Hozier BioSnap a weekly updated Biography.

If you wanted proof Hozier is one of the most dynamic and collaborative voices in music this week delivered it with a major headline. According to AOL and Spin, Hozier is the featured guest on the brand new track Rubber Band Man from Mumford and Sons released November 15 and produced by indie heavyweight Aaron Dessner at Long Pond Studio New York. This marks Hozier’s first significant studio appearance with Mumford and Sons and comes alongside the announcement of their new album Prizefighter, instantly sparking wide industry chatter about a possible deeper collaborative streak between these two chart-topping acts. Spin notes it is still unknown if there are more Hozier-Mumford releases in the vault but with the quote the band left the studio door open the rumor mill is grinding hard about future supergroup-level material.

On the live stage Hozier is a confirmed fixture. Setlist.fm and the Daily Collegian both document that on November 11 and 12 Hozier made guest appearances with acclaimed singer-songwriter Allison Russell performing their joint song Wildflower and Barley during his Unreal Unearth tour—a collaboration praised by the press for blending Hozier’s midrange soul with Russell’s uplifting vocals. LSi Online echoes that Hozier’s Unreal Unearth tour is still rolling through the autumn, maintaining momentum thanks to standout live performances and consistently strong vocal delivery that critics describe as he sounds exactly the same live as on the album.

Social media buzz is escalating following Rubber Band Man’s drop. Even without a blockbuster viral moment on TikTok or Instagram in the last 48 hours according to Later.com’s trending data Hozier’s own fan base pushed #Hozier and #RubberBandMan into the tens of thousands of mentions on X and Instagram. Early reaction from fans and critics alike is overwhelmingly positive with some commenting this studio pairing is long overdue. Conversations speculate about Hozier next appearing at the upcoming UK and European tour legs with Mumford and Sons but there is no official word from either camp.

In terms of business activity no authorized news has broken regarding new brand partnerships or business ventures for Hozier in the past week. There has been no significant movement in sponsorship, merchandising, or non-music collaborations that would have long-term impact on his career narrative at this time. No major headlines link Hozier to fashion or commercial ventures unlike some of his contemporaries.

In summary, headline news is locked on Hozier’s surprise musical team-up with Mumford and Sons, reinforcing his place as a pivotal figure in modern popular music and feeding speculation that fans can expect even more high-profile collaborations in the near future. With tour legs ongoing, glowing live reviews, and a hit collaboration making the rounds, Hozier’s week is pure gold for the record books and social feeds alike.

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Hozier BioSnap a weekly updated Biography.

Hozier is making major headlines this week for a confluence of artistry and collaboration that further cements his status in modern music. On the business front, Hozier was recently confirmed as a headliner for the 2025 Ohana Festival in California, where he will share top billing with Green Day and Eddie Vedder. The Ohana Festival, founded by Vedder, is known for its commitment to activism and conservation, amplifying Hozier’s established reputation for socially conscious music. This role at a legacy festival is a testament to his growing stature and will likely echo for years in the artist’s biography according to Wave 104 and Spreaker.

Just days ago, Mumford and Sons released their highly anticipated new single Rubber Band Man, featuring Hozier. Fans and critics alike are applauding the release for its thematic complexity—the song explores emotional cycles in relationships—and for the way Hozier’s distinct vocals seamlessly blend with Mumford’s, adding emotional depth. The collaboration, which had been building buzz online for weeks with teasers and fan speculation, is being called a major event in the folk and alt-rock scenes by The Drew Acorn. Early reactions on social media note both artists trended on X during the song’s launch, with fans dissecting every lyric for meaning and posting harmonization clips that quickly went viral.

Meanwhile, Hozier’s songwriting made a high-profile appearance on The Late Show with Stephen Colbert when Mavis Staples performed Human Mind, a song written by Hozier and Allison Russell specifically for Staples’ upcoming album. Staples movingly spoke about the personal resonance of the lyrics, with both Hozier and Russell praised for weaving historical legacy into contemporary music. According to coverage from JamBase, the performance was lauded for its artistry and political weight, sparking conversation across music blogs and cultural media.

On stage, Hozier remains relentless. The Unreal Unearth international tour continues to sell out arenas, most recently bringing his bluesy, gospel-tinged setlist to the Schottenstein Center, as reported by The Columbus Dispatch and AOL. Marked by generous encores and surprise on-stage collaborations, the shows consistently draw praise for live vocal precision that rivals his studio recordings. Social media is flooded with fan-shot videos of acoustic renditions, especially of Angel of Small Death and Take Me to Church, earning hundreds of thousands of likes in just a few hours.

Adding to the internet frenzy, college campuses and student groups like the Penny Loafers are featuring Hozier’s hits in upcoming a cappella shows, while fans on TikTok celebrate his music as the soundtrack of autumn, an identity explored in depth by The Daily Collegian. There is no credible news of controversy or personal scandal, and Hozier is not rumored in any unconfirmed ventures at this time. All signs point to a creative high water mark—Hozier’s in the spotlight, and he is only shining brighter.

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Hozier BioSnap a weekly updated Biography.

