year history and their return home after a decade, featuring a full collaboration with the Orquestra Nacional Clàssica d’Andorra. 
Bobby admits that making a live album in today’s “attention-deficit” age is, in his words, “a stupid idea.” But when the end result is this sublime, who cares about market logic? If you want new music, you’re out of luck—this is a celebration of the band’s 20th anniversary, featuring songs from across their catalogue, played with enough complexity to make even a Swiss watch blush. 
What results when you have an orchestra, a death metal band, and two rehearsals—one the morning of the show? “Stressful” is an understatement. The orchestra arrived the day before the recording, and after a couple of quick run-throughs, it was showtime. The whole thing was captured live, meaning there was “extra pressure of not fucking things up,” as Bobby charmingly put it. The musical tightrope walk paid off, resulting in a performance that’s as raw as it is sophisticated. 
The artwork for their latest release is mint, so you know the merch is gonna slap. As for vinyl? You’d better buy two copies: “One you open, one you keep sealed for street cred.” He’s not joking about the collector mentality, either—just don’t expect to find a Persefone vinyl in a bargain bin anytime soon. 
Touring has been relentless, including recent festival runs in the US and a debut Australian tour with Belakor and Orpheus Omega. Oh, and if you’re ever planning to fly from Andorra to Australia, prepare for two days, four stopovers, and a test of your will to live (someone, please, sponsor these guys an airline). 
With the live album freshly set forth on the world, Persefone aren’t about to rest on their laurels. Upcoming plans include shows in France, a stint on the 70,000 Tons of Metal cruise (yep, the floating festival of your dreams), and a US tour (still under wraps). Most importantly for fans: they’re already working on a new studio album of fresh material, aiming to top even this ambitious milestone. 
If you’re new to Persefone, Bobby promises this album is the perfect entry point—a wild snapshot of the band’s evolution, energy, and international weirdness. For longtime fans, it’s a high-octane victory lap, packed with classic tracks and orchestral bombast. In the immortal words of Bobby: “Go listen.” 
Live in Andorra is out now —get ready to be crushed, caressed, and possibly convinced you need more vinyl in your life. For more interviews, reviews, and unfiltered metal mayhem, keep it locked on HEAVY Magazine.


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Individually, Sarah McLeod and Dallas Frasca are two of the most powerful voices in Australian rock. Not only have they both had successful careers - McLeod with The Superjesus and Frasca with her band of the same name - but they have both contributed much more to the Australian music scene via other roles within the industry. 
ARIA winner and South Australian Music Hall of Fame inductee Sarah McLeod, both as a solo performer and frontwoman of Australian rock legends The Superjesus, has remained a passionate advocate for change and progress within the Australian music space while APRA and AWMA nominated artist Dallas Frasca is a kindred spirit of sorts for Sarah, again another artist who has brought bold and visceral energy to her expansive catalogue of music and live performances across many years.
So it should come as no surprise to find that both of their lives and careers have become entwined for the 2026 GREEN ELECTRIC TOUR, which represents both McLeod and Frasca’s ongoing commitment to sustainability; more specifically, sustainable touring. It is a highly ambitious journey into the unknown, with little by way of previous undertakings by other bands from which to use as a reference.
Instead, the two have chosen to dive in headfirst, supported by Music Australia, The Harbour Agency and Spank Betty Records. The tour also supports Seed Mob, Australia’s first Indigenous youth-led climate justice organisation in their ongoing fight for climate justice. From recycled merchandise and sustainable travel routes to meat-free catering and eco-certified accommodation, every detail has been designed to minimise impact. Fans are invited to join the movement by wearing their best sustainable fashion to the gigs, and carpooling, taking public transport, walking, or riding bikes to venues wherever possible — making the audience part of the solution, not just the show.
For both McLeod and Frasca, the launch of the GREEN ELECTRIC TOUR also aims to inspire other musicians, and their fans, to reconsider their own approach to experiencing live music and touring – with a shift in mindset and a turn toward more sustainable pathways, the future of this industry is greener, healthier, and more long-lasting.
HEAVY was fortunate enough to nail down both Sarah and Dallas during a welcome break to their busy schedules, and we started by asking if they were prepared for the magnitude of the task they have set for themselves.
"It's hard, actually," Sarah replied.
"It is," Dallas reiterated. "I think… putting a tour together is a massive workload as it is, and even doing four weeks of touring is huge in the matrix of that. But this is a whole other element, and maybe when we get to the end of it, I think we would have gone, okay, we've sort of normalized this new thinking around things, and it will be easier. But we've got the machete out in the jungle at the moment, and we're just figuring things out. There's no one perfect way to do it either. Sarah and I have got a few non-negotiables that we can't move on, with venues and things like that. And then we're just sort of piecing things around it. So we'll make some mistakes along the way. We'll probably get to the other end and think we should have done it that way, and hopefully we'll walk in that direction afterwards, but we're learning. We are both definitely learning along the way. And it's a lot more work than your normal tour. Yes, we have put our hands on our faces many times (laughs)."
In the full interview, Sarah and Dallas run through the idea behind sustainable touring and how they plan to make the run of shows as faithful to their cause as possible. They discussed some of their ideas to do that and ways in which the crowd can participate, while highlighting the fact that the very nature of touring makes it difficult to adhere strictly to some of the protocol.
We talked about their musical union and the benefits of musicians investing actual...

