Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Mike Butera has gone on some intriguing journeys, connecting music performance passions, philosophy and sound studies, and tech in creating new musical instruments for regular people to get into music. He shares his path to launching Artiphon after years in academic circles, ways he learned how to market new devices and thrive with Kickstarter, and how the adventure is going so far as they get ready to release the Chorda in late 2023.
Guest: Dr. Mike Butera, Founder & CEO, Artiphon
Dr. Mike Butera is the founder & CEO of Artiphon, a music tech company designing smart instruments that anyone can play. Mike received his Ph.D. in Sound Studies from Virginia Tech and was a professor of Sociology and Philosophy for 6 years. Prior to founding Artiphon, Mike was a consumer electronics product designer, a touring musician, and a public speaker in music & technology.
What are you most passionate about with your current work? : Inspiring people to be musical for just a minute every day!
Links:
Hosted on Acast. See acast.com/privacy for more information.
Jason Kramer shares his journey to being an EMT during the AIDS Epidemic, LA Riots, and Northridge Earthquake to Fox Sports to KLOS and KCRW. He talks about the magic of Sunday nights, how he created and drove his own luck through persistent work, asking for opportunities, and taking on new challenges. He shares a bit of his experience being present during the inception of Billie Eilish, including being in the opening scene of her documentary and playing himself in three movies. Jason discusses his various creative pursuits, including photography, directing videos, and teaching.
Guest: Jason Kramer, KCRW DJ, Music Supervisor, Photographer, and Educator
For the last 20 years, Jason Kramer has been in the field of music and radio. Born and raised in Los Angeles, California, Kramer worked as an EMT during the late 80s and early 90s; and through the 1992 Los Angeles riots. After changing his career as a medic in the hard streets of LA for ten years, he decided to work in radio starting in 1992 on KLOS, screening calls for the widely popular "Seventh Day." From that point on, Jason realized that music and radio were his calling.
During his transition, he started off with a stint working with SoCal favorites Sublime and their label Skunk Records. In 1996, he moved on to Fox Sports TV as their full-time music supervisor for 6 years, leading him to become a show producer on Fox Sports Radio. He has also worked in various other aspects of music including management, radio DJ, publishing, creative consulting, music photography, education, and as a music supervisor.
Jason started off as a KCRW volunteer in the mid-90s and has been on air since 1997 during a show called The Lab. You can hear Jason on his weekly show on Sunday nights on KCRW and KCRW.com, and can be found playing himself on several films and TV shows in the past few years.
Links:
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Michael Huppe, CEO of SoundExchange, fell in love with IP and came into music through law. He had played keyboard and trombone as a young person and ended up at the Recording Industry Association of America, which led him to SoundExchange. He shares how SoundExchange is also a tech company, needing to help and represent its members with opportunities from new technologies, as well as providing a system's backbone for a growing streaming music industry.
Michael Huppe is the President and Chief Executive Officer of SoundExchange, where he champions creators and spearheads the use of technology, data, and advocacy to power the future of music.
Whether he is leading efforts to launch new lines of business or advocating on the steps of Capitol Hill for creator-first legislation, every aspect of Michael’s work is undertaken on behalf of SoundExchange’s larger mission: to ensure that creators are compensated fairly, efficiently, and accurately for their work. To date, SoundExchange has distributed more than $9 billion in digital performance royalties to over half a million music creators.
In addition, Michael is an adjunct professor at Georgetown Law School, a frequent contributor, published author, lecturer, and active community member. His opinions have been published in Variety, Rolling Stone, The Wall Street Journal, Music Business Worldwide, Billboard, and The Hill, among other outlets.
>What are you most passionate about with your current work? : "Being able to champion creators and helping to create a fairer, simpler, and more efficient music industry through innovative technology and data solutions."
Hosted on Acast. See acast.com/privacy for more information.
Dave Ratner moved from skiing to managing bands into law, and now works with creative companies out of Boulder, CO to understand how to maneuver so many different new opportunities in music. He talks of innovation in his own life as to how to add capabilities, learn by doing, and then add that in with great creatives. He shares wisdom in how to evaluate risk, plan for success, and use both common sense and contracts to decide what innovations to pursue and how to understand the questions under the legal hood.
Following a career in the music businesses as a tour manager, publicist, band manager, and founder of his own management agency, Dave Ratner is now the Managing Partner of Creative Law Network, a boutique entertainment law firm in Colorado. Dave counsels clients throughout the music industry on everything from contracts and licensing, to intellectual property registration and protection, to dispute resolution. He is a graduate of Cornell University and the University of Denver College of Law. Dave is an adjunct professor at the University of Denver College of Law, Chair of the Entertainment & Sports Section of the Colorado Bar Association, Advisory Committee Chair of Colorado Attorneys for the Arts, Vice President of the Swallow Hill Music Board, Secretary of the Board of the Colorado Independent Venue Association, and speaks frequently on entertainment law issues throughout the country.