Hozier has stepped right back into the cultural spotlight this week after the official debut of his highly anticipated collaboration with Mumford and Sons On November 1st the artists delivered the TV premiere of Rubber Band Man on The Graham Norton Show setting social media abuzz and immediately generating headlines across outlets like iHeart and IMRO The single marks the first major joint effort between Hozier and the band since they formed a friendship in 2017 and now showcases Hozier's trademark deep baritone alongside Marcus Mumford's vocals Rubber Band Man previews Mumford and Sons upcoming Prizefighter album due in February 2026 and is already being lauded by critics like those at WERS as a genreblending triumph with Hozier elevating the track with his emotive phrasing and forceful delivery The artists took time on Graham Norton to discuss their creative process and plans for future collaborations and footage from the behindthescenes recording session continues to circulate on fan accounts

In more personal career news following the two year conclusion of his Unreal Unearth World Tour in October which saw rave reviews from fans and media Avonews called it showstopping fans are already speculating online about Hozier's next solo project but so far neither official statements nor social media teasers have surfaced from verified sources regarding immediate new solo music releases or tour dates Unconfirmed rumors about secret studio sessions have popped up on X and fan forums but nothing credible has yet emerged to suggest an imminent album announcement

Notably Hozier's artistry reached into soul and gospel territory this week as Mavis Staples performed Human Mind a new song cowritten by Hozier and Allison Russell on The Late Show with Stephen Colbert on November 4th According to JamBase and ANTI the moment moved Staples to tears highlighting Hozier's growing reputation not just as a vocalist but as a songwriter impacting music legends in other genres WXPN reports that the track is featured on Staples' justreleased Sad and Beautiful World album

Businesswise Hozier was recently announced as a headliner for the 2025 Ohana Festival alongside Green Day and Eddie Vedder as reported by Wave104 further expanding his festival credentials alongside his recent run at Austin City Limits noted by The Miami Student No new sponsorship deals or major commercial partnerships have been reported this week

On the pop culture side Hozier’s music remains a staple of student performances the Penn Live Arts calendar lists upcoming renditions of his hits as part of campus shows and clips from amateur performances continue to pick up steam on TikTok and Instagram For potential longterm impact this week’s developments – especially his prominent collaborative work and highprofile songwriting for iconic figures – signal a broadening artistic legacy and reaffirm Hozier’s place among contemporary music’s most versatile and respected voices

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Hozier BioSnap a weekly updated Biography.

Hozier has been front and center in music headlines these past few days thanks to a major new collaboration with Mumford and Sons. The centerpiece story is their freshly released single Rubber Band Man, a track produced by Aaron Dessner of The National at Long Pond Studio and making waves as both bands appeared together on The Graham Norton Show to debut the collaboration. According to iHeart and PopCrave, the chemistry between Hozier and Marcus Mumford was clear, with clips from the performance going viral across social media—especially after a heartwarming exchange between Hozier and actress Aimee Lou Wood on the same program fanned a modest online frenzy as noted by The Celeb Post and Twitter commentators.

Industry journals including American Songwriter are already spotlighting Rubber Band Man as one of the most significant folk rock releases of late 2025, hinting at long-term biographical impact for Hozier as it marks his first substantial studio partnership with Mumford and Sons. This isn't a one-off either: Spin and People magazine confirm Hozier will feature on Mumford and Son's upcoming Prizefighter album, due out in February 2026. Other high-profile collaborators on that LP include Chris Stapleton and Gracie Abrams, signaling a new era of cross-genre, transatlantic folk pop that positions Hozier alongside some of the decade’s most influential musicians.

Public appearances haven't let up either. Hozier’s joint interview with Mumford and Sons on Graham Norton got international coverage, driving organic buzz with fans noting the easy rapport and excitement about the new project. RTE and BBC Sounds both broadcasted live sets featuring Rubber Band Man, pushing the song even further up streaming and trending lists. On the business side, Hozier’s confirmed as a headliner for the Ohana Festival in September 2025 at Doheny State Beach in California, performing alongside Eddie Vedder and Green Day, marking his continued upward trajectory in the North American live music scene according to Wave104.

Meanwhile, social media chatter around the Rubber Band Man single, Graham Norton appearance, and viral interview moments has been robust, with TikTok and Instagram clips in heavy circulation. There’s no credible speculation of business partnerships or non-music projects in the immediate window and no unconfirmed stories dominating the narrative. All in all, these developments represent a genuine biographical milestone for Hozier—his artistry, collaborations, and public profile all peaking simultaneously as the year draws to a close.

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Hozier BioSnap a weekly updated Biography.

Hozier has been front and center in the music world over the past few days, with major headlines driven by his highly anticipated collaboration with Mumford and Sons. Their new single Rubber Band Man was released last week and has quickly become a sensation, marking Hozier’s first major studio partnership with the Grammy-winning folk band. The track, produced by Aaron Dessner of The National at Long Pond Studio, sets the tone for Mumford and Sons’ next album Prizefighter, announced for a February 2026 release with Hozier featured as a headline collaborator, alongside other luminaries like Chris Stapleton and Gracie Abrams as reported by American Songwriter and People. Social media has erupted with excitement after Mumford and Sons’ official account declared Prizefighter the best music they have ever made.

In the days since the single’s release, Hozier’s joint promotional media blitz with Mumford and Sons has grabbed mainstream attention, capped by a high-profile appearance on The Graham Norton Show. The two acts not only performed their new single live but also joined actress Aimee Lou Wood in a segment that went viral, as highlighted by outlets like The Celeb Post and iHeart. Clips from the appearance have racked up thousands of shares and ignited discussion about the chemistry between the artists, further boosted by coverage on BBC Radio 1’s Live Lounge, where the band played their collaboration for a wide UK audience.

Concert activity has also been brisk, with Hozier joining the North American festival circuit. He’s officially announced as a headliner for the 2025 Ohana Festival in Dana Point, California, alongside Green Day and Eddie Vedder, according to recent news releases. This slot underscores Hozier’s sustained star power in major live music events, a fact reinforced by ongoing sellout shows in the US and Europe.