As with any musical experience, drumming can be either the most frustrating thing on the planet or one of the most beautiful things on Earth. It is, by very definition, the loudest part of any band, but there is far more to mastering the craft than simply being able to smash things. It takes a special kind of person to be a drummer, but still, it is nigh on impossible to outwardly say what qualities a person needs to master the craft.
Which is just one of the reasons that the newly released book from The Babes' drummer Moni Lashes, THE ART OF HARD ROCK DRUMMING - A COMPREHENSIVE TOOLKIT FOR THE MODERN HARD ROCK DRUMMER, is not only a brilliant idea, but also one which may just clear some of the mystery surrounding the person who sits at the rear of the band and makes all the noise.
By stripping the craft back before slowly reassembling it with an easy-to-digest handbook, Lashes has poured every ounce of her 30 years of experience into the publication, aiming to provide a complete and rounded insight into both the teachings and the pleasures of drumming. It is a book written through blood, sweat and tears, from the good times through the bad, and, most importantly, from the perspective of someone who has fought in the trenches and loves her art just as much as her passion.
Featuring tutorials, play-throughs, video demonstrations and more, The Art Of Hard Rock Drumming provides an invaluable insight into the mechanics of drumming, providing tips and exercises to help everyone from beginners to seasoned veterans to help gain more understanding of what it takes to be the best and stay at the top of your game, all the while enjoying every moment of the journey.
To take us deeper into the book and explain the methodology behind the words, HEAVY sat down for an engaging chat with drumming legend and author of the book, Moni Lashes.
"It's been really positive, and I'm very fortunate to have such support," Lashes enthused when we asked how the early reception has been. "I've had some great testimonials from drummers that I actually look up to myself, so it gives me the boost and the confidence to just keep pushing with this. I basically wrote this book as a drum educator, because when I'm not on tour with a band, I teach drums. And I grew up learning from drum books and picking and choosing things I liked. And for the authors of those books to actually give me testimonials has blown my mind."
With a plethora of influences surrounding her on a daily basis, Lashes admits finding subject matter was only as difficult as she allowed it to be.
"The book is a combination of what I learned, my learnings and style from my teachers as well as what I find is beneficial for my students," she offered. "And a couple of my students have actually gone on to get scholarships at the conservatorium and international music colleges, so I think I've got some success stories from my method of teaching. I really believe that we need to have more kids playing instruments. I don't think we need to be so rigid and make it as boring as maybe history did. You've got to give and take and make it fun and still get the fundamentals down, which is what I hope my book does."
In the full interview, Lashes emphasized the importance of structured practice, innovative teaching methods that are essential when learning to be a drummer. She outlined some of the teaching methods she has applied to the book, including the use of QR codes for video demonstrations and the role of silence over volume in enhancing performances.
She highlighted certain sections of the book, running through four essential elements of learning that she has focused on. Moni explained her teaching methods and how they have been shaped through experience, offering tips and advice for beginners through to professionals, detailing how different stages or chapters of the book can be used for maximum effect.
The levels of commitment required to master...

