How We Heard It

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How We Heard It

howweheardit

79 episodes

6 days ago

Veteran entertainment journalists, music columnists and longtime friends Wayne Bledsoe and Chuck Campbell host ”How We Heard It,” a breezy and sometimes offbeat take on how music and movies got to where they are today and where it’s all going. They break down who are the most promising Generation Z singers one minute and the next they debate who are the most overrated acts from the past. Sexy songs, soundtracks, controversies and weird movies find their way into the discussion, and they also weigh in with recommendations on who to hear and what to see in music and film from the past and present. Wayne and Chuck have more than 65 years of experience in professional journalism between them, but they don’t waste time indulging in scholarly breakdowns of their institutional knowledge. Instead, they share behind-the-scenes stories about their odd, funny, inspirational and embarrassing encounters with celebrities, managers, fans and readers. And they laugh at themselves and each other. A lot. Because being an entertainment journalist does that to you. An important third voice in the ”How We Heard It” podcast is engineer John Baker, himself a musician and producer who reins in Wayne and Chuck when they need it. John’s tastes are a little bit Wayne and a little bit Chuck, and he’s a friendly sort. Wayne’s primary role in his nearly four decades at the Knoxville News-Sentinel was his work as an entertainment writer and critic. He currently hosts ”The Six O’Clock Swerve” weekly radio show on WUTK, 90.3 FM in Knoxville, he’s a former Grammy nominee, and he’s an organizer of the annual concert series ”Waynestock: For the Love of Drew and Rylan.” He’s also an artist and unconventional garden writer - see more at www.waynebledsoe.com. Chuck started his career in journalism at the Daytona Beach News-Journal in Florida before joining the staff in Knoxville. He has reviewed more than 5,500 albums, and his column was distributed by the New York Times, Gannett, Cox News Service and the Scripps Howard News Service. He was an entertainment and travel editor in both Florida and Tennessee and a regional news planner for Gannett’s South Region. ”How We Heard It” is a Taral Productions podcast recorded at The Arbor Studio in Knoxville, Tennessee. Send requests, comments and suggestions to HowWeHeardIt@gmail.com

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Music Commentary

TV & Film,

Music

Episodes (20/79)

How We Heard It

Here's why 2025 didn't totally suck

2025 won't be remembered as the year for love, peace and harmony. War and military attacks were happening everywhere - from the Ukraine to the Middle East to Venezuela to Nigeria. Natural disasters like wildfires and floods swept the U.S. And not only did we lose beloved celebrities like Diane Keaton, Robert Redford and Ozzy Osbourne, other popular figures - from Rob and Michele Reiner to Charlie Kirk to Melissa and Mark Hortman - died in devastating ways that shocked the world. Political differences polarized Americans with increasing intensity, AI made us increasingly unsure what was even real, social media became a toxic wasteland, and millions were facing the loss of health insurance at year's end as a result of the expiration of ACA subsidies. We could go on and on, but we know you lived through it, too. So this week your hosts of "How We Heard It" decided to highlight some positive things about 2025 with lists of the year's best songs and albums and movies and TV shows. They were riveted by movies like "One Battle After Another," "Sinners" and "Weapons" and intrigued by films like "Nuremburg," "Companion" and "Good Boy." On the small screen, your hosts were thrilled by "IT: Welcome to Derry" and "Alien: Earth," challenged by "The Bear" and "White Lotus" and tickled by "The English Teacher" and a revived "South Park." Musically, Kendrick Lamar and SZA teamed up on a sizzling tribute to Luther Vandross, the U.K.'s Wet Leg brought back rowdy alt-rock excitement, and Taylor Swift may have saved us from the fate of Ophelia. It was almost enough to inspire them to do that little Swiftie dance. If they could dance.