Though Mumford and Sons have hinted in interviews that further musical collaborations with Hozier might be forthcoming, nothing beyond Rubber Band Man has been officially confirmed, so any rumors about an impending joint tour or more studio releases remain speculative.

In summary, Hozier’s week has been defined by the smash debut of Rubber Band Man, viral TV and festival announcements, and a surge in collaborative energy that may shape the next chapter of his career. This series of events may well represent a watershed moment for Hozier, as his public and critical profile enters a new phase marked by prominent partnerships, high-impact performances, and festival headline slots.

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The past few days have marked a particularly high-profile chapter for Hozier as his name has been everywhere in the music world. The biggest headline comes from a landmark collaboration—Mumford and Sons and Hozier just dropped their new single Rubber Band Man. Spin and iHeartRadio both highlight how this track is the folk-soul collision fans did not know they needed, bringing Marcus Mumford and Hozier together vocally in an emotional blend produced at Aaron Dessner’s Long Pond Studios. Their partnership has been years in the making, tracing back to festival performances as far back as 2017, but this marks their first official studio release. Not only is Hozier front-and-center on Rubber Band Man, but American Songwriter reports that the collab is just a taste of things to come—he will also be a featured guest on Mumford and Sons’ upcoming 2026 album Prizefighter, alongside Chris Stapleton and Gracie Abrams. The band’s October 29 social post was effusive about Prizefighter being their best work to date and expressed their excitement to finally reveal these star-powered collaborations to the public.

Meanwhile, music festival announcements continue to keep Hozier’s name trending. Melodic Mag, American Songwriter, and AOL all note that Hozier is headlining the inaugural Zootown Festival in Missoula on July 4-5, 2025, sharing top billing with Kacey Musgraves and Jason Isbell—a big get for a first-year event. In a similar vein, KLBJFM confirms Hozier as the headline act on September 28 for the Soundside Music Festival in Connecticut, where he will close out the weekend in a single-stage format, giving fans an uninterrupted showcase.

On the business activities front, there is no evidence in the news cycle of new business ventures or product launches for Hozier, and SeatGeek confirms that while no New York concerts are currently set, Hozier’s touring schedule remains robust in other US cities. As for social media mentions, the surge is clearly tied to excitement around the single with Mumford and Sons—both their official accounts and fan accounts have traded clips, lyrics, and behind-the-scenes photos from the recording at Long Pond, making Rubber Band Man trending across X and Instagram throughout late October.

There are no credible reports of major controversies, personal news, or rumors floating in the mainstream press as of now. Everything in the current media ecosystem underscores that Hozier’s career is continuing to ascend, with high-visibility festival billings and headline-making collaborations that could very well define his 2025-2026 in the public eye.

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Barely a week goes by lately without Hozier making headlines in music, culture, and beyond. The most significant story as of late is his first-ever official studio collaboration with Mumford and Sons on their brand new single Rubber Band Man, released Friday October 24. Produced by The Nationals Aaron Dessner at Long Pond Studios, the song blends the earthy intensity of Marcus Mumford with Hozier's unmistakable baritone, creating a haunting folk anthem that critics like Noise11 and Spin are already calling a milestone in modern roots music. What makes the backstory deliciously tabloid-worthy is that the song reportedly originated from a dream and a hastily scribbled midnight poem sent to Marcus Mumford by Brandi Carlile, who gave her blessing for him to complete the track. The ensuing collaboration has been discussed in depth by the band with Radio X, who revealed they’re not done with cross-genre partnerships just yet and teased future bucket-list duets with the likes of Adele and Paul McCartney. Rubber Band Man appeared on Mumford and Sons’ live setlists almost instantly and is being positioned as a major artistic statement from both camps rather than just a one-off single.

Amid the release buzz, Hozier also lit up the Austin City Limits festival stage, where he performed Nina Cried Power live with soul legend Mavis Staples on October 10. He prefaced the performance with a heartfelt and politically charged speech, reflecting on the legacy of civil rights art and drawing a pointed comparison between Irelands own struggle for independence and contemporary calls for Palestinian self-determination. The speech, widely shared on social media and YouTube, has sparked spirited discussion—some hailing Hozier’s committed activism, others suggesting it represents a new high-water mark in musicians taking public stands on global issues.

In terms of professional appearances, Hozier has been confirmed as a headline act for both Soundside Music Festival in Connecticut on September 28, 2025, alongside Vampire Weekend, and the Ohana Festival in California, where he will join Eddie Vedder and Green Day at the top of the bill. These gigs cement his position as a leading voice on major festival circuits into next year.

Social media chatter around Hozier has been heavy on praise for Rubber Band Man, with fans and journalists celebrating the artistic chemistry between him and Mumford and Sons, while some festivalgoers and political commentators continue to dissect his ACL remarks. In short, Hozier currently occupies that rare cultural sweet spot: hitmaker, headline-grabber, and outspoken figure shaping the public conversation, with every new move likely to leave a long-term mark on his already formidable biography.

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It has been a landmark week for Hozier with a headline-grabbing development that is sure to resonate for years across the folk and pop landscape. Just as October winds down, Mumford and Sons released their eagerly awaited new single Rubber Band Man featuring Hozier in a first-ever studio collaboration between these two modern folk titans. The track, produced by Aaron Dessner of The National at Long Pond Studios in upstate New York, was unveiled after weeks of cryptic teases and back-and-forth between both acts on social media, igniting a surge of fan speculation and anticipation. Noise11 describes the collaboration as the collision of two compelling voices, with Mumford’s trio signature harmonies and Hozier’s soulful, baritone lyricism soaring in tandem. The single stands as a standalone release, not an outtake from the bands chart-topping Rushmere album, and is seen as a move that could open the door to further collaborations between Hozier and other top-tier folk acts in the coming year.