What are you most passionate about with your current work? : Helping artists succeed!
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Enjoy this final episode where Jack Conte blends the worlds of music creation (Pomplamoose and Scary Pockets) and solving creators’ problems with systems (crowdfunding and community with Patreon). He shares how he balances (or doesn’t balance at times) creating music with running a large tech business. He also shares what he has learned, how his companies have shifted with the work-from-home world shift, and how he has changed/staffed his own creative processes in this distributed era. His career journey has been an interesting mingling of music and science/technology, all the way back to his science teacher who got him interested (who he still connected with monthly over Costco pizza).
Guest: Jack Conte, CEO and Co-Founder of Patreon; band member of Pomplamoose and Stray Pockets
Jack Conte is a musician, filmmaker, half of band Pomplamoose and Scary Pockets, and a co-founder at Patreon, a membership platform that makes it easy for creators to earn salaries directly from their biggest fans. Patreon was founded in 2013, and is on track to pay out more than $500 million to creators in 2019 alone.
As a musician and filmmaker, Jack spent his days in a converted dog kennel-turned-recording studio in Sonoma County, making YouTube videos that have amassed over 120 million views. Now, he’s in full-time CEO mode at Patreon HQ in San Francisco where the company is paying millions of dollars to creators every month around the world. Jack also loves working with robots.
Mentioned Links:
Hosted on Acast. See acast.com/privacy for more information.
This week on the Innovating Music Podcast, we are joined by Ted Cohen, who shared tales of doing things for the right reasons and seeing decades ago the dimensions of our current music streaming playlists and challenges. He talks about genuineness of artists vs. overproduction in livestreaming and concerts, pricing the risks of new markets, scarcity, negotiations, how business challenges repeat, and how some people don’t see or know the past launches in their very own businesses. He shares his search and joy for things that are “effing amazing” as a whole with elegant execution. And he shares the joy of paying it forward from those who got him started as mentors.
Guest: Ted Cohen, Head of Development, Mediatech Ventures; Managing Partner, TAG Strategic
Known as “part connector/part evangelist/always a futurist,” Ted Cohen is Managing Partner of TAG Strategic, an LA-based digital entertainment consultancy. Additionally, Ted is Head of Corporate Development for Mediatech.Ventures, the Austin-based VC/incubator/accelerator. Previously, as SVP-Digital for EMI Music, Cohen led global digital business development. Prior to EMI, Ted led Consulting Adults, clients included Universal Studios, Amazon, Microsoft, and Napster. Cohen also held senior positions at both Warner Bros Records & Philips Electronics. A 40+ year digital entertainment industry veteran, Cohen created & chaired MidemNet and served on the Grammy National Trustee Board. Ted continually looks for the next innovative technology & his next challenge, he really loves his life.
Hosted on Acast. See acast.com/privacy for more information.
A year ago, Dmitri Vietze launched a new thought leadership conference on music technology in Los Angeles, and had to move it with one day's notice. This year, he has moved his whole thought leadership with Music Tectonics online with virtual conferences and community gatherings. He shares his thoughts on crisis-driven shifts to music livestreaming, expanding new releases, and digital access, along with tidbits on intriguing companies in this current listen-from-home era.
Guest: Dmitri Vietze, CEO and Founder, rock paper scissors
Dmitri Vietze is the Founder and CEO of rock paper scissors, inc. It was his crazy idea to transform a global music PR firm into what has become a predominant music tech PR firm. Dmitri is a regular presenter at SXSW Music, SF MusicTech, Music Biz, APAP, and WOMEX. He is also the founder and CEO of StoryAmp.com. He has a jaw harp collection, can juggle five balls, and has a titanium leg.
Mentioned Links:Hosted on Acast. See acast.com/privacy for more information.
This week on the Innovating Music Podcast, we talk with Music Business Association President, Portia Sabin about the ways in which the music business is connected as a community. We discuss her journey through the music industry from performing as an artist to running a record label. We also look at other aspects of the music business and how they have been affected in light of the pandemic. This includes trade associations and their advantages for independent labels especially during the pandemic, and other ways in which cities can centralize their local music businesses to connect the music community at large.