Interview by Ali Williams
Strap yourselves in, metalheads, because the legends in Mortal Sin are roaring back onto the scene, and they’re not tiptoeing in—they’re drop-kicking the door open and headbanging straight through it. HEAVY Mag’s Ali Williams caught up with frontman Mat Maurer for a chat. 
It’s been a minute (okay, a decade or so) since Mortal Sin hit the highways, but when Mat ran into Andy and Nathan at a Baby Animals gig, talk of the band’s 40th anniversary snowballed into what’s become the biggest tour in their history. They’re talking nine shows up and down the East Coast, Froth and Fury Festival in Adelaide, a Perth date, and even more to come with Part 2 hitting North Queensland, Tasmania, and (possibly) New Zealand. Hell, there might even be a Broken Hill pitstop, just to prove they’re covering every inch of Oz. 
And no, it’s not just the “old die-hards” crawling out of their man-caves—Mat reckons even the grandkids are getting in on the action. “All the grandkids,” he laughs. “That’s the cycle of heavy metal for you.” 
If you thought a mega-tour was enough, think again. Mortal Sin are celebrating with a special 40th anniversary vinyl reissue of their 1986 classic Mayhemic Destruction. But in true Mortal Sin style, there’s a twist: the cover art is so secret, only the band has seen it. “We’re even going to release it in a brown paper bag,” Mat teases. “You won’t see it till you crack it open—and trust me, you’re gonna lose your mind when you do.” Vinyl nerds, start queuing now—Mat’s even promising a splatter-wax collector’s edition.
The guys are taking the mayhem global, with Germany’s Keep It True Festival on the cards, a month of shows across Europe in August, and the calendar jammed so tight they’re turning down offers from South America just to catch their breath. Locally, they’ll be headlining Shredfest in Brisbane on May 2 at The Mansfield Tavern, with more Gold Coast and regional shows in the pipeline. If you’re not planning on seeing Mortal Sin live in 2026, are you even trying? 
When HEAVY asked Mat for some of his most memorable highlights from decades of carnage, he rattles off support slots for Metallica’s ...And Justice For All tour and opening the main stage at Wacken in front of 60,000 maniacs. Not bad for a band that’s survived line up changes, pandemic boredom, and the rising cost of vinyl pressing (seriously, it’s not cheap). 
And just so you know, Mat collects PEZ dispensers—1,500 of the little suckers—Ali confesses she’s been hunting for the elusive Elvis model, and Mat says he’s still yet to find one himself. Metal never dies, and apparently, neither does novelty candy. 
There’s a lot of love in the air—between the band, their fans, and the sheer thrill of playing live again. There’s are weird magic that happens when artists and fans meet face-to-face, sober (usually), and sweating it out at the front of the stage. “Playing is always a highlight,” Mat says. “You can’t do that from your lounge chair.” 
Mortal Sin are back, bigger and rowdier than ever, serving up nostalgia with a side of fresh chaos. Don’t sleep on this—unless you’re too old to mosh, in which case, bring the grandkids and let them jump in the pit for you. Make sure you save the dates and find a local show for their 40th anniversary. Grab your tickets at www.churchesofsteel.com or hit up their Facebook page. See you on the road!


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The turn of the century was a significant period for the nu metal scene, with the genre building off the back of a string of breakout bands from the mid to late 90s onwards that saw the rap/metal hybrid style of music surge in popularity. Bands such as Korn, Limp Bizkit, System Of A Down and Linkin Park dominated headlines, but there was also an ever-growing list that included Sevendust, P.O.D, Drowning Pool and more that played just as big a role in the development of the genre.
Two of those bands were hed (pe) and Nonpoint, both of whom released memorable albums in the height of nu metal's expansion. For hed (pe) it was their second album, Broke, and for Nonpoint it was their debut, Statement. Both albums elevated the respective bands' career trajectories, and that success led to numerous tours involving hed (pe) and Nonpoint that forged an unbreakable bond between the two bands that continues to this day.
Both of those albums turned 25 this year, with both remaining as poignant and relevant today as they did upon release. So much so that both bands are uniting once more for a road trip from Hell, with Australia firmly in their sights early next year. Known for their legendary live performances and explosive tracks such as Bullet with a Name, What a Day, Ruthless, and more, Nonpoint has consistently captivated audiences with infectious riffs, compelling lyrics, and an uncompromising raw energy. Their discography and stagecraft have made them staples at rock radio and fixtures on festival line ups, earning them a dedicated international following.
And now they have one more reason to celebrate, one more reason to tear up the stage, and one more reason to deliver Australian audiences a full-blown sonic assault rarely seen or heard on these shores.
With anticipation for the February tour intensifying by the day, HEAVY accepted the offer to spend some time with Nonpoint frontman Elias Soriano to delve into the history of Nonpoint and what we can expect from their impending visit. One of the topics of discussion was the pairing of hed (pe) and Nonpoint on the same line-up and the sense of impending doom that has developed because of it.
"Yeah, those guys put on a great show," he smiled. "We're glad to team up with them again. The last run was really, really fun, so we're definitely going to be enjoying some good times on this one."
The two bands have been touring and playing together since the turn of the century, and we asked Elias what his memories were of those early days and if the mentality of the earlier nu metal bands was more of an us-against-them feeling.
"At that time, everything was really moving in a big way," he recalled. "There were a lot of bands touring at that time. The big festivals and the touring festivals were really popular, especially with OzFest and Warped Tour and festivals like that. So being a part of that and being a part of the meld of hip-hop and rock that was happening at our time, that was an interesting culture that a different type of fan gravitated towards. So it's good to tour with bands like that, that share those types of fans and share that type of show."
In the full interview, Elias talks more about the upcoming tour and what to expect, Nonpoint's first visit to Australia as part of Soundwave in 2010, the early days of nu metal and what it was like playing what was essentially a new cross-pollination of music to a non-existent fan base.
He recalled his first reactions to hed (pe)'s album Broke and outlined similarities between that record and Nonpoint's release in the same year, Statement. Talk diverted to the early days of Nonpoint and the musical climate that gave birth to the band, the birth and sustainability of nu metal, new music and more.


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