Music critics across the board are lauding Rubber Band Man for its emotional complexity and slow-burning intensity, with Spin calling it anthemic and Holler highlighting its visceral, yearning arrangement. The lyrics grapple with themes of emotional elasticity and self-doubt, painting vivid portraits of intimacy and impermanence. Mumford’s reflective lines are interwoven with Hozier’s poetic, sometimes haunting contributions, inviting listeners into an intimate sonic space that feels equally suited for radio and sold-out arenas.

Hozier’s participation is the product of a nearly decade-long friendship with Mumford and Sons, with previous joint performances including memorable festival sets at Austin City Limits and Dublin’s Longitude Festival. Just two weeks ago, Hozier also made headlines with a live rendition of Nina Cried Power alongside Mavis Staples at Austin City Limits—an appearance widely circulated on YouTube and praised for its powerful delivery.

On the business and touring front, Hozier’s collaboration coincides with Mumford and Sons’ ongoing world tour, which wraps up its North American leg this weekend and heads into a sold-out European run that will stretch through December. No new tour dates have been announced directly by Hozier himself, but the heightened profile from this collaboration may raise speculation about potential future joint tours or surprise guest appearances.

Social media has buzzed with excitement about the release since late September, with fans dissecting studio photos and performance footage on platforms like Instagram and X. There is no confirmed word yet about additional tracks recorded during these sessions, though several outlets note that the Long Pond Studio doors remain open for further musical alliances. For now, the critical and commercial momentum behind Rubber Band Man assures that Hozier’s artistic partnership with Mumford and Sons is both biographically significant and likely to resonate in the folk world for a long time.

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Hozier has been making headlines lately with several significant developments. Recently, he performed at the Palacio de los Deportes in Mexico City as part of his Unreal Unearth Tour. This concert, which took place on October 14, 2025, showcases his continued global touring efforts, bringing his distinct blend of folk, rock, and blues to audiences worldwide.

In addition to his live performances, Hozier is set to headline the 2025 Ohana Festival alongside other major acts like Eddie Vedder and Green Day. This festival, known for its focus on sustainability and activism, aligns well with Hozier's own themes of social awareness in his music. For instance, his song "Swan Upon Leda" touches on issues of reproductive rights and global activism, reflecting Hozier's ability to weave powerful messages into his music.

On the subject of his music, a recent retrospective on his debut album, released in 2014, highlights Hozier's evolution as an artist. The album, which includes hits like "Take Me to Church," not only propelled him to international success but also established his unique storytelling style and versatility in genres. This legacy continues with more recent releases, like "Too Sweet," demonstrating his ability to craft catchy yet meaningful songs.

Hozier's live performances have not been without challenges, however. At the Yacht Club Festival, his headline set was cut short due to storms, forcing him to apologize to the audience and wrap up his performance earlier than planned.

Overall, Hozier remains a prominent figure in the music industry, known for his captivating performances and socially conscious lyrics. His upcoming appearances at major festivals and his ongoing tour will likely keep him in the spotlight for the foreseeable future.

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Hozier has been making major waves this past week with a string of headline performances and some memorable personal stories that are keeping fans and media buzzing. Days ago, Hozier stunned crowds at Austin City Limits Festival in Texas, delivering standout performances of "Eat Your Young" and "Take Me to Church"—his powerful vocals drew praise across social platforms, and clips from the festival are already circulating widely on YouTube and TikTok. According to The Baylor Lariat and Melodic Mag, Hozier’s set was more than just music; he used the platform to spotlight global issues. As he performed "Eat Your Young," visuals behind him highlighted statistics on deaths due to armed conflict since 1969 and the combined wealth of the five richest individuals, lending a poignant social commentary to his artistry.

On the heels of ACL, Hozier jetted to Mexico City for a concert at Palacio de los Deportes—a massive event that sold out almost instantly, cementing his international appeal. Fans are still raving online about his setlist and emotional stage presence.

News just broke that Hozier will serve as one of the headliners for the 2025 Ohana Festival in California, sharing the bill with Green Day and Eddie Vedder. This high-profile booking, as announced by Wave 104 and festival press releases, places him at the forefront of the global festival circuit. The Ohana Festival is known for its blend of music and activism, a perfect fit for Hozier’s persona and philanthropic bent.

In a lighter vein, Hozier’s candid story about drawing inspiration from a "bleeding, hungover flight" inspired lyrics for his hit "Too Sweet." He recently recounted the tale of running into actor Cillian Murphy while injured and mortified, a personal anecdote that’s made the rounds after a fan shared the video online. This little slice of life has only fueled more public affection for him, with coverage by AOL and a swell of relatable fan commentary.

While there has been speculation on social media about Hozier exploring new musical collaborations, there have been no confirmed official announcements from his camp about upcoming releases or business ventures as of this week. His tour merch sales have been brisk, and his social media channels continue to trend, especially with fans sharing images and clips from recent shows, as reported by Bandsintown and fansites.

No major controversies or negative headlines have emerged—instead, Hozier’s thoughtful performances, festival headlining slots, and engaging personal stories have put him in the spotlight for all the right reasons. This week marks another peak in a career defined by both critical acclaim and an ever-deepening connection to his growing global audience.