Guest: Portia Sabin, President of Music Business Association
Dr. Portia Sabin is the President of the Music Business Association. While working on her Ph.D. at Columbia University, she played drums, recorded, and toured with NYC band The Hissyfits. She founded Shotclock Management in 2004 and took over running the legendary independent label, Kill Rock Stars, in 2006. She is the host of a radio show and podcast about the music business called The Future of What. Sabin is a former board member of the Pacific Northwest Chapter of The Recording Academy, the RIAA, and the American Association of Independent Music (A2IM).
Mentioned Links:
Website: https://musicbiz.org/
Facebook: @MusicBizAssoc
IG: @MusicBizAssoc
Twitter:@MusicBizAssoc
Hosted on Acast. See acast.com/privacy for more information.
Innovation often answers the call to action made by changing environments. In this week’s podcast, we talk with Jay Gilbert, photographer and co-founder of Label Logic, about the new challenges artists in the music industry face in light of social-distancing and what their “new normal” will be as the world regains its rhythm. We look at new models for artist-fan engagement such as blended venues of live-streaming and live shows, as well as tools such as Bandsintown, Stageit, Bandzoogle, and Patreon. We also discuss the advantages of utilizing such platforms in terms of building new engagement metrics based on individuals rather than aggregate data and how this aids artists in strengthening and expanding their fanbases.
Guest: Jay Gilbert, Co-Founder, Label Logic; Photographer
As a teenager in the Pacific Northwest, Jay smuggled his Canon F-1 into rock concerts to get the perfect shot of the likes of Queen, Van Halen and Cheap Trick. After college, he toured as a musician gaining invaluable experience in what it takes to create and promote an album. He later translated that knowledge as an executive with Universal Music, Sony Music, and Warner Music Groups. Jay moved to San Francisco and finally to Los Angeles for Universal where he worked for 18 years, most recently as VP New Media and Online Marketing for Universal Music Enterprises [UMe].
Jay has been on the cutting edge of Digital Sales & Marketing with Universal Music, Starbucks Entertainment, Fox Home Entertainment (International), and Warner Music Group. It is this unique perspective as a musician, music executive, and fan that makes his approach to Digital Strategy and Online Marketing so artist-friendly.
While at Universal, Jay launched the first digital-only label, responsible for all aspects of the operations. The groundbreaking label was featured on NPR, Billboard Magazine, Nights With Alice Cooper, and in the NY Times. Jay also created the industry's first sheet music + album download (for the Grammy award-winning “Fingerprints” album by Peter Frampton). He created and executed unique online marketing plans for Nirvana, The Police, KISS, Motley Crue, Bob Marley, Jimi Hendrix, Elton John, Styx, Rob Zombie, Johnny Cash, Guns ‘N Roses, Smokey Robinson, Tears For Fears, Rick Springfield, Lisa Loeb, Ringo Starr, Ron White, Peter Frampton, The Temptations, Amy Grant, Melissa Etheridge, and many, many others.
Returning to his roots, photography remains Jay's creative outlet. He has photographed hundreds of artists in the studio and on tour.
Mentioned Links:
Hosted on Acast. See acast.com/privacy for more information.
In this week’s podcast, Stefan Schulz, CEO and co-founder of Bitfury Surround, joins us to discuss the potential of blockchain technology for connecting not just content, but data and new value chains for content. Coming from a rich background at the intersection of music, business and evolving technology, Stefan explains why now is the time to decentralize the way we track ownership data and the countless opportunities to be unlocked.
Guest: Stefan Shulz, Co-founder and CEO of Bitfury Surround
Stefan Schulz is the CEO and co-founder of Bitfury Surround. He has been working in the music industry for more than 20 years, pioneering the use of technology for the benefit of artists. In 2001, Stefan became a founding member of Universal Mobile, a Vivendi business unit that went on to dominate the mobile music market. Later, while working in Universal Music’s Digital Business in Central and Eastern Europe, he was in charge of milestone deals with large players such as Deutsche Telekom, Vodafone, Nokia, Verisign, Apple, NTT DoCoMo, Deezer, Spotify and more. For both Universal Music and Vivendi, Stefan actively designed and developed new business models around audio and video content as well as licenses for equity programs and consumer platforms. In 2016, Stefan joined forces with Simon Fuller (XIX Entertainment) to create the first global pop group based entirely on social media and audience engagement. Most recently, he has led the design of digital live entertainment rights (including social media, AR/VR and streaming content) for artists, promoters and music labels. He has worked with globally known artists like Nelly Furtado, Eminem, 50 Cent, Snoop Dogg, Rihanna, Snow Patrol, U2, Florence and the Machine, Gwen Stefani, Bon Jovi, Sting, and Andrea Bocelli.