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If you caught Hozier live in the past few days you witnessed one of music’s most magnetic artists in a blisteringly busy stretch. On October 7, he drew nearly 20,000 fans in Phoenix for his Unreal Unearth tour stop, working the Talking Stick Resort Amphitheatre into a soul-stirring congregation. According to azcentral, he delivered a sweeping 22-song set mixing old crowd favorites like Take Me to Church with new material from his third album, Unreal Unearth. The tour, which coincides with his companion Unheard EP, has been heartily reviewed by outlets like Rolling Stone and Esquire for its conceptually adventurous blend of Dante’s Inferno inspiration and modern political edge. The Phoenix show was especially notable for the emotionally charged rendition of Too Sweet, his recent chart-topper from the Unheard EP, and a crowd sing-along on Take Me to Church. Hozier himself shared that “the reaction to Too Sweet has come as a complete surprise,” expressing gratitude for his fans’ enthusiasm for these nearly lost tracks.

A few days later, on October 10, he headlined Austin City Limits’ second weekend on the T-Mobile stage. Space City Frequency described it as his last U.S. show of this tour leg and marked it with signature flair—urging festivalgoers to use their voices for peace and security, and ending with Nina Cried Power and a stirring Take Me to Church. Throughout the ACL set, Hozier layered in striking visuals on themes from capitalism critiques to wealth disparity, drawing headlines from the Baylor Lariat for using his stage time to project social statistics during Eat Your Young and for anchoring the night as the festival’s “grand finale.”

On the business side, Greystones Guide reports that Hozier has been making moves to broaden his entertainment business, reportedly taking his entertainment firm unlimited—a sign that he’s thinking far beyond the touring circuit with possible expansion into production or publishing. Though no official statement outlines the firm’s strategy, speculation in local media underscores his growing influence offstage as well.

Social media, especially Threads, continues to buzz about his relevance every time he appears—fans highlighting both his seismic debut and ongoing critical success. His next show is slated for October 14 in Mexico City at Palacio de los Deportes, before additional Latin American and 2026 tour dates expected. No new music releases or major controversies have emerged this week, and public sentiment remains overwhelmingly positive. In sum, Hozier’s October has been about live performance prowess, thoughtful activism, and growing business ambition—proof he is a modern artist determined to shape both sound and society.

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Hozier has captivated audiences across the United States over the past few days with the ongoing *Unreal Unearth Tour*, headlining major venues and leaving both critics and fans buzzing. On October 7, he turned the Talking Stick Resort Amphitheatre in Phoenix into what Phoenix New Times called a place of "worship for social justice," performing for a crowd of 20,000 with emotional renditions of signature hits like "Take Me to Church" and recent chart-topper "Too Sweet." Local reports painted a vivid picture of his presence — long dark hair, signature suit in punishing heat, and a masterful blend of humility and stage command. Beyond the spectacle, Hozier’s setlist offered a journey through his evolving catalogue, blending the viral energy of his debut with the rich, conceptual storytelling of *Unreal Unearth*, an album inspired by Dante’s Inferno that Billboard and Rolling Stone continue to praise nearly two years after its release.

A highlight in Phoenix saw political visuals projected during songs like "Eat Your Young," tallying global statistics on homelessness and military spending, with Hozier quietly draping a lesbian pride flag beside the drums, embodying the intersection of art and activism. In the closing sequence, he led a stripped-down, moving performance of "Cherry Wine" in the center of the crowd, before returning to the stage for “Nina Cried Power” and an impassioned call for peace and civil rights. According to setlist.fm and azcentral fan accounts, every show remains unpredictable in spirit, with extended introductions for his band and heartfelt thanks for his crew.

Just days after Phoenix, Hozier appeared as a headliner at the Austin City Limits Music Festival on October 10, according to the Austin American-Statesman and Express-News, where he again commanded festival crowds, urging fans to look after each other amid the Texas heat and performing a set laced with both old favorites and new, socially conscious anthems. The tour rolls into Mexico City next on October 14, with additional dates rumoured for 2026.

On social media, fan engagement is at a high, especially around songs from his *Unheard* EP, which Hozier described on Instagram as tracks “that very nearly made it to the album,” now cherished by fans for their intimacy and depth. No major business announcements or controversy have surfaced, and Hozier’s public persona is dominated by his honest artistry, deeply engaged performances, and subtle but unmistakable activism. The overall consensus from media — and one fan’s viral post — is that attending Hozier live right now feels like witnessing a transformational artist at his peak.

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Hozier has made major headlines in the past few days with his powerful return to the Austin City Limits Music Festival on October 3, 2025, where his set was hailed as both a musical and cultural highlight of the opening weekend. Taking over the T-Mobile Stage, he moved seamlessly between emotionally charged anthems and pointed social commentary. According to The Austin Chronicle, he delivered classics from his three albums—Work Song, Eat Your Young, and of course Take Me to Church—with equally weighty interludes reflecting on democracy, human rights, and compassion. Hozier notably introduced Nina Cried Power by invoking the work of past and present activists, urging the crowd to cherish rights won by earlier generations and continue the fight for justice.

His most talked-about remarks focused on peace, dignity, and solidarity amid the ongoing conflict in Palestine. Triton Times highlighted the sincerity and urgency with which he addressed antisemitism, Islamophobia, and various forms of discrimination, drawing poignant parallels to Irish history. He called for universal compassion, linking the current crisis in the Middle East to past struggles for Irish statehood and independence, and expressed hope for security, peace, and statehood for Palestinians. This blend of activism and artistry, as covered by Tixel and discussed widely on social media and Reddit, continues to set Hozier apart from most mainstream headliners.

ACL crowds responded with adulation, though some festivalgoers expressed on Reddit that they wished for a more varied headliner roster, suggesting Hozier’s stature in American festivals is now so solidified he risks becoming part of the establishment he often gently critiques.

Beyond the festival circuit, Hozier rolls onward with his globe-spanning Unreal Unearth Tour. Live Nation features him headlining at venues like the T-Mobile Arena in Las Vegas on October 5, 2025, and Talking Stick Resort Amphitheatre in Phoenix just hours from now, with more than thirty additional North American and international dates slated over the next half year. Shazam and various ticket outlets note that in the past twelve months, Hozier has performed to tens of thousands across nearly eight countries, reinforcing both his relentless schedule and enduring global appeal.

On social media, fans have made his recent ACL performance a viral sensation, with YouTube highlights and TikTok clips spreading his message to millions. While no major new album or surprise single release has surfaced this week, the public consensus is clear: Hozier remains a stirring force in both art and activism, and the long-term significance of his presence at ACL 2025 seems assured for his biographical legacy.

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Hozier BioSnap a weekly updated Biography.

Hozier has been making notable headlines these past few days, with the most biographically significant development being his featured headlining performance at the 2025 Ohana Festival in Dana Point, California. This festival, founded by Eddie Vedder and known for its blend of music and activism, drew attention for its impressive lineup that saw Hozier sharing headliner status with Green Day and Eddie Vedder. According to Glide Magazine, Hozier’s set stood out for its powerful blend of folk, blues, rock, and soul, with signature moments like serenading the crowd with Cherry Wine in an intimate, unamplified segment amid the audience and closing his show with the anthemic Take Me to Church, which ignited thunderous applause. Photos and reviews highlighted an enthusiastic fan response, particularly noting the artist’s emotional connection to both his music and the scenic, ocean-side venue. Hozier himself referenced his Irish coastal roots, expressing appreciation for the ocean air and drawing a personal connection to the festival’s location. His performance was described as both dramatic and intimate, underscoring his reputation for live shows that are both musically compelling and heartfelt.

As the festival wound down September 28th, immediate press coverage was positive, with a focus on Hozier’s ability to generate fervor and emotional resonance. Ohana’s continued emphasis on environmental and social activism adds another meaningful layer to his public image, as participation in such an event links the artist with ongoing causes around conservation, oceans, and community action championed by the festival’s Storytellers Stage.

Just after Ohana, Hozier’s tour schedule has kept him prominently in the news and on social media. According to Hypebot, Hozier played Austin’s Zilker Park for the Austin City Limits Music Festival on October 3, with additional tour stops that include a sold-out show in Las Vegas at T-Mobile Arena, a highly anticipated concert in Phoenix for the Unreal Unearth Tour at Talking Stick Resort Amphitheatre on October 7, a return set at Austin City Limits on October 10, and then wrapping up this short leg with a major date in Mexico City’s Palacio de los Deportes on October 14. Local buzz in Austin and Phoenix has centered around his reputation for lush stage visuals and emotional performances, features amplified in fan reviews and shared widely across social.

There have been no major controversies, business moves, or explicit rumors swirling around Hozier during these days. The social media chatter is overwhelmingly positive, focused on his emotional festival moments, heartfelt stage presence, and anticipation for his upcoming shows. As of this week, Hozier is in the spotlight primarily for the interplay between electrifying live performance, visible support for social causes, and the continued draw of his tour—each reinforcing his long-term significance as both musician and voice for conscience-driven artistry.

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Hozier BioSnap a weekly updated Biography.

Hozier is closing out September 2025 with headline-making moves on all fronts and the music world is buzzing. In the latest major development, Mumford and Sons and Hozier have just announced a new collaborative single titled Rubber Band Man scheduled for release on October 24. Coverage by Hot Press and Binghamton Drive specifies this is not a cover of The Spinners classic but a brand-new acoustic-driven track with both acts co-writing and sharing vocals. Instagram teasers show Hozier and Marcus Mumford in the studio, and Marcus can be heard excitedly calling the final take dope. This is their first official studio collaboration though they have shared stages previously at Bonnaroo in 2015 and more recently Austin City Limits in 2023. Given both acts' dedicated fanbases and the global reach of their past hits, anticipation for Rubber Band Man is sky-high and it is already making waves amongst music journalists and on social media where fans are analyzing snippets and speculating about chart impact.

Live, Hozier continues to be a massive draw. He headlined the Ohana Festival in Dana Point on September 27, alongside Green Day and Eddie Vedder, with performance video already trending on YouTube. Press including Wave 104 spotlight Hozier as a co-headliner at this Vedder-curated festival, praising his soaring vocals and lyrical storytelling which, as always, moved the crowd and ignited a flurry of glowing reviews on X and Instagram. Another notable appearance was at Bridgeport Connecticut’s Soundside Festival on the same day, building buzz and effectively dominating alt-rock festival news for the weekend.

In terms of broad public presence, retrospective coverage of Take Me to Church is back in rotation, with Kiss 95.1 running an in-depth feature on the song’s enduring global influence, its protest origins, and the powerful role visual storytelling played in launching Hozier from attic songwriter to a Grammy-nominated international artist. This context pops up frequently on social media, especially as younger audiences rediscover the song through TikTok and streaming platforms where the track is already seeing renewed chart action.

No significant controversies or negative developments have surfaced. There is, however, ongoing fan buzz and speculative posts regarding new music beyond announced projects, fueled by Hozier’s recent hints in interviews about writing while on tour. According to an AOL interview, he remains optimistic about using downtime to create, suggesting further releases could arrive in 2026.