Mentioned Links:Website: https://surround.com/
Twitter: https://twitter.com/bitfurysurround
LinkedIn: https://www.linkedin.com/in/stefanconvert/
Hosted on Acast. See acast.com/privacy for more information.
Technology transforms the way in which we view opportunities and often creates new ones. This week on the Innovating Music Podcast, we rethink learning and education in music with UCLA alumnus Akira Nakano, the President and Artistic Director of the Los Angeles Inception Orchestra. We look through the lens of applying virtual reality technology paired with original composition to the creation of educational programs that engage with local artist communities, and that bring music to underrepresented areas.
Akira Nakano grew up at the Colburn School of Performing Arts in both piano and percussion, soloing with numerous orchestras throughout Southern California as a youngster. He studied with Dr. Heewon Kwon with master classes from Jeffrey Kahane, Leon Fleischer, Ilana Vered, John Perry, and Daniel Pollack. He was the winner of the 1st Annual Herbert Zipper Award in Music Composition amongst other piano competitions. Entering UCLA on a full-ride piano performance scholarship, he won the UCLA Concerto Competition and graduated with a B.A. in Film & Television production.
Mr. Nakano spent over twelve years working as a video editor, writer, producer, and live event director at TRW Space & Electronics and went on to have 20+ years of video marketing/communications and film producing experience which will dovetail into the LA Inception Orchestra's Virtual Reality/360 music education program.
Mentioned Links:
Hosted on Acast. See acast.com/privacy for more information.
Adaptation is key when it comes to technology and innovation. In this week’s podcast, we discuss how technology evolves to fit the ever-changing dynamic between artists and their fan-bases with Fabrice Sergent, the co-founder and CEO of Bandsintown. We look at new ways in which Bandsintown supports its artists with new features such as WatchLive and a recent partnership with Twitch. We also discuss the shift in livestream viewing trends which have increased dramatically and what this means for artists and digital platforms.
Guest: Fabrice Sergent, Co-Founder and Managing Director, Bandsintown Group
Based in New York, Fabrice is an entrepreneur with experiences in the music and tech industries. He has spent 10 years in Europe and 13 years in the US, leading 2 start-ups from inception to over $100m in revenue. Fabrice is also a director of the Mobile Giving Foundation since 2009, serving 800 charities in the US and Canada. Fabrice launched his first start-up as Founder and CEO of Club-Internet in 1995, one of the very first and leading French consumer Internet Service Provider (ISP). Club-Internet was sold to Deutsche Telekom’s T-Online for €1.2 billion in 2000 with close to one million subscribers when he left the company.
Fabrice then co-founded Cellfish Media, a leading App publisher, and Bandsintown Group through organic growth and acquisitions. Fabrice served as a board member of several prominent media and internet companies in Europe such as the supervisory board of the publicly traded T-Online (largest German ISP), was a director of media/tech companies such as Le Monde Interactif (groupe Le Monde), Hachette Multimedia (Lagardere), Lagardere Active (TV and Radio).
He is regularly featured as a speaker or expert at key music and tech events including SXSW, DLD, Billboard Conference, Pollstar Conference, Midem, Mobile World Congress, MusicBiz. Fabrice has been selected as one of the 100 Most Creative People in Business by Fast Company in 2018.
Mentioned Links:
Website: https://news.bandsintown.com/ https://www.twitch.tv/bandsintown/
Facebook: @bandsintown @bitforartists
IG: @bandsintown @bandsintownforartists
Twitter: @bandsintown @bitforartists
Hosted on Acast. See acast.com/privacy for more information.
Circumstances can spark innovation when changing work environments require new solutions. This week on the Innovating Music Podcast, we talk with Michael Gitig of G-Technology about the transformation of digital workflows and how his operation has transformed to connect "create from home" film, TV, and music creators. During the state orders to work from home, they had to close up their Hollywood community studio location and totally rethink their delivery of tech workflow services. They really have become the bridge to connect disparate technologies in this work-from-home era for digital creators. Michael shared many changes being made by creators and companies and the lasting effects these innovations may have on future workflows and work environments.
Guest: Michael Gitig, Commander of Intergalactic Business Development, G-TechnologyMichael Gitig is a former music + entertainment industry worker turned tech intra- and entrepreneur. He has worked in business & strategic development, marketing, product management, and strategy for a variety of companies including Disney, Microsoft, and American Express, and was the co-founder of a music supervision company. His obsession with the convergence of media, technology, and commerce led him to pursue an MBA at the University of Michigan, where he graduated with distinction. While at the Ross School of Business, Mike led the consumer technology team of the Frankel Fund, a pre-seed student-run venture fund.
Mentioned Links:Hosted on Acast. See acast.com/privacy for more information.