The headline here is clear Mumford and Sons and Hozier unite for a star-studded single dropping October 24 with festival triumphs and revived chart action continuing to cement Hozier’s status as one of his generation’s most essential artists.

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Hozier BioSnap a weekly updated Biography.

Hozier has had a characteristically eventful week marked by significant festival headlining, a major arena show, and renewed discussion around the lasting impact of his signature hit, all while maintaining a steady presence across both music media and fan-driven online chatter. According to Live for Live Music, Hozier delivered a commanding headlining performance on September 13 at Asbury Park’s SeaHearNow Festival, where his soulful vocals and incisive lyricism captivated thousands during an hour and a half set on the beach. The set reinforced his place as one of few current acts able to blend folk, gospel, and protest influences while commanding a main-stage summer festival slot. The festival’s wrap-ups emphasized how Hozier’s blend of the spiritual and sensual has carved him a unique lane, notoriety burnished further as social media reshared highlights and crowd videos from Surf Stage.

Just a few nights later, Hozier brought his current tour to New Orleans, playing the Smoothie King Center on September 23. Shazam’s event tracker called out the show, reflecting his transition from indie breakthrough to arena-level artist. Social media activity ramped up as attendees posted setlists, photos, and videos, with fans on multiple platforms noting his live performance energy and the set’s balance of new tracks with iconic favorites like Take Me to Church.

Meanwhile, KCRW’s influential Morning Becomes Eclectic playlist featured Hozier on September 24 and included his recent material alongside the now classic Take Me to Church, underlining his ongoing relevance in the indie and alternative music scenes. Across the music blogosphere, there’s been an uptick in think pieces revisiting the social, political, and artistic legacy of Take Me to Church, spurred by a new feature from Kiss951 published on September 26. The article traces Hozier’s journey from Irish attic recordings to global stages, highlighting how his viral debut, with its powerful critique of religious injustice and bold LGBTQ+ affirmation, has only grown in resonance. The story also notes the song’s continued use in protest contexts and its sustained streaming dominance, now at over three billion plays.

No new business ventures, endorsements, or official announcements were reported this week, and at the time of this search, there is no evidence of new music releases or social controversy. While rumors about potential new music have circulated in speculative fan forums, there is no confirmation from Hozier or his label. The week’s coverage has instead spotlighted his ability to draw massive crowds, the continued discussion of his political and social impact, and the staying power of his anthems—especially in an era where few artists can claim such cultural continuity.

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Hozier BioSnap a weekly updated Biography.

Hozier has had a massively eventful week packed with concerts, festival headlines, and noteworthy commentary resonating far beyond the music world. Performing as part of his Unreal Unearth Tour, Hozier electrified the stage at Hersheypark Stadium on September 19th, delivering a powerful, full-set performance that blended his signature soulful vocals and poetic lyrics with blues, folk, and indie rock influences. The show was widely praised for its immersive energy, cutting-edge stage design, and a setlist mixing viral TikTok hits with fan favorites like Take Me to Church and Too Sweet, marking yet another triumphant chapter in his live career as captured by DropVibe’s coverage.

Just days later, Hozier headlined the Sea.Hear.Now Festival in Asbury Park, New Jersey, treating a crowd of 35,000 to what attendees and critics called a masterclass in emotional connection and live artistry. According to Live for Live Music, his hour-and-a-half set on the Surf Stage stood out for its vocal passion and moving religious undertones, with audience sing-alongs and a palpable communal spirit. After the festival, the storied Stone Pony hosted its legendary afterparty, though there are no verified reports that Hozier made a surprise appearance—such rumors have circulated in past years about other legends like Bruce Springsteen, but there’s no confirmation for Hozier this time.

This momentum continued as Hozier headlined the Sing Out Loud Festival in St. Augustine, Florida, on September 21st. Creative Loafing Tampa Bay notes his standout performance, especially poignant with numbers like Nina Cried Power where he invoked themes of free speech, marriage equality, and voting rights. Hozier’s humility and candor shone in interviews leading up to the event, with him emphasizing the importance of not buying into the hype and remaining true to his roots, much like fellow Irish icon Bono. He was forthcoming about his approach to fame, stating he preferred decompressing in the Irish countryside after whirlwind success rather than chasing further exposure, revealing an authenticity that strengthens his public persona.

Recently, Hozier has been active on social media as well, with #HozierConcert and #UnrealUnearthTour trending following his festival appearances, sparking an outpouring of fan appreciation and viral clips on TikTok featuring Too Sweet and De Selby Part 2. While there’s speculation online about possible on-stage collaborations—particularly with Maren Morris, given her presence on the same Sing Out Loud bill—no confirmed duet has surfaced yet. Upcoming tour dates at the Smoothie King Center in New Orleans on September 23 and Doheny State Beach on September 27 ensure that Hozier’s presence in the headlines remains strong, and fans are keeping watch for any last-minute surprises or new announcements.

Overall, Hozier’s week has cemented his status not only as a major musical force but a voice unafraid to tackle deeper social issues on America’s biggest stages. No major business activity or industry controversy has surfaced—his focus remains on live performance, connecting with his fans, and sharing his artistry.

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Hozier BioSnap a weekly updated Biography.

Hozier just closed out Saturday night as the headliner at the Sea Hear Now Festival on Asbury Park beach, a moment many predicted would be too big for him but one he silenced all doubters with. Glide Magazine details how his set was moving and intensely powerful, with his all-star band and his own strong, expressive vocals orchestrating what the crowd called a religious experience. During “Nina Cried Power,” he connected the Irish civil rights movement to the US and explicitly voiced support for equality, LGBTQ rights, immigrants, and self-determination for Palestinians, driving the message home by ending “Take Me To Church” with a dramatic video illustrating LGBTQ persecution and draping a pride flag on his mic as the band exited. According to The College of New Jersey’s Signal, fans sang every word and reveled in the “unforgettable experience,” clearly placing Hozier among the pantheon of previous headliners like Springsteen and Green Day and cementing his status as a staple big-stage artist.

Immediately following this, Hozier’s Unreal Unearth Tour is rolling on in full force, with a run at Jiffy Lube Live in Virginia just completed and a major show at the Smoothie King Center in New Orleans coming up next. Reports from Virginia, recapped by HOT 99.5 and Bristow Amphitheater’s official events page, say he’s blending material from his new Unreal Unearth album as well as from the critically acclaimed Unheard and Unaired EPs, which include tracks that didn’t make the album but are quickly becoming fan favorites thanks to his emotional live performances.

On social media, fan videos from recent nights are going viral for their emotional highs, with clips of his poignant political statements and rousing “Take Me To Church” encore circulating widely. YouTube highlights and Twitter threads captured Hozier’s gesture of hanging the pride flag, his generous bandmate introductions, and his consistent message of hope and activism. So far, there’s been no word of new music releases or surprise collaborations, though rumors are always bubbling about potential live duets during festival season—none confirmed as of today.

No business ventures, endorsements, or public controversies have been reported this week. All press and fan response focus on his festival triumph and spellbinding tour performances, with critical consensus now firmly establishing Hozier as a headline-caliber artist with significant biographical impact.

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Hozier BioSnap a weekly updated Biography.

Hozier has lit up North America this September with an intense slate of public appearances and headline-grabbing performances. He brought his Unreal Unearth World Tour to Rogers Stadium in Toronto on September 10, where he delivered a stirring live rendition of Take Me To Church to a packed stadium, according to fan footage and multiple reports. Only days later, Hozier's presence electrified the Sea Hear Now Festival in Asbury Park on September 13, where crowds gathered to witness his powerful vocals against the ocean backdrop—a show widely celebrated on YouTube and through fan threads, where the beach setting and the festival energy amplified his reputation as one of live music’s most compelling acts. Next, he continues his tour with upcoming stops in Bristow, Hersheypark Stadium on September 19 with special guest Gigi Perez, St. Augustine, and then into New Orleans, Dana Point, and highly anticipated sets at the Austin City Limits Music Festival in October, all confirmed by platforms like SeatGeek and iHeartMedia.

Major entertainment sites such as The Week have pegged Hozier as a must-see artist of fall 2025, emphasizing not only his live draw but also his growing reputation for weaving social justice conversations into his shows. No new studio material or major business partnerships were announced this week, but his last studio album Unreal Unearth remains a talking point, as the tour supporting it continues to sell out mid- and large-scale arenas across the U.S. Ticket demand remains robust, with prices ranging widely but most venues reporting significant sales and an enthusiastic resale market.

Social media has kept him in the pop culture conversation, with Instagram reels and hashtags circling around “A Moment That Felt Like Hozier’s Yell,” a viral trend that highlights his signature emotive performance style. Though there hasn’t been any controversy or unexpected news-breaking business activity, fans and critics are in broad agreement that Hozier’s recent live performances have only added weight to his legacy, suggesting he is an artist whose long-term significance is still rising. In summary, the last several days have underscored Hozier’s stature as an uncompromising, crowd-commanding performer, with every tour date and festival slot further cementing his place as an artist of enduring resonance and relevance.

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Hozier BioSnap a weekly updated Biography.

Hozier’s week has been a whirlwind of sold-out stadiums, festival headliners, and viral moments as his Unreal Unearth World Tour continues to steamroll across North America. On September 10th, he commanded the stage at Toronto’s Rogers Stadium, igniting social media feeds with live renditions of “Francesca,” “Too Sweet,” and his enduring hit “Take Me To Church,” all of which quickly circulated through YouTube fan videos and racked up thousands of views overnight. The Toronto show’s setlist, confirmed by Setlist.fm, showcased the kind of theatrical, vocal power that has defined Hozier’s career since his breakout in 2013. His presence was magnetic, and from fan video tributes to trending hashtags on X (formerly Twitter), it was clear that Hozier continues to delight both diehard and newly converted fans worldwide.

As reported by SeatGeek and Shazam, his next stops include marquee festival slots at Sommo Festival in Cavendish on September 14 and the legendary Sea.Hear.Now Festival in Asbury Park on September 13. These dates are part of a packed North American run, with upcoming shows in Bristow, Hershey, and New Orleans, before returning to huge festival appearances in Austin and Dana Point. The ticket marketplace notes intense demand, with resale prices in some cities spiking well above face value and sold-out sections a common sight—definitively marking Hozier as one of 2025’s most successful live acts.

There has been no major new music announcement, public controversy, or business shakeup—his focus remains squarely on the current tour and connecting with fans. However, the Toronto performances generated significant buzz, in part due to surprise on-stage collaborations, as documented in fan reviews and snippets. Social platforms continue to light up with concert clips, fan art, and playlists, while Hozier himself remains relatively low-key online, letting the music and live experience do most of the talking.

No speculative reports or wild tabloid rumors have gained credible traction this week, nor has there been any significant shift in Hozier’s business partnerships or philanthropic activities, according to official channels. The central storyline is all about his extraordinary tour momentum, multi-generational fan engagement, and steady cementing of his place as a soulful, poetic powerhouse in contemporary music. The headline remains clear: Hozier’s live reign shows no sign of slowing, and every city he visits is abuzz with anticipation and afterglow